Late Night Retro Television Review: Highway to Heaven 2.18 “To Bind The Wounds”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark invade people’s dreams.

Episode 2.18 “To Bind The Wounds”

(Dir by Michael Landon, originally aired on February 19th, 1986)

Timothy Charles (Eli Wallach) sits in a cemetery, the only person to show up for the burial of his son, Timothy Charles, Jr.  The younger Charles died nearly twenty years earlier, while serving as a helicopter pilot in Vietnam.  Only recently have his remains been returned to the U.S.A.

The elder Charles is himself a veteran and lives in an airplane graveyard that sits in the desert.  He served in World War II.  The United States won World War II and Timothy Charles was celebrated as a hero.  The United States lost Vietnam and, as a result, most people want to pretend like it never happened and ignore the sacrifice of men like Timothy Charles, Jr.

Jonathan and Mark show up at the funeral.  Though he doesn’t know them, the elder Timothy Charles is touched by their presence and invites them back to his airplane.  The elder Charles, bitter about how his son has been forgotten, wishes there was some way he could memorialize him.  Jonathan and Mark suggest setting up a scholarship.

Unfortunately, a scholarship requires money and none of the wealthy people in town are willing to contribute.  They all want to forget the trauma of the war.  So, Jonathan and Mark pop up in their dreams and show them what a hero Timothy Charles, Jr. (played by Moosie Drier, Jr.) truly was.  They agree to set up the scholarship.  At the announcement ceremony, the elder Charles gives a heartfelt speech thanking them.

Timothy Charles, Sr. returns to his airplane.  Suddenly, the plane is flying into heaven and his son is sitting beside him.  Awwwww!

As I mentioned two weeks ago, I’m binging Highway to Heaven while in an emotional state.  My father died in the early morning hours of August 19th and I’m still very much in mourning.  As a result, while the logical side of me can watch this show and realize that it’s shamelessly sentimental and manipulative, the emotional side of me doesn’t care.  Eli Wallach was a great actor who had a tendency to go a bit overboard.  There’s nothing subtle about his performance here.  And the ending, with father and son literally flying to Heaven, was absolutely shameless.  But dammit, it made me cry.

And, to be honest, this episode makes an important point.  The people in Timothy’s town are reluctant to honor him because he served in an unpopular war that America lost.  It’s similar to the attitude that a lot of people now seem to have to those who served in Afghanistan and Iraq.  One sees it in the relentless gaslighting about the disastrous withdraw from Afghanistan and the refusal to honor the 13 service members killed at Abbey Gate.  Instead of holding our leaders to account, the American people often seem to blame those who served.  Hopefully, someday, that will change.

Retro Television Review: Malibu CA 1.11 “Malibu Holiday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

This week, an actress runs away with Scott.

Episode 1.11 “Malibu Holiday”

(Dir by Gary Shimokawa, originally aired on December 20th, 1998)

Desperate to escape the paparazzi, world-famous movie star Jessie Sinclair (Ragan Wallake) ducks into the restaurant where Scott works.  (Does this place have a name?  I assume it does but I can’t remember it to save my life.)  Even after Jessie dyes her blonde hair brown, Scott still recognizes her.  However, he also promises not to let anyone know who she is.  Touched by Scott’s kindness (and seriously, when has Scott ever been this nice before?). Jessie spends the weekend with him.

Meanwhile, Jason and Stads want to make a quick $5,000 by taking a picture of Jessie for the tabloids.  While pretending not to know who Jessie actually is, they secretly snap a picture of Jessie with Scott.  However, when the publisher of the tabloid starts to press Jason and Stads for information on Scott, Jason and Stads realize that Jessie deserves her privacy.

It’s too late, though.  The paparazzi are on to Scott and Jessie.  At first, Jessie accuses Scott of selling her out but, eventually, Stads and Jason admit that they were the ones who took the picture.  That night, Jessie and Scott hang out at the beach before Jessie announces that she has to leave to go shoot another movie.  After Jessie leaves, Scott admits to Jason that his heart is breaking.

Awwwww!

This would be an okay episode if not for the fact that it reminded me way too much of that episode of Saved By The Bell where Zach made a bet that he could get a kiss from pop star Stevie.  Little did Zach suspect that Stevie was actually Miss Bliss’s houseguest, Colleen McMurphy.  Seriously, are there any episodes of Malibu CA that don’t feel as if they were recycled from leftover bits of Saved By The Bell, California Dreams, and Hang Time?   With each episode, it gets more and more difficult to ignore this show’s total lack of originality.

As for the b-plots, Tracy (who, as played by Priscilla Inga Taylor, is the only consistently amusing character on Malibu CA) hopes to be cast as a screaming girl in Jessie’s film.  Meanwhile, Murray takes it upon himself to screen all of Sam’s potential boyfriends because, as he explains it, Sam has terrible taste in men.  Considering that Sam dated Scott for two episodes, Murray has a point.

It’s kind of interesting how, when this show started, both Scott and Jason were supposed to be in love with Sam.  Now, Scott is dating random guest stars, Jason is dating Stads, and Sam rarely gets much to do on the show.  If anything Gina May (who played Sam) had more chemistry with Brandon Brooks (who played Murray) than she did with either of the show’s stars.  It’s just funny how things develop.

Ana de Armas visits the Continental in the Ballerina Trailer!


It seems rather fitting to see Ana de Armas taking the lead in a story within John Wick’s universe. After all, she’s has a knack for action with films like No Time to Die and Ghosted, and she’s worked with Keanu Reeves in both Knock Knock and Exposed. The real question with Ballerina is whether audiences will want to see a John Wick-like film with a female lead. I can already imagine the incel crowd chirping about how John Wick is now tainted with the touch of – (Ick!! Dare I say it….) – Women. That same crowd may also have forgotten about Adrianne Palicki’s assassin in the first film, and Halle Berry’s character with her dogs in the third. Female Assassins are as old at the Kunoichi. Perhaps even far older than that. There are so many tales to be told, especially in this universe.

I’m excited to see how this turns out. With a look that mirrors Le Femme Nikita and Point of No Return, de Armas’ Eve looks to be just as dangerous as her predecessor, possibly as one of the Ballerina assassins referenced in John Wick 3. The trailer has the feel of the other movies, but we’ll have to wait and find out when it releases. Len Wiseman has the directing duties on this one. It’s been a while since he made a movie, but I did enjoy the style of 2012’s Total Recall. Hopefully, he’ll do good here.

The only thing that I find odd is the name – audiences all know it has to do with John Wick. Does it have to have that whole “From the World of John Wick” in the title? I’m pretty sure your average movie viewer will put things together once they see the Continental, Winston (Ian McShane) or Charon (Lance Reddick, in one of his final roles). Also on hand are Norman Reedus (The Bikeriders) and of course, Keanu Reeves, which could just be a cameo.

From the World of John Wick: Ballerina will be in cinemas in 2025.