Homefront (Xbox360/PS3/PC)


While most first-person shooter games tend to bore me there are a few which have caught my gaming fancy and continue to play to this day. Usually it’s either the latest game from Microsoft’s Halo franchise or Activision’s Call of Duty series. I tend to have less excitement over upcoming new FPS games and will wait until people who do love them actually give me a thumbs up or thumbs down on a particular title before I try it.

There’s one game which has caught my eye and part of it is due to the interesting story the game will be built around. A speculative fiction the game will revolve around and it’s the occupation of the US by a Greater Korean Republic in the year 2027.

Yes, you read that correctly. The US in this game will be invaded by a unified Korea (with the North in control) after many years of economic downturn has finally collapsed the US economy in addition to the world itself experiencing the first stages of post peak-oil. This setting has a major Red Dawn feel to it and it’s not surprising since the person who came up with the story for Homefront is none other than John Milius himself who wrote and directed the film.

While details on the gameplay looks to keep to the usual FPS gameplay standard the plot and some of the single-player campaign tweaks has made me decide that this game will be something I need to play. This time the player will play an American playing as a guerilla fighter in the Korean-occupied US. Civilians as collateral damage is suppose to play an integral part in how the game unfolds in the single-player campaign.

The multiplayer will include the usual point system earned to buy newer and better gear and weapons. Unlike the two franchises previously mentioned the points earned can also go towards bigger ticket items such as helicopters, tanks and other vehicles.

Here’s to hoping that there’s a fancy swag-edition of this game and that publisher THQ and the game’s developer KAOS Studios get creative with said limited swag-edition.

The Daily Grindhouse: The Sword and The Sorcerer (dir. by Albert Pyun)


It’s been awhile since I picked a film for the Grindhouse of the Day feature. For this go-round I will go into the little-known grindhouse fantasy subgenre.

Grindhouse flicks seem to always deal with horror, blaxploitation, Italian murder mysteries and scifi, but the fantasy subgenre has always been kept from the conversation. This is a shame since there’s been some very good (in grindhouse terms) flicks in the fantasy genre that could qualify as grindhouse. I would especially point out the ones made after the release of the very popular Conan the Barbarian. The one I chose is from that grindhouse master of the 1980’s: Albert Pyun. I speak of his 1982 sword and fantasy flick, The Sword and the Sorcerer.

The film definitely riffs-off of the Schwarzenegger-Milius fantasy epic. We have a kingdom conquered and destroyed by an evil tyrant who uses black-armored soldiers in addition to getting the help of an undead sorcerer. This time around the Conan-archetype is played by 80’s TV star Lee Horsley who does a valaint effort to affect a Shakespearean speech pattern (for some reason when people think fantasy they instantly try to speak like they were in a Shakespearean production). Baddie icon Richard Lynch plays the evil tyrant and he definitely looked like he was having the time of his life in the film despite the corny dialogue. There’s an abundance of graphic violence, nudity and magic spells (done in early 80’s heavy metal effects).

One thing this flick does have which made it a cult classic for fans of the fantasy genre is the sword in the title. The main character of Talon wielded a three-bladed sword. Let me repeat that: A THREE-BLADED SWORD. The sword wasn’t just sporting three blade but the wielder has the ability to shoot two of the blades at someone. Definitely puts to shame those sissy Spetnaz ballistic knives. Arnold may have had an Atlantean-forged blade in Conan the Barbarian, but Lee Horsley definitely outsworded him in his flick.

Another thing about this flick which makes it a favorite of mine is the poster art created for it. The producers of the film did one other thing right outside of populating the film with a kick-ass sword, much nudity and violence. I talk of the Frank Frazetta painted posters done up for the flick. More than one version were done depending on the region. The one above which was the original was the best and the film definitely lives up to what Frazetta painted.