Music Video of the Day: Ride My Bike by Maude Latour (2019, dir by Tess Lafia)


To be honest, when I first heard this song, I assumed that “ride my bike” was a metaphor for something else and a part of my still suspects that it is.  I think it can be argued that a song ultimately means whatever the listener chooses it to mean.  That’s the collaboration between the artist and the consumer.  However, according to an interview that I just read, Maude Latour actually is singing about riding her bike in this song.

Well, okay.  That’s fine.  I have some issues with bicyclists, mostly because they always seem to get in front of me whenever I’m at a red light and I’m always worried that, when the light turns green, I’m going slam down on the accelerator and run them over before they have a chance to get out of the way.  That said, I do like to run and whenever I’m running, I feel the type of exhilaration that this song describes.

The music video, of course, leaves no doubt that the song is actually about a bike.  What I like about this video is that LaTour never stop riding and really, what better way is there to survive the end of the world?  Keep moving and don’t ask for directions.  Instead, draw your own map.  Create your own path.  That’s what I did and now, I’m very happy to say that it doesn’t even matter that I lost the map a few weeks ago.  I’m just going wherever.

Enjoy!

Music Video of the Day: Make It Move by Penny Police (2019, dir by Penny Police)


This song and video are so optimistic that they almost feel like they should be played at a Marianne Williamson campaign rally.

Listen, we’ve all got a difficult week ahead of us and Monday is always the worst day.  So, my hope is that this music video and this song will help you get off to a good start!

Enjoy!

Music Video Of The Day: Woodstock by Miya Folick (2017, dir by Sarah C. Prinz)


Since it’s the 50th anniversary of Woodstock right now, it seems appropriate to share this music video.

This is a cover of a song that Joni Mitchell wrote about the festival.  It’s a song that’s been covered by many different groups and, as is typical of the boomer folk music of the late 60s and early 70s, it’s a bit too self-serious for my taste.  That said, it’s definitely better than that Big Yellow Taxi song and Miya Folick brings a dream-like edge to her version of the song.  When you hear Folick’s version, it sounds like it’s possible that she’s being sarcastic when she sings about meeting a “child of God,” and that alone makes it better than most other versions of this song.

Enjoy!

Music Video Of The Day: Coming Into Los Angeles by Arlo Guthrie (1970, dir by Michael Wadleigh)


“Lot of freaks!”

Today is the 50th anniversary of the first day of the famous (or infamous, depending on how you feel about hippies, nudity, mud, and Crosby Stills Nash) 1969 musical festival, Woodstock.  Today’s music video of the day is taken from Michael Wadleigh’s 1970 documentary about that event.

Arlo Guthrie was the son of folk singer, Woody Guthrie.  He’s best known for the Thanksgiving anthem, Alice’s Restaurant.  I enjoy his performance here because Arlo is both playing up to the crowd while, at the same time, remaining rather detached from them as well.  He understands the audience and allows them to think that he’s one of them while remaining a bit above it all.  (And if you have any doubt, just look at him flying over Woodstock in a helicopter.)  It’s the same feeling that one gets from watching Arlo in the film version of Alice’s Restaurant and it makes him a more intriguing figure than the artists who unambiguously embraced the counter culture.

Wadleigh, of course, uses Guthrie’s song as a way to acknowledge that, believe it or not, a lot of weed was smoked at Woodstock.

Finally, it’s a pretty good song.  Rhyming “Los Angeles” with “a couple of keys” guarantees that.

Enjoy!

Music Video of the Day: Like He Never by Biond (2019, dir by Greta “Gravity” Nash)


So, is this video a celebration of hanging out with friends or is it the final vision of a dying person whose life is flashing before their eyes.  I tend to assume it’s the latter but then again, you know that I always tend to lean towards the morbid when it comes to interpreting things.

Enjoy!

Music Video of the Day: Confused by Missions (2019, dir by Vidkidz)


A trippy music video is always a good way to start the day, isn’t it?

It’s always tempting to read too much into a video like this.  I just like the combination of impending doom and smiley faces.  I mean, who wouldn’t?

Enjoy!

Music Video Of The Day: Super Freak by Rick James (1981, directed by ????)


Today is the 15th anniversary of the death of Rick James.  Our music video of the day is for James’ biggest U.S. hit and his best-known song, Super Freak.

James shot this video during the early days of MTV, hoping that the network would put the video into its steady rotation and help the song become a hit.  However, MTV rejected the video.  In the early 80s, MTV was notorious for rejecting music videos from black artists.  However, Carolyn Baker, who was then director of acquisitions for the network, later said that, “It wasn’t MTV that turned down ‘Super Freak.’ It was me. I tuned it down. You know why? Because there were half-naked women in it, and it was a piece of crap. As a black woman, I did not want that representing my people as the first black video on MTV.”

(The first black group to get a video on MTV would be Musical Youth with Pass the Dutchie in 1982.  A year after that, Michael Jackson destroyed what was left of MTV’s color barrier with the success of his videos for Thriller.)

Even without the support of MTV, Super Freak went on to become Rick James’s biggest hit.  The song’s distinctive bassline was later sampled by MC Hammer’s U Can’t Touch This.  James had to sue to get credited for the sample.  Rick James would later receive his only Grammy when U Can’t Touch This won for Best R&B Song in 1991.

Enjoy!

Music Video of the Day: Bad Boy by Carys (2019, dir by Travis Didluck)


This is a nicely atmospheric video.  A woman discovers that her man is cheating and, when he returns home from a tryst, he finds a message waiting for him.  The whole video covers an entire range of emotion, from the pain of betrayal to the empowerment that comes from refusing to just accept it.

“I am enough”

Hell yeah, Girl!

Enjoy!

Unless, of course, you’ve been bad, in which case you should probably fear for your life.

Music Video of the Day: Summers in Vegas by Lolo Zouaï (2019, dir by Lolo Zouaï and Tommy Nowels)


This is a nicely evocative video, I think.  Las Vegas is the quintessential American city, a celebration of commerce and hospitality that happens to be sitting out in the middle of an inhospitable desert.  Vegas could only have been founded in America and it’s only in America that it could have thrived to become the iconic city that it is today.

Of course, I should also mention that, whenever I see any clips of the Las Vegas strip, I automatically think about the movie Casino and the Ace Rothstein Dancers.  If I ever go to Vegas, I’m going to let Commissioner Pat Webb know that Sam “Ace” Rothstein has nothing to hide.

Enjoy!