Music Video of the Day: Try by Michael Penn (1997, dir by Paul Thomas Anderson)


I was going to do one of the videos that Paul Thomas Anderson directed for Haim today but I changed my mind at the last minute.  That’s nothing against Haim or the video.  Haim’s great and their videos — particularly the ones directed by Anderson — are frequently brilliant.  It’s just, for whatever reason, I knew that today was not the day to write about their video for The Steps.  That day will come soon.

Instead, I wrote about the video for Michael Penn’s Try.

Try was the very first music video to be directed by Paul Thomas Anderson.  He directed it while he was editing Boogie Nights.  Michael Penn, of course, did the score for both Boogie Nights and Anderson’s earlier Hard Eight.  He can also be spotted in Boogie Nights, playing Nick in the recording studio and incredulously reacting to the efforts of Dirk Diggler and Reed Rothschild to record their own album.

When watching this video, pay attention to the blonde gentleman wearing the Planet of the Apes t-shirt.  He shows up twice and, at one point, holds the microphone into which Penn is singing.  If he looks familiar, that’s because he’s actor Philip Seymour Hoffman!  When I first saw the video, I honestly didn’t recognize him.  I just thought he was some random crew person who got the job because he could run fast enough to keep up with Penn.  Of course, once I learned that Hoffman was in the video and I rewatched it, I immediately spotted him.  I think it says something about what a good actor Hoffman was that, even in something like this, he could be so convincing that, despite being one of the most recognizable actors in the world, he still became somewhat anonymous.  He disappeared into the role.

Thomas Jane and Melora Waters (who played Todd and Jessie St. Vincent in Boogie Nights) are also in this video, standing at the end of a a long line of exhausted dancers.  (This was meant to be a reference to the film, They Shoot Horses, Don’t They?)  There’s one other Boogie Nights reference, which is kind of interesting considering the fact that he and Anderson supposedly didn’t get along during filming.  Keep an eye out for door with a purple 9 on it.  That’s a reference to Burt Reynolds, who wore the number 9 when he played college football.

Enjoy!

Song of the Day: Violaznioe Violenza by Ennio Morricone


Continuing our little tribute to Ennio Morricone, today’s song of the day comes the 1976’s Italian thriller, Hitch-Hike.  This is not one of Morricone’s better-known scores but it’s still one of my favorites.  The film’s pretty good, too.  Franco Nero vs. David Hess with a score by Ennio Morricone?  How couldn’t that be a classic?

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)

Song of the Day: Deborah’s Theme by Ennio Morricone


Today, I arrived home to the sad news that Ennio Morricone, the world’s greatest composer, had passed away at the age of 91.  Morricone was responsible for so many classic film scores that it’s hard to know where to begin.  I imagine I’ll be sharing a lot of his music over the next couple of days.  Some of it will be familiar and hopefully, some of it will inspire our readers to seek out some of his lesser known scores.

For now, I’d like to share one of my favorite Morricone compositions.  This is Deborah’s Theme from Sergio Leone’s 1984 gangster epic, Once Upon A Time In America.

Music Video of the Day: Big City Night by Scorpions (1985, directed by ????)


On the road with Scorpions!

In America, Scorpions are best-known for Rock You Like A HurricaneBig City Nights comes from the same album, Love At First String.  In fact, it was the last single released from that album and the video is made up of footage that was shot while the band was touring in support of Love At First Sting.  Though the song was never as big a hit as Rock You Like A Hurricane, the video was probably responsible for a lot of teenagers deciding to start a band in 1985.  The main message of this video seems to be that if you want to get laid, even when you’re middle-aged and your hair is starting to thin, then you need to start a band.  Of course, that was the message of most music videos of the period.

Enjoy!

Music Video of the Day: Bad is Bad by Huey Lewis and the News (1984, directed by ????)


Today’s music video features a linguistic lesson from Huey Lewis.

Perhaps realizing that a generation was being raised to think that “bad” was the proper way to describe something as being cool, Huey uses this song to remind his fans that sometimes, bad just means that something’s bad.  Sometimes, your cousin plays the guitar and it sounds like chainsaw.  Sometimes, there’s a strange pair of shows under the bed.  Sometimes, bad is bad.

To make their point, the band performs the song while walking around the Potrero Hill neighborhood of San Francisco.  What better way was there to do that?  It’s not every day that you see Huey Lewis and the News walking behind a garbage truck.

Enjoy!

Music Video Of The Day: American Girl by Tom Petty & The Heartbreakers (1980, directed by ????)


“I wrote that in a little apartment I had in Encino. It was right next to the freeway and the cars sometimes sounded like waves from the ocean, which is why there’s the line about the waves crashing on the beach. The words just came tumbling out very quickly – and it was the start of writing about people who are longing for something else in life, something better than they have.”

— Tom Petty on American Girl

Because it’s the 4th of July, I wanted to share the music video for Tom Petty’s American Girl but it turns out that there never was an official video for American Girl.  The song came out before the launch of MTV and, strangely enough, it was never as big a hit in the United States than it was in the UK.

I was, however, able to find footage of Tom Petty performing the song on FridaysFridays was a rip-off of Saturday Night Live.  It aired live with a regular ensemble and it also featured a weekly musical guest.  The only real difference between it and SNL was that Fridays aired on …. you guessed it, Friday night.  It never escaped the shadow of Saturday Night Live, though it did receive some attention when guest host Andy Kaufman got into an on-air brawl with Michael Richards.  (Apparently, it was a staged fight though, as was often the case with Kaufman, few people realized it.)  Today, Fridays is best known for featuring several performers — Richards, Larry David, Bruce Mahler, and others — who were later appeared on Seinfeld.

This performance above is from the June 6th, 1980 episode of Fridays.  Tom Petty and the Heartbreakers performed Shadow of a Doubt and American Girl on the episode.  According to Wikipedia, that episode also featured sketches with names like “Johannes the Friday’s Parakeet Needs Marijuana Seeds” and “Prostitution Debate with Pastor Babbitt.”

American Girl, incidentally, was originally recorded on July 4th, 1976.  Today is its 44th birthday.

Enjoy!

Music Video of the Day: Last Train to London by Electric Light Orchestra (1979, directed by Mike Mansfield)


John Cleese used to joked that, on the 3rd of July, the UK would celebrate “Dependence Day,” by setting up cardboard cut-outs of George Washington and Thomas Jefferson and taunting them with shouts of, “Well, why don’t you go get your freedom, then!?”

Sadly, Dependence Day is not an actual holiday.  Perhaps it should be.  If the UK can celebrate Guy Fawkes Day without being sure whether or not it means to celebrate Fawkes’s plan to blow up Parliament or his death, I certainly think that time can be found to shout rude things at a caricature of John Adams.

Today, in honor of Dependence Day, I picked a music video for a song that has nothing to do with the American revolution but it does mention London and I guess that’s close enough.  This song was actually written because the members of ELO used to spend a lot of time riding the train between from Birmingham to London.

Enjoy!

 

Music Video of the Day: Beat The Clock by Sparks (1978, directed by Scott Millaney and Brian Grant)


The song, Beat the Clock, was named after a game show that aired, off-and-on, from 1950 to 2018.  On the show, contestants would try to win prizes by completing challenges in a certain amount of time.  Like the best game shows, it was simple but challenging.  The show originally aired on CBS and, over the decades, switched channels several times.  When the latest version of the show ended, it was airing on Universal Kids.

The video does not really have much to do with the game show.  Instead, it features Sparks performing while cardboard cut-outs of the band roll down an assembly line.  Interestingly, this video was made in the days before MTV, when most music videos were still strictly performance clips.  At the time it was released, the video for Beat The Clock would have been unique for actually having a concept behind it.

The video was directed by Scott Millaney and Brian Grant.  If Brian Grant’s name seems familiar, that’s because he went on to direct over 225 videos.  He did videos for everyone from The Human League to Whitney Houston to Queen to Peter Gabriel and Duran Duran.  If your band was big at some point in the 80s, there’s a good chance that Brian Grant directed a music video for you.  Grant has also directed episodes for several television programs, including Dr. Who, Highlander, and The Red Shoe Diaries.

Enjoy!