October Positivity: Faith Of Our Fathers (dir by Carey Scott)


2015’s Faith Of Our Fathers tells the story of a road trip to Washington, D.C.

John (Kevin Downes) and Wayne (David A.R. White) might not seem to have much in common.  John is uptight and neurotic, on the verge of getting married but feeling like he has to do one final thing while his fiancée (Candace Cameron Bure) plans their wedding.  Wayne is a proud redneck, someone who lives in a trailer and enjoys picking fights.  When John first shows up at the trailer, Wayne shoots a shotgun at him.  When John refuses to leave, Wayne eventually allows him into the trailer and the two of them talk.

They are linked by their fathers, who both served and bonded in Vietnam.  Through flashbacks, we see how John’s father (Sean McGowan) found strength from his religious faith and how Wayne’s father (Scott Whyte, who viewers of a certain age will recognize from City Guys) eventually set aside his cynicism.  Wayne is in possession of the letters that his father wrote home from Vietnam and John, feeling a need to know who his father was, wants to read those letters.  Wayne agrees to show John the letters if he drives Wayne to Washington D.C. so that they can visit the Vietnam War memorial.

Along the way, the two of them bicker, bond, and have adventures.  This is a road film, which means that it has to take a while for John and Wayne to stop arguing with each other and start to open up about their pasts and their views on the modern world.  They meet a wide variety of people while on their trip, some of whom are trustworthy and many of whom are not.  They also meet Mansfield (Stephen Baldwin), who served in Vietnam with their fathers and who offers up some details about what happened to the men while they were serving in the military.

Unfortunately, the film itself doesn’t really work.  It has all of the flaws that one typically associates with a faith-based filmmaking.  The budget is noticeably low, something that especially becomes an issue during the Vietnam flashbacks.  The dialogue is often didactic.  Downes and White are familiar faces when it comes to faith-based films and they’ve both given good performances in other films but they both feel miscast here.  As played by Downes, John is a bit too neurotic to be believable (or particularly sympathetic) while White’s earnest and, at times, goofy style of performing feels wrong for a character who is supposed to be into random fights and beer.  For someone whose career has largely become about appearing in faith-based films, Stephen Baldwin seems rather detached throughout Faith of our Fathers.  In the flashbacks, he’s one of the least convincing commanding officers that I’ve ever seen in a war film.  In the modern scenes, he just seems bored.  If I’m being hard on Baldwin, it’s because I’ve seen him give really good performances in other films.  Knowing that he could be giving a good performance makes his bad performances all the more frustrating.

I will say this, though.  Faith of Our Fathers takes a stand for supporting our veterans, both when they’re serving and after they’ve come home.  I appreciated that.  All too often, we seem to hold the unpopular wars against those who served, as if the mistakes of those in command are somehow their fault.  That happened with Vietnam and it’s happening right now with Iraq and Afghanistan.  No one should ever be forgotten or deserted by their own country.

 

Cleaning Out The DVR Yet Again #36: Term Life (dir by Peter Billingsley)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by the end of Thursday, December 8th!  Will she make it?  Keep checking the site to find out!)

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I recorded Term Life off one of the Starz channels on November 13th.

Vince Vaughn co-starred in two movies in 2016 and both of them were a little bit different from the fratty comedies for which he is best known.  One of the movies was Hacksaw Ridge, in which Vaughn was cast against type as a tough drill sergeant.  Hacksaw Ridge is one of the best films of the year and it features Vaughn’s best work since he appeared in 2007’s Into The Wild.  The other film was Term Life, which had a very limited released in April and is now popping up on cable.

In Term Life, Vaughn plays Nick Barrow.  Nick is a thief but he doesn’t actually steal anything.  Instead, he plots heists and then sells his plans to the highest bidder.  However, Nick has somehow managed to get in trouble with the mob, with a corrupt cop (Bill Paxton), and with … well, with everyone.  I say somehow because it wasn’t always clear why everyone was so obsessed with killing Nick.  They just were.

Knowing that his days are probably numbered, Nick takes out a life insurance policy on himself.  He names, as the sole beneficiary, his estranged daughter, Cate (Hailee Steinfeld).  With his reluctant daughter accompanying him, he goes on the run.  While Nick and Cate finally start to bond and repair their damaged relationship, the very bad men searching for Nick kill a lot of people.

So, this is a weird one.  At times, this film is a typical generation gap comedy, with Vaughn playing the former-cool-guy-turned-befuddled-dad who freaks out when he sees Cate’s bra hanging from a shower rod.  This part of the film is actually kinda likable.  Vaughn and Steinfeld are believable as father-and-daughter and their scenes together are sweet if predictable.

But then you’ve got the rest of the film, which is basically Bill Paxton brutally murdering people.  The violence comes on so strong that it feels totally out-of-place when mixed in with scenes of Nick and Cate bonding.  It’s such an abrupt tonal shift that it makes it impossible to get into the film.

Term Life has a cobbled together feel to it and it doesn’t help that it features the type of heavy-handed narration that feels as if it was added at the last minute in a desperate attempt to bring some sort of coherent structure to a messy film.  On the plus side, both Vaughn and Steinfeld are believable and you occasionally care about their father-daughter relationship.  On the negative side, likable characters keep dying.

In other words, see Hacksaw Ridge.