Film Review: Lilo & Stitch (dir. by Dean Fleischer Camp)


The best way to sum up the Live Action version of Disney’s Lilo & Stitch is with a line used in both films – “It’s little, and it’s broken, but good. Yeah. Still good.” I didn’t care for it as much as I thought I would (due to some changes in the story), but didn’t despise it enough to fully warrant a full thumbs down.

The Memorial Day Weekend battle basically comes down between Angela Bassett and her husband, Courtney B. Vance, who both have movies coming out. Vance can see seen in Lilo & Stitch as Agent Cobra Bubbles (previously played by Ving Rhames in the original, who is in Bassett’s film this weekend, Mission Impossible: The Final Reckoning).Remakes are shaky things, even if you stay close to the source material. The Live Action version of Lilo & Stitch feels abbreviated, for want of a better word. I enjoyed what was presented, and so did the early evening audience that consisted of families and yet, it didn’t hit every note for me. I won’t say it’s horrible, but it felt rushed for a film that has about 25 more minutes than the original.

The story is mostly the same. Dr. Joomba Jookiba (Zach Galifinakis, The Hangover) has unleashed an abomination in Experiment 626, a.k.a. Stitch (voiced once again by Chris Sanders). Stitch is nearly indestructible, highly intelligent and extremely dangerous. Already captured and forced to stand trial, Stitch escapes, steals a spaceship and ends up in Hawaii. The water is dangerous for Stitch, as he’s too dense to really float.

Lilo (Newcomer Maia Kealoha) is girl that’s considered different by most. She loves her self made dolls, saving chickens that shouldn’t be caged and doesn’t have much in the way of friends. She often gets in trouble, and this is putting a strain on her relationship with her sister, Nani (Sydney Agudong, Infamously in Love). Nani is trying to hold a job and keep the local Social Worker (Tia Carrere, True Lies and the voice of Nani in the original Lilo and Stitch) at bay.

When the Grand Councilwoman (Hannah Waddingham, Mission Impossible: The Final Reckoning) sends Dr. Joomba and Pleakley (Billy Magnussen, No Time To Die) to Earth on a retrieval mission, Stitch hides himself with Lilo and Nani, posing as a dog. Both The CIA’s lead agent, Cobra Bubbles, is also closing in on Stitch after his crash landing. Can Stitch find a way to escape capture and learn the magic of Ohana? Will Lilo find the friendship she’s longing for?

Lilo & Stitch keeps most of best scenes from the original – Stitch’s opening lines are there, of course, and so is his speech about his family. The theme of Ohana is still there. It still means Family, and means no one is left behind or forgotten. However, we’re taught a new word, “Kuleana” – which means “responsiblity” or “accountability”. The live action version changes the script by escalating the broken home situation between Nani and Lilo. Nani has a life she wants to live, too, but the loss of their parents and taking care of Lilo have put her dreams on hold. In a cartoon, an alien can show up and make everything right. In reality, things are a bit more complicated. It kind of pulls the fun out of things, but grounds the film in some real world consequences.

The entire story is carried on the tiniest of shoulders, and Maia Kealoha makes for a near perfect Lilo. Every scene with just Lilo and Stitch alone are great, and they end up in quite a few adventures. The CGI for Stitch and the other aliens are also very good. Disney’s obviously learned something from Paramount and their “Ugly Sonic” scandal. The same can be said for Agudong’s Nani. There really isn’t a bad acting choice in the entire lot, but the film pulls a piece off the chessboard. The Grand Counselwoman’s chief enforcer, a large sharklike alien named Captain Gantuu, is not in the film. Instead, the story removes his storyline and focus on making Joomba more the villain and Stitch the hero. Joomba and Pleakley spend most of their time bumbling through Earth’s customs, but keep most of the humor throughout. I get why the directors chose to go this way, since the sequences give Lilo more to do in them. It’s not a perfect change, but it all evens out, and the kids in the audience at my showing ate it all up (as did some of the grown ups).

Lilo and Stitch is a good watch if you’ve never heard of the story before. For kids that are new to it, it’s a treat, but it may be better to wait for the Disney Plus edition.

On a side note, I also picked up a Collector’s Edition Lilo & Stitch popcorn bucket, which contains a opening in the back to hold popcorn or other items. Stitch’s skin feels like velvet (or something fuzzy, really).