Retro Television Review: Fantasy Island 5.7 “The Perfect Husband/Volcano”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

Yay!  It’s finally time to return to the Island.

Episode 5.7 “The Perfect Husband/Volcano”

(Dir by Philip Leacock, originally aired on November 21st, 1981)

This week, it’s Tattoo’s turn to serve as Roarke’s sidekick while Julie is sent off to deal with two weddings and a tour for “the seniors.”

On the one hand, it’s incredibly awkward for Roarke to have two sidekicks and it’s pretty obvious that Julie was only hired to serve as insurance in case Herve Villechaize walked off the set.

On the other hand, it is kind of nice to be reminded of the fact that there’s a lot happening on Fantasy Island.  Fantasy Island is not just a mystical nation that is ruled over by the enigmatic Mr. Roarke.  It’s also a resort that hosts vacations and retirement homes.  Apparently, you don’t have to have a fantasy in order to spend some time on Fantasy Island.  Instead, you can just come to Fantasy Island for a nice tropical vacation.  That’s kind of nice.

But, that said, the fantasies are why we’re here.  We’ve got two good ones this week.

Dorothy Nicholson (Susan Sullivan) is a newspaper publisher who has been feeling unfulfilled ever since her husband was killed by a drunk driver.  She want to find the perfect husband, a man without any flaws whatsoever.  After giving her his customary “You may not like what you find,” warning, Roarke sends her to Paradise Cove.  Operated by the sinister Anton Jagger (Rossano Brazzi), Paradise Cover is a resort where wealthy women are assigned the perfect companion.  Dorothy’s perfect man is Gilbert (Lyle Waggoner).  Gilbert is handsome, suave, charming, and attentive.  Unfortunately, like all of the perfect men at Paradise Cove, he’s also a robot and a part of Jagger’s scheme to cheat women out of their money!  Dorothy figures out the truth after Gilbert doesn’t even flinch after his hand catches on fire.  Can she defeat Jagger’s plans and rescue the real Gilbert?

(Of course, she can.  It’s Fantasy Island!)

Dr. Hal Workman (George Maharis) thinks that he’s figured out a way to detect when a volcano is going to erupt.  He wants to go to Fantasy Island’s own active volcano to test out his methods.  Roarke agrees, even though he worries that Dr. Workman only cares about science and not about people.  (Honestly, who cares?  A volcano detection system sounds like it would be a good thing, regardless of the motives of the man who created it.)  Workman is led to the volcano by a disillusioned former priest named Lauria (Richard Romanus).  However, Workman and Lauria are not the only people at the volcano.  There’s also a shady tycoon, Joseph Butler (Norman Alden), and his girlfriend, Terri (Misty Rowe).  You can probably guess what happens.  Workman falls in love with Terri.  Lauria finds his faith.  And Butler presumably dies when the volcano erupts and a deluge of what appears to be very thin tomato sauce comes pouring down the mountain.

Both of these fantasies were cheerfully ridiculous, which made them a lot of fun.  You may wonder why Roarke would send one of his guests to a resort that’s being run by a madman and that’s a legitimate question.  But the important thing is that the viewer gets a montage of all of the robots malfunctioning at once.  And you may wonder at the wisdom of allowing someone to go to an active volcano but the important thing is that we get a scene of George Maharis and Richard Romanus running away from the least realistic lava flow ever caught on film.  Fantasy Island is a lot of fun when it goes over the top and embraces its beautiful absurdity and that’s exactly what this episode did.

What a wonderful trip to the Island!

Retro Television Reviews: Fantasy Island 3.1 “Hit Man/The Swimmer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, we begin season 3 of Fantasy Island!

Episode 3.1 “Hit Man/The Swimmer”

(Dir by Earl Bellamy, originally aired on September 7th, 1979)

The third season of Fantasy Island gets off to a strange start when, after announcing that the plane is arriving with this week’s guests, Tattoo approaches Mr. Roarke while accompanied by a one-man band.

Not even bothering to disguise his contempt his assistant, Mr. Roarke demands to know what Tattoo is doing.  Tattoo replies that he is campaigning for the position of Honorary Lord Mayor of Fantasy Island.  He hands Mr. Roarke one of his fliers.

Again, Mr. Roarke does not appear to be particularly amused as he informs Tattoo that he has been Lord Mayor of Fantasy Island for several terms now and no one, up until this point, has ever dared to run against him.  Tattoo suggests that it is time for a change.

Myself, I’m just wondering what the heck is going on.

I mean, we are three seasons into Fantasy Island.  It has been established that Fantasy Island is an independent nation, one that is home not just to the resort but also to a fishing village, a private school, an old west town, several haunted houses, a red light district, and miles of potentially dangerous jungle.  Whenever anyone from America has tried to boss around Mr. Roarke, Roarke has replied that Fantasy Island is a not governed by American law.  Given the size and the variety of lifestyles on Fantasy Island, I’m not sure that “Lord Mayor” is really the right term to use for the island’s ruler.

Beyond that, it’s been pretty much established that Mr. Roarke is Fantasy Island’s dictator.  He decides what happens on Fantasy Island.  He makes the laws.  It’s his island and everyone respects his authority.  The important thing is that, over the past two seasons, it has never been previously mentioned that Mr. Roarke is an elected official.  If Tattoo were to win the election, would the Island become his?  Is Tattoo truly trying to overthrow Mr. Roarke?  Given how much Ricardo Montalban and Herve Villechaize disliked each other, it would not surprise me if Villechaize would have been happy to see that happen.  But, if you’re going by the show’s admittedly twisty continuity, the whole thing just doesn’t make any sense.

As for this week’s two fantasies, the first one doesn’t always make that much sense either.  It features David Doyle as Fred Forbush, an underwear manufacturer.  He’s come to the island with his wife (Constance Towers) and kids (Ronnie Scribner and Katrina Axley).  Fred has gotten in some business trouble.  Though his family doesn’t know it, he is on the verge of losing it all.  However, he has a life insurance policy that will pay his family over a million dollars if he’s murdered.  Though his family thinks that they are just on vacation, Fred’s fantasy is for Mr. Roarke to arrange for a hitman to kill him.

The fact that Mr. Roarke not only agrees to this but apparently also allows a hitman named Johnny Detroit (Eddie Mekka) to operate an assassination school on his island suggests that maybe Tattoo has a point about the Island needing a new Lord Mayor.

Johnny’s first attempt to murder Fred fails when Johnny slips on a leaf and ends up firing his sniper rifle into the sky.  Humiliated by that failure, Johnny now feels that killing Fred is a matter of honor.  However, Fred receives word that a clothing store wants to go into business with him!  Fred no longer wants to die!  Well, good luck with that….

Fear not!  This is actually the episode’s comedic storyline so Fred doesn’t die.  Instead, he ends up trying to hide from Johnny by putting on a wig and a sarong.  When that doesn’t work, he tells his family the truth.  (Needless to say, his wife is pretty angry at Lord Mayor Mr. Roarke.)  Fortunately, Johnny’s mother (Kaye Ballard) shows up on the island and puts an end to the whole thing.  It turns out that Johnny really isn’t a hitman.  Instead, he’s just a guy named Wilbur whose fantasy was to be a ruthless killer …. which is not disturbing at all!

While all that nonsense is going on, Jack Summers (Peter Graves) and his daughter, Terry (Eve Plumb, continuing the tradition of former Brady kids showing up on both this show and The Love Boat) arrive on the island to see Dr. Frantz (Gail Fisher).  Terry was an Olympic-level swimmer until a car accident left her in a wheelchair.  Jack’s fantasy is that Dr. Frantz will be able to cure Terry’s condition and she’ll be able to walk and swim once again.  Unfortunately, Dr. Frantz explains that there is no hope.

However, Mr. Roarke has also arranged for Terry to teach a water ballet class.  The class is made up of disabled children and, as you have probably already guessed, working with them causes Terry to realize that she doesn’t have to go to the Olympics to do great things.  As far as fantasies go, it was predictable but sweet.  Even Peter Graves gets emotional watching Terry’s students in the water.

But what about the election?  Tattoo names Chester the Chimpanzee as his campaign manager and loses the election when Chester eats the only vote that Tattoo received.  By a landslide, Mr. Roarke is reelected.  Presumably, his first post-election move will be to have Tattoo imprisoned for bringing Johnny Detroit to the Island, despite the fact that it was actually all Mr. Roarke’s idea.  When you’re a dictator, you can do whatever you want.  Hopefully, Tattoo will be free by next week’s episode.

This episode was a nice way to kick off season 3.  The election storyline reminded the viewers of just how weird Fantasy Island actually is, as both a location and a show.  Eddie Mekka made me chuckle a few times in the role of the buffoonish Johnny Detroit.  And I was glad that Terry found the peace and happiness that was always denied to Jan Brady.

Next week: Abe Vigoda visits the Island!

Embracing the Melodrama #18: The Naked Kiss (dir by Sam Fuller)


The Naked Kiss

When I first decided to do this series on embracing the melodrama, I knew that I would have to include at least one film from Sam Fuller.  A former war hero and tabloid journalist, Sam Fuller made films that felt like a punch in the face to everything that he considered to be hypocritical about American society.  Fuller’s films may have been B-movies and they certainly were unapologetic about being melodramas but, at the same time, they were — at the time of their release — some of the only films willing to deal with controversial subject matter.  While the rest of American filmmakers embraced safety, Fuller could always be counted on to be dangerous.

For instance, at a time when most films were celebrating “good girls” and punishing the bad ones with unplanned pregnancies and bad reputations, Fuller directed a film in which the heroine was a former prostitute and the main villains came from every corner of respectable society.  That film was 1964’s The Naked Kiss.

The Naked Kiss opens with a scene as striking and as memorable as one of the tabloid headlines that Fuller would have cranked out back in his days as a journalist.  Kelly (Constance Towers), a prostitute, attacks her pimp with her purse (with the camera often standing in for the pimp’s point-of-view so, for a good deal of the scene, Kelly appears to be striking those of us in the audience).  During the struggle, Kelly’s wig is knocked from her head, revealing her to be bald.

Fleeing from her pimp, Kelly ends up in the town of Grantville, where her first customer turns out to be Griff (Anthony Eisley), the chief of police.  Once they’ve completed their business, Griff informs Kelly that it might be a better idea for her to find a more permissive town in which to set up operations.  However, Kelly has decided that Grantville would be the perfect place for her to escape from her past and start a new life.

Despite Griff’s continued attempts to get her to leave town, Kelly finds a job working, with handicapped children, in a pediatric ward.  Full of empathy for children who have been just as abused as she has, Kelly proves herself to be an excellent nurse.  She is also soon dating the most powerful and popular man in town, J.L. Grant (Michael Dante).  Grant, at first, seems to be the perfect man and Kelly soon falls in love with him.  Even after she reveals the truth about her past, Grant says that he wants to marry her.

However, things change when Kelly drops by Grant’s mansion one day and discovers Grant on the verge of molesting a little girl.  (Making the scene all the more disturbing is the children’s song that plays in the background through almost the entire scene.)  Grant explains that he’s a deviant, just like her.  Kelly’s reaction forces both her and the citizens of Grantville to confront the truth about who they really are.

Though The Naked Kiss is often overshadowed by Fuller’s Shock Corridor (which was released the year before), The Naked Kiss is actually the better film of the two.   Along with Fuller’s lively direction and Constance Towers’ strong performance as Kelly, The Naked Kiss is also distinguished by Stanley Cortez’s atmospheric black-and-white cinematography.  The scenes in which Kelly sings with the children and then discovers Grant with his potential victim could both be textbook examples of how to properly stage a scene.  This unapologetically tawdry film is also an undeniably great one and you can watch it below!