Weekly Reading Round-Up : 01/13/2019 – 01/19/2019, Paper Rocket Mini Comics


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

In addition to her stellar work assembling The Tiny Report year-in and year-out (an absolutely essential guide for small-press readers), Robyn Chapman is also responsible for putting out an eclectic and superbly-curated (dare I use the term) range of minis under her Paper Rocket Mini Comics imprint. Recently a handful of these have come into my possession, showcasing the work of two amazingly talented cartoonists, so let’s not dawdle, there’s too much great stuff to talk about —

Dear Missy is the latest (as in just-released) of Daryl Seitchik’s autobio comics told from the point of view of her eight-year-old (or thereabouts) self in the form of diary entries. This one’s especially painful and poignant in that she relates to Missy (that’s the name of her just-referenced diary in case you hadn’t sussed it out) the events surrounding her parents’ divorce as a poem. Bittersweet to say the least, even…

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“Hobo Mom” : Restless Heart, Listless Read


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

And so the first (arguably) “major” release of 2019 in the “alternative” comics world is upon us — never mind that Charles Forsman and Max de Radigues’ Hobo Mom is actually about five years old and is just now being released in an English-language version, publisher Fantagraphics Books is understandably, given the pedigree of its creators (Forsman’s notable critical and commercial successes including The End Of The Fucking World and I Am Not Okay With This, while de Radigues, who hails from Belgium, is probably best known on this side of the pond for Bastard), giving it the “For Your Consideration” full-court press, but hold on just a second : its physical dimensions alone clearly mark this as something of an “also-ran” project, seeing as it clocks in at a mere 62 pages, and a significant chunk of those are wordless.

How much storytelling is really going on…

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“Things Go Wrong” #1 Gets Plenty Right


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

This was a tough one — and I mean that in the best, most complimentary sense possible. But first the basics :

Toronto-based cartoonist Jason Bradshaw has garnered something of a small but dedicated following for his self-published ‘zine Bore, but it’s been damn tough to get ahold of copies of it on this side of the border — so in order to ameliorate this dearth of all things Bradshaw in the US, Robyn Chapman of The Tiny Report renown has taken it upon herself to publish a trilogy of his previously-issued minis under the new title of Things Go Wrong, the first issue of which was recently released under the auspices of her Paper Rocket Minicomics imprint. That’s the background. That’s easy. Now for the hard part.

And yeah, Things Go Wrong isn’t just a hard comic to get through, it’s a very hard comic to get…

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A “Migraine” You’ll Actually Be Glad To Have


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Featuring one panel per page and a pocket-sized horizontal format, lianhuanhua have been a staple of Chinese popular culture for decades, providing an affordable, and eminently portable, “delivery system” for mass-appeal sequential art storytelling. Some of the more dominant genres to grace the pages of these easily-digestible miniature magazines over the years, according to Paradise Systems editor/publisher R. Orion Martin, have been “fables, kung fu epics, and unauthorized adaptations of foreign films,” but with his own imprint’s entry into the world of lianhuanhua Martin seeks to bring something of an “art comics”  ethos into a field that has been previously closed off to anything that fell outside a generally populist aesthetic sense. As always, he’s clearly not short on ambition.

My first exposure to lianhuanhua Paradise Systems-style comes by way of Shanghai-based cartoonist Woshibai’s recently-released Migraine, and to say I’m eager for Martin to get more of these…

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Weekly Reading Round-Up : 01/06/2019 – 01/12/2019, Paradise Systems


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Editor/translator/curator/publisher R. Orion Martin is doing some seriously extraordinary things with his Paradise Systems imprint, bringing the best in contemporary “alternative” cartooning from China to these shores is sumptuously-formatted and impeccably-designed packages. These are some of the most utterly unique comics on the planet (no exaggeration), and well worth your time and money. Four of my favorite recent releases follow —

Friendship Forever by Inkee Wang occupies some bizarre middle ground between Simon Hanselmann and Austin English, with pliable, gelatinous, bulbous characters toiling away at a dark approximation of what, I guess, passes for “friendship.” But mostly they’re just assholes to each other because, hey, it relieves the tedium of droll, everyday existence. Laugh-out-loud funny in a “guilty pleasure” sort of way, this collection of strips and sketches has a real and unforced fluidity to it, even if it ultimately, in dry parlance, “goes nowhere.” A triumph of color, design…

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“Cry” Tears Of Sorrow, Tears Of Joy


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Rendered in a combination of pen and graphite with exquisitely emotive precision, groundbreaking Chinese “alternative” cartoonist Yan Cong’s 2018 Paradise Systems release, Cry, is a sumptuous feast for the eyes, of that there is no doubt. But being that its brisk, economic narrative is primarily focused on immediate-post-break-up loneliness, what will surely surprise many is that it’s also a feast for the heart.

Not an easy one to consume, by any standard of measure, but one that lingers deliciously, that seeps in, its flavors revealing themselves over time as the work is allowed to stew, simmer, and be digested slowly. Yeah, I’m hungry as I write this — is it that obvious?

Ostensibly, this short-but-conceptually-dense book is about a guy, and a fairly typical-seeming one at that, who apparently does what a lot of typical guys do : takes his girlfriend for granted, doesn’t take time to understand her…

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Weekly Reading Round-Up : 12/30/2018 – 01/05/2019, Jessica Campbell


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

We last checked in with Jessica Campbell around these parts when her superb, topical, and hilarious graphic novel XTC69 rolled off the presses courtesy of Annie Koyama just over a year ago, but I’ve been meaning to do a write-up on some of her self-published minis ever since picking up a small batch of ’em at Autoptic back in August. A couple more came my way in the past few weeks and so, with her work once again reasonably fresh in my mind, it’s high time the esteemed Ms. Campbell got her due here at the Weekly Reading Round-Up. I shall procrastinate no further, this column has been a long time in coming.

Ten Most Incestuous Royals is, I believe, Campbell’s most recent release and collects a series of strips that originally saw the light of day on the Hyperallergic arts website. As both the cover and the title would…

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Definitely A “Little Stranger” Than Most


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Talk about an eye-opener!

To date, my only exposure to the work of Edie Fake has been via his Gaylord Phoenix comic, which certainly doesn’t fit anyone’s definition of “conventional,” but which nevertheless is structured, albeit perhaps tenuously, along standard-issue linear narrative lines.

Not so with the book under our metaphorical microscope here today, Little Stranger, a multi-faceted, deeply emotive collection of short-form strips published a few months ago by Secret Acres that presents work culled from  Fake’s own ‘zines self- published between 2002 and 2017. Simply put — and I say this with utmost respect — most of these strips are just plain weird. Delightfully so, in most cases, but you have to come into this book prepared to do some serious interpretive work yourself, as many of them discard with the concept of “narrative” altogether, and those that don’t adhere to it very loosely.

From the “Clowns”…

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“Little Teeth,” Big Bite (Advance Review)


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I’m not sue what it is about anthropomorphic animals and the LGBTQ+ comics community, but for the second time in less than a year, we’ve got a tandem of queer creators releasing a book of vignette-style stories centered on the broadly-defined “queer experience.” First out of the gate was Remy Boydell and Michelle Perez’ The Pervert from Image Comics, well-reviewed in most quarters (including this one) and focused on the hard-scrabble life of a trans protagonist subsisting on the economic margins, and in the next few weeks Czap Books will be releasing Little Teeth, drawn by Rory Frances and written by Jae Bearhat, that transposes the so-called “funny animal” trope into a queer communal living situation.

Beyond the more fluid sexual and gender identities and the tails and fur, though, it should be noted that the two books have very little in common, conceptually and tonally, and this points…

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