Music Video of the Day: Tonight, Tonight by The Smashing Pumpkins (1996, dir. Jonathan Dayton & Valerie Faris)


One of the most common arguments I’ve seen about why music videos aren’t actually films is that they are just advertisements for a song. Right now Gary has just finished reading that sentence and is digging out his copy of Dewar’s-It’s Scotch (1898), Warner Bros. Silver Jubilee (1930), and other examples that destroy the illusion that even ads aren’t films. I think The Smashing Pumpkins video for Tonight, Tonight is one of the finest examples of why that argument is a bunch of BS. Why? Because it’s a remake of Georges Méliès’ A Trip To The Moon (1902). Even IMDb Data Editors agreed with me when I submitted it as such about a year ago. Tom Kenny and Jill Talley play the man and woman who go through their incredible journey. One that ends with them even being rescued by the S.S. Méliès. Not only have more people probably seen short films since the launch of MTV then since the pre-1915 days of cinema, but this video introduced many kids to Georges Méliès long before Martin Scorsese did with Hugo (2011).

Music Video of the Day: Don’t Answer Me by The Alan Parson’s Project (1984, dir. D.J. Webster)


Just like when you watch early cinema, you can see that they were innovating in music videos shortly after the launch of MTV. With famed comic book artist Michael Kaluta at the helm, they used cel animation, stop-motion, and claymation to create the video. It’s a nice throwback to the Old Hollywood days of Humphrey Bogart and Dick Tracy complete with a reference to A Trip To The Moon (1902).

By the way, thanks Lisa for the encouragement to not throw out this idea to spotlight a music video from time to time this morning.

Music Video of the Day: If You Don’t Know Me By Now by Simply Red (1989, dir. Vaughan Arnell & Anthea Benton)


A few years back I noticed that music videos were largely missing from IMDb. Sure you could find Thriller, but that was about it. I went and tried to get Metallica’s One submitted. I knew I could argue anyone into the ground about it. I did have to argue with someone at IMDb about it, but it went nowhere. Last year I went and checked to see if maybe it eventually had made it’s way in there. It had. Why not try again? I submitted Take On Me by a-ha knowing I could also argue anyone into the ground about it. It was almost instantly accepted the moment I pressed the submit button. I tried again and again with various videos. They were all accepted. I even received two emails from two separate people at IMDb telling me to keep submitting them with a couple little guidelines. I don’t think they should be marked as video rather than a regular music short, but it’s progress.

Lately it has been difficult for me to get on here and do full reviews of movies for various reasons. As a result, I thought it would be fun to spotlight a video here from time to time. There are some interesting ones out there. I know I found it interesting to discover that William Friedkin made Laura Branigan’s Self Control and Brian De Palma did Bruce Springsteen’s Dancing In The Dark. I’ll try to have something to say about it, but other times it will just be the video itself.

This one is directed by veteran music video directors Vaughan Arnell and Anthea Benton. I love the choice of going with black and white. The 80s turned the use of color upside down from color meaning a dream like in The Wizard of Oz (1939) to black and white meaning a dream. The video essentially takes place inside of the lead singer’s mind filled with empty chairs, the rest of the band, and memories that play out on projections around him. To my knowledge, all the clips are original, but I’m not 100% sure and I’ve seen other music videos use clips from other films. Enjoy.