Here Are The 2022 Winners Of The DiscussingFilm Critic Awards!


Earlier today, the winners of the DiscussingFilm Critic Awards were announced!

And here they are:

BEST PICTURE
Aftersun (RUNNER UP)
The Banshees Of Inisherin
Bones and All
Decision To Leave
Everything Everywhere All At Once (WINNER)
The Fabelmans
Guillermo del Toro’s Pinocchio
TÁR
Top Gun: Maverick
Women Talking

BEST DIRECTOR
Charlotte Wells – Aftersun
Park Chan-wook – Decision To Leave (RUNNER UP)
Dan Kwan & Daniel Scheinert – Everything Everywhere All At Once (WINNER)
Steven Speilberg – The Fabelmans
Todd Field – TÁR

BEST ACTRESS
Taylor Russell – Bones and All
Michelle Yeoh – Everything Everywhere All At Once (WINNER)
Cate Blanchett – TÁR (RUNNER UP)
Danielle Deadwyler – Till
Mia Goth – Pearl

BEST ACTOR
Paul Mescal – Aftersun
Colin Farrell – The Banshees Of Inisherin (RUNNER UP)
Park Hae il – Decision To Leave
Austin Butler – Elvis
Brendan Fraser – The Whale (WINNER)

BEST SUPPORTING ACTRESS
Kerry Condon – The Banshees Of Inisherin (RUNNER UP)
Stephanie Hsu – Everything Everywhere All At Once (WINNER)
Dolly De Leon – Triangle Of Sadness
Hong Chau – The Whale
Claire Foy – Women Talking

BEST SUPPORTING ACTOR
Ke Huy Quan – Everything Everywhere All At Once (WINNER)
Brendan Gleeson – The Banshees Of Inisherin
Barry Keoghan – The Banshees Of Inisherin (RUNNER UP)
Mark Rylance – Bones and All
Ben Whishaw – Women Talking

BEST ENSEMBLE
Everything Everywhere All At Once
Glass Onion: A Knives Out Mystery (RUNNER UP)
Triangle Of Sadness
The Woman King
Women Talking (WINNER)

BEST ADAPTED SCREENPLAY
David Kajganich – Bones and All
Rian Johnson – Glass Onion: A Knives Out Mystery
Guillermo del Toro & Patrick McHale – Guillermo del Toro’s Pinocchio (WINNER)
Samuel D. Hunter – The Whale
Sarah Polley & Miriam Toews – Women Talking (RUNNER UP)

BEST ORIGINAL SCREENPLAY
Martin McDonagh – The Banshees Of Inisherin (WINNER)
Park Chan-wook & Jeong Seo-kyeong – Decision To Leave
Dan Kwan & Daniel Scheinert – Everything Everywhere All At Once (RUNNER UP)
Todd Field – TÁR
Ruben Östlund – Triangle Of Sadness

BEST ANIMATED FEATURE
Guillermo del Toro’s Pinocchio (WINNER)
Marcel The Shell With Shoes On (RUNNER UP)
Puss In Boots: The Last Wish
Turning Red
Wendell & Wild

BEST DOCUMENTARY FEATURE
All The Beauty And The Bloodshed (RUNNER UP)
Descendant
Fire Of Love (WINNER)
Moonage Daydream
Navalny

BEST INTERNATIONAL FEATURE
All Quiet On The Western Front
Bardo
Broker
Close
Corsage
Decision To Leave (WINNER)
EO
Holy Spider
RRR (RUNNER UP)
Saint Omer

BEST CINEMATOGRAPHY
Linus Sandgren – Babylon
Greig Fraser – The Batman
Ji-yong Kim – Decision To Leave (RUNNER UP)
Hoyte van Hoytema – Nope (WINNER)
Claudio Miranda – Top Gun: Maverick

BEST FILM EDITING
Babylon
Decision To Leave (RUNNER UP)
Elvis
Everything Everywhere All At Once (WINNER)
Top Gun: Maverick

BEST COSTUME DESIGN
Babylon (RUNNER UP)
Black Panther: Wakanda Forever (WINNER)
Elvis
Everything Everywhere All At Once
The Woman King

BEST MAKEUP AND HAIRSTYLING
The Batman (WINNER)
Black Panther: Wakanda Forever
Elvis (RUNNER UP)
Everything Everywhere All At Once
The Whale

BEST PRODUCTION DESIGN
Babylon (WINNER)
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All At Once (RUNNER UP)
Glass Onion: A Knives Out Mystery

BEST SOUND
The Batman
Elvis
Everything Everywhere All At Once
Nope (WINNER)
Top Gun: Maverick (RUNNER UP)

BEST VISUAL EFFECTS
Avatar: The Way Of The Water (WINNER)
The Batman
Black Panther: Wakanda Forever
Everything Everywhere All At Once (RUNNER UP)
Top Gun: Maverick

BEST ORIGINAL SCORE
Babylon (RUNNER UP)
The Batman
Bones and All
Guillermo del Toro’s Pinocchio (WINNER)
Women Talking

BEST ORIGINAL SONG
“Lift Me Up” – Black Panther: Wakanda Forever
“Vegas” – Elvis (RUNNER UP)
“Ciao Papa” – Guillermo del Toro’s Pinocchio
“Naatu Naatu” – RRR (WINNER)
“Hold My Hand” – Top Gun: Maverick

BEST FIRST FEATURE
Aftersun (WINNER)
Fresh
The Inspection
Nanny
Turning Red (RUNNER UP)

BEST BREAKTHROUGH PERFORMANCE
Frankie Corio – Aftersun
Diego Calva – Babylon
Stephanie Hsu – Everything Everywhere All At Once (WINNER)
Gabriel LaBelle – The Fabelmans (RUNNER UP)
Dolly de Leon – Triangle Of Sadness

BEST HORROR FILM
Barbarian
Bones and All (RUNNER UP)
Nope (WINNER)
Pearl
X

Everything Wins In Oklahoma


The Oklahoma Film Critics Circle has announced its picks for the best of 2022!

And here they are:

Best Picture
“Everything Everywhere All At Once“

Best Director
Winner: Daniel Kwan & Daniel Scheinert – “Everything Everywhere All At Once“
Runner-Up: Steven Spielberg – “The Fabelmans“

Best Actress
Winner: Cate Blanchett – TÁR
​Runner-Up: Michelle Yeoh – “Everything Everywhere All At Once“

Best Actor
Winner: Brendan Fraser – “The Whale“
​Runner-Up: Colin Farrell – “The Banshees Of Inisherin“

Best Supporting Actress
Winner: Jamie Lee Curtis – “Everything Everywhere All At Once“
​Runner-Up: Hong Chau – “The Whale“

Best Supporting Actor
Winner: Ke Huy Quan – “Everything Everywhere All At Once”
Runner-Up:Paul Dano – “The Fabelmans“

Best Documentary
Winner: “All The Beauty And The Bloodshed“
​Runner-Up: “Fire Of Love”

Best Foreign Language Film
Winner: “Decision To Leave“
​Runner-Up: “RRR“

Best Animated Film
Winner: “Guillermo del Toro’s Pinocchio“
​Runner-Up: “Marcel The Shell With Shoes On”

Best Score
Winner: “Babylon” – Justin Hurwitz
​Runner-Up: “The Batman” – Michael Giacchino

Best Cinematography
Winner: “Top Gun: Maverick” – Claudio Miranda
​Runner-Up: “Babylon” – Linus Sandgren

Best Adapted Screenplay
Winner: “Glass Onion: A Knives Out Mystery” – Rian Johnson
​Runner-Up: “Guillermo del Toro’s Pinocchio” – Guillermo del Toro & Patrick McHale

Best Original Screenplay
Winner: “Everything Everywhere All At Once” – Daniel Kwan & Daniel Scheinert
​Runner-Up: “TÁR” – Todd Field

Best Ensemble
Winner: “Glass Onion: A Knives Out Mystery“
​Runners-Up: “Babylon“

Best Body of Work
Winner: Colin Farrell (“After Yang,” “The Banshees Of Inisherin,” “The Batman” & “Thirteen Lives“)
​Runner-Up: Paul Dano (“The Fabelmans” & “The Batman“)

Best First Feature
Winner: “Aftersun” – Charlotte Wells
​Runner-Up: “Emily The Criminal” – John Patron Ford

Most Disappointing Film
Winner: “Don’t Worry Darling”
​Runner-Up: “Babylon”

Retro Television Reviews: The Love Boat 1.19 “A Very Special Girl / Until the Last Goodbye / The Inspector”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Beware the Inspector!  Read on and find out more about this week’s cruise of the Pacific Princess….

Episode 1.19 “A Very Special Girl / Until the Last Goodbye / The Inspector”

(Dir by Roger Duchovny, originally aired on February 11th, 1978)

Captain Stubing starts the cruise by giving the crew some potentially frightening news.  The company has sent an inspector to take the cruise and observe how everyone is doing their job.  The catch is that the inspector is disguised as a passenger and the crew now has to figure out who it could be!

Marvin Waterman (Jim Backus) seems like a good suspect.  He’s stuffy.  He always wears a suit.  He carries around a notepad.  He’s always asking questions about the ship.  It must be Marvin!  Nope, sorry.  It turns out that Marvin is just a children’s book author and he’s doing research.

Could it be eccentric Mrs. Corwin (played by Gavin MacLeod’s wife, Patti MacLeod)?  She acts like she’s spacey and not always sure where she is but maybe that’s just a cover!  She does make a lot of calls back to the mainland!  Nope, it’s not Mrs. Corwin.  It turns out that she’s just an eccentric widow who likes to call her daughter and let her know what’s going on in her life.  Fortunately, Mrs. Corwin meets and inspires Marvin and they fall in love.  Unfortunately, that doesn’t bring the crew any closer to finding the inspector.

Surprise!  The inspector wasn’t actually on the ship.  He arrived late and wasn’t able to board.  However, his father (Jack Bernardi) did get on board and he spend the entire cruise wandering about and asking people questions in Russian.  As far as I could tell, none of the crew made much of an effort to help the confused old man out so I’m guessing they’re all out of a job now.  I wonder what next week’s episode will be like….

While the crew was looking for the inspector, Mike Andrews (Bob Seagren) was looking for Melanie Taylor (Laurette Sprang).  Mike arranged for his goofy sidekick, Doug (Sal Viscuso), to spend all of his time with Melanie’s best friend, Jane (Debralee Scott).  Fortunately, Doug and Jane fell in love.  Meanwhile, Mike abandoned Melanie as soon as the cruise ended.  Booooooo!

Finally, the crew was fascinated by an older man (Paul Burke) who was traveling with a younger woman (Susan Blanchard).  For the majority of the episode, everyone assumed the man and the woman were lovers.  But then the man collapsed and it turned out that he was the woman’s father and he also terminally ill.  This cruise was their long goodbye.  This was a sweet story, even if it was kind of icky that everyone assumed that the father was carrying on an affair with his daughter.  But, really, that mistaken assumption is the fault of the crew.  I’m surprised they didn’t mistake the older man for being the Inspector.

Anyway, this was a fairly typical episode of The Love Boat.  It got the job done with a minimum of complications and, if nothing else, it looked like a fun vacation.  The Love Boat always works best as wish-fulfillment.  It’s the type of show you watch and think, “What would I do if I was on that cruise?”  I enjoyed this episode.  The whole thing with the inspector was silly but the other two stories were well-handled.  I hope things worked out for Doug and Jane!

January Positivity: Consider It All Joy (dir by William Mings)


The 1986 short film, Consider It All Joy, features one of my favorite scene transitions.

Newly married Claire (Bonnie Hawley) and David (Gary Costello) kiss while sitting in front of the fireplace.  One jump cut later and Claire is smiling and pregnant and David has a look on his face that says, “My boys can swim!”  That’s about as close as any faith-based film will ever get to acknowledging that two people, even two married people, have not only had sex but that they actually enjoyed having sex and that they probably had sex more than once.  Of course, it helps that Hawley and Costello had a lot of chemistry and they just seemed like they belonged together as a couple.  They’re totally believable as one of those married couples who rarely fight and yet don’t annoy their friends with their happiness.

The other thing that Consider It All Joy has is a lot of wood paneling.  I wouldn’t say that every room in this film has wood paneling but enough of them do that, as I watched, I found myself saying, “That’s a lot of wood paneling.”  But that makes sense.  This is a low-budget, indie film that was shot in the 80s.  It was designed for a very specific audience and there’s nothing particularly slick or overly stylized about it.  Watching the film, the viewer gets the feeling that the majority of it was filmed in someone’s house, as opposed to on a set.  The actors probably wore their own clothes.  In many ways, the film itself feels like a time capsule.  Until time machines are invented, watching a film like this might be the closest that one could get to witnessing the 80s firsthand.

As for the film itself, it tells the story of Claire dealing with the sudden death of David.  The majority of the film is told in flashback so we watch all of the scenes of them meeting, courting, marrying, and starting a family with a sense of dread.  As happy as they are, we know that it’s not going to last.  When David is laid off from his job, he refuses to get upset and instead tells his boss that he knows everything will work out because he has faith and that God will provide.  Everyone at the office is apparently really impressed with David’s good attitude.  Of course, they’re not impressed enough to keep him around and to continue to pay his salary.  Personally, I think they’re getting off easy but then again, everything that I know about downsizing and corporate America comes from the second season of The Office.

David does eventually find a new job and it turns out to be a far better one than he previously had!  However, no sooner has David left for work than the police show up at the door and tell Claire that he’s been killed in an auto accident.  At first, Claire is angry but then she remembers David’s faith and she decides to consider it all joy.  The film ends with her witnessing to one of David’s friends, with the suggestion being that Claire might not be single for long!

As I’ve said before, I have a weakness for low-budget indie films, especially ones that pretty much epitomize the era in which it was made.  This is pretty earnest film and I doubt that it will change the minds of anyone who doesn’t already agree with its message but Bonnie Hawley and Gary Costello are a believable couple and the film couldn’t be more 80s if it tried.

Retro Television Reviews: Fantasy Island 2.3 “The Beachcomber/The Last Whodunit”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week …. Tattoo gets a trumpet!

Episode 2.3 “The Beachcomber/The Last Whodunit”

(Dir by George McCowan, originally aired on September 30th, 1978)

Tattoo is learning how to play the trumpet and Mr. Roarke can barely hide his anger.  That is this week’s Tattoo/Roarke storyline and it rasies a lot of questions about Roarke and Tattoo’s relationship.  Is Roarke upset because Tattoo is a bad trumpet player or does he just dislike Tattoo in general?  Does Tattoo really care about learning how to play the trumpet or is he just looking for an excuse to annoy Mr. Roarke?  I think all of those possibilities may be true at the same time.  If the previous two episodes hinted that Roarke and Tattoo no longer hated each other, this episode seems to confirm that they’re still the frenemies that they’ve always been.  I sympathize with Roarke but it’s hard not to appreciate Tattoo’s determination to be an agent of chaos.

As for the fantasies, Charles Preston (John Astin) is a successful businessman who wants to throw it all ways so that he can spend the rest of his life as a beach bum.  Roarke sets Preston up in a cabin on one of the shabbiest beaches on Fantasy Island.  Seriously, the layout of Fantasy Island is just weird.  A third of the island is a luxury resort.  A third of the island is a magical jungle.  And a third of the island is apparently just a collection of poverty-stricken fishing villages.  Do the people who live on the island know that they could be having a fantasy if they only had the money?  Let’s hope none of them ever pick up a copy of Marx or Piketty. 

Anyway, Preston soon discovers that the life of a beach bum is not as easy as he thought it would be.  For one thing, the chief of the island’s indigenous population demands that Preston marry his daughter.  (The joke is that his daughter is overweight and …. well, it’s all pretty cringey by 2022 standards.)  Meanwhile, a bounty hunter slaps some handcuffs on Preston and threatens to take him back to his family unless Preston pays him $70,000.  “All of you beachcombers have a stash!” the bounty hunter hisses.  Fortunately, Preston’s wife shows up and announces that she’s fine with him being a beach bum, as long as he’s a responsible beach bum who helps to pay the bills.  And that’s the end of that.  What an underwhelming fantasy.

Luckily, the episode’s other fantasy is a bit more entertaining.  Mabel Jarvis (Celeste Holm) loves mystery stories and she wants to spend a weekend as her favorite fictional detective.  Of course, Mabel soon finds herself investigating the real-life murder of Mabel’s favorite writer.  Mr. Roarke explains that the writer was a friend of his and that he hoped Mabel could solve the case.  That seems like a lot of responsibility to put on someone who is just looking for a vacation but, fortunately, Mabel proves to be up to the job.  Anyway, this was a fun little fantasy and, as an avid reader of mysteries, it was one to which I could relate.  Celeste Holm seemed to be having a lot of fun as Mabel and, even more importantly, her cat played a key role in solving the mystery.

This was not a bad episode.  The beach stuff was forgettable but the episode was saved Celeste Holm and Tattoo’s trumpet.

Everything Everywhere Wins In North Carolina


The North Carolina Film Critics Associaiton has announced their picks for the best of 2022!  You can see the nominees by clicking here and the winners below!

BEST NARRATIVE FILM
Everything Everywhere All at Once

BEST DOCUMENTARY FILM
Fire of Love

BEST ANIMATED FILM
Marcel the Shell With Shoes On

BEST FOREIGN LANGUAGE FILM
RRR

BEST DIRECTOR
Daniels (Everything Everywhere All at Once)

BEST CINEMATOGRAPHY
Hoyte van Hoytema (Nope)

BEST ACTOR
Colin Farrell (The Banshees of Inisherin)

BEST SUPPORTING ACTOR
Ke Huy Quan (Everything Everywhere All at Once)

BEST ACTRESS
Michelle Yeoh (Everything Everywhere All at Once)

BEST SUPPORTING ACTRESS
Stephanie Hsu (Everything Everywhere All at Once)

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Jenny Slate (Marcel the Shell With Shoes On)

BEST ACTING ENSEMBLE
Everything Everywhere All at Once

BEST ORIGINAL SCREENPLAY
Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)

BEST ADAPTED SCREENPLAY
Sarah Polley (Women Talking)

BEST EDITING
Paul Rogers (Everything Everywhere All at Once)

BEST SPECIAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett (Avatar: The Way of Water)

BEST STUNT COORDINATION
Nick Powell (RRR)

BEST COSTUME DESIGN
Ruth Carter (Black Panther: Wakanda Forever)

BEST HAIR & MAKE-UP
Shane Thomas, Mark Coulier, Jason Baird, and Louise Coulston (Elvis)

BEST PRODUCTION DESIGN
Jason Kisvarday and Kelsi Ephraim (Everything Everywhere All at Once)

BEST SCORE
Michael Giacchino (The Batman)

BEST ORIGINAL SONG
“Naatu Naatu” (RRR)

BEST SOUND DESIGN
Johnnie Burn and Jose Antonio Garcia (Nope)

BEST DIRECTORIAL DEBUT
Charlotte Wells (Aftersun)

BEST BREAKTHROUGH PERFORMANCE
Austin Butler (Elvis)

LIFETIME ACHIEVEMENT: COMPOSER
John Williams

KEN HANKE MEMORIAL TAR HEEL AWARD
Brian Tyree Henry (Causeway, Bullet Train, Atlanta) – From Fayetteville, North Carolina

Here Are The 2022 Music City Film Critics Association Nominations!


The winners will be announced on January 9th and, considering that this is a Nashville-based group, I will be massively disappointed if every award doesn’t go to Elvis.

Best Picture
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Nope
RRR
Tár
The Banshees of Inisherin
The Fabelmans
Top Gun: Maverick

Best Director
Damien Chazelle – Babylon
Martin McDonagh – The Banshees of Inisherin
S. S. Rajamouli – RRR
Steven Spielberg – The Fabelmans
The Daniels – Everything Everywhere All at Once
Todd Field – Tár

Best Actor
Austin Butler – Elvis
Brendan Fraser – The Whale
Colin Farrell – The Banshees of Inisherin
Diego Calva – Babylon
Paul Mescal – Aftersun

Best Actress
Cate Blanchett – Tár
Margot Robbie – Babylon
Mia Goth – Pearl
Michelle Yeoh – Everything Everywhere All at Once
Viola Davis – The Woman King

Best Supporting Actor
Barry Keoghan – The Banshees of Inisherin
Brendan Gleeson – The Banshees of Inisherin
Brian Tyree Henry – Causeway
Ke Huy Quan – Everything Everywhere All at Once
Paul Dano – The Fabelmans

Best Supporting Actress
Angela Bassett – Black Panther: Wakanda Forever
Hong Chau – The Whale
Jamie Lee Curtis – Everything Everywhere All at Once
Janelle Monáe – Glass Onion: A Knives Out Mystery
Kerry Condon – The Banshees of Inisherin

Best Young Actor
Banks Repeta – Armageddon Time
Gabriel LaBelle – The Fabelmans
Gregory Mann – Guillermo del Toro’s Pinocchio
Jalyn Hall – Till
Mason Thames – The Black Phone

Best Young Actress
Anna Cobb – We’re All Going to the World’s Fair
Bella Ramsey – Catherine Called Birdy
Frankie Corio – Aftersun
Julia Butters – The Fabelmans
Sadie Sink – The Whale

Best Acting Ensemble
Babylon
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Fabelmans
Women Talking

Best Music Film
Elvis
Guillermo del Toro’s Pinocchio
Roald Dahl’s Matilda the Musical
Moonage Daydream
Tár

Best Animated Film
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Wendell & Wild

Best Documentary
All that Breathes
All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream

Best International Film
All Quiet on the Western Front
Bardo: False Chronicle of a Handful of Truths
Decision to Leave
EO
RRR

Best Screenplay
Everything Everywhere All at Once
Tár
The Banshees of Inisherin
The Fabelmans
Women Talking

Best Original Song
“Ciao Papa” – Guillermo del Toro’s Pinocchio
“Hold My Hand” – Top Gun: Maverick
“Lift Me Up” – Black Panther: Wakanda Forever
“Naatu Naatu” – RRR
“New Body Rhumba” – White Noise

Best Score
Babylon
Guillermo del Toro’s Pinocchio
The Batman
The Fabelmans
Women Talking

Best Sound
Avatar: The Way of Water
Babylon
Elvis
Nope
Top Gun: Maverick

Best Cinematography
Avatar: The Way of Water
Babylon
Nope
The Batman
Top Gun: Maverick

Best Production Design
Avatar: The Way of Water
Babylon
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
The Northman

Best Editing
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Top Gun: Maverick

Best Comedy Film
Confess, Fletch
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Banshees of Inisherin
The Unbearable Weight of Massive Talent

Best Horror Film
Barbarian
Nope
Pearl
Smile
X

Best Action Film
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

Best Stunt Work
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

The Jim Ridley Award
Elvis
Moonage Daydream
Still Working 9 to 5
The Return of Tanya Tucker: Featuring Brandi Carlile
Nicole Kidman – The Northman

Here Are The 2022 Nominations of the Austin Film Critics Association!


The winners, along with their picks for the best 10 films of 2022, will be announced on January 10th.  Keep Austin weird!

Best Director
Park Chan-wook, Decision to Leave
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Field, Tár
Martin McDonagh, The Banshees of Inisherin
S.S. Rajamouli, RRR

Best Actress

Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Mia Goth, Pearl
Michelle Yeoh, Everything Everywhere All at Once

Best Actor
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun

Best Supporting Actor
Brendan Gleeson, The Banshees of Inisherin
Brian Tyree Henry, Causeway
Barry Keoghan, The Banshees of Inisherin
Mark Rylance, Bones and All
Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Stephanie Hsu, Everything Everywhere All at Once
Janelle Monae, Glass Onion: A Knives Out Mystery
Keke Palmer, Nope

Best Ensemble
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Women Talking

Best Original Screenplay
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Fields, Tár
Martin McDonagh, The Banshees of Inisherin
Jordan Peele, Nope
Steven Spielberg and Tony Kushner, The Fabelmans

Best Adapted Screenplay
Sarah Polley and Miriam Toews, Women Talking
Rian Johnson, Glass Onion: A Knives Out Mystery
David Kajganich, Bones and All
Samuel D. Hunter, The Whale
Guillermo del Toro and Patrick McHale, Guillermo del Toro’s Pinocchio

Best Cinematography
Russell Carpenter, Avatar: The Way of Water
Hoyte van Hotema, Nope
Claudio Miranda, Top Gun: Maverick
Linus Sandgren, Babylon
Larkin Seiple, Everything Everywhere All at Once

Best Editing
Bob Ducsay, Glass Onion: A Knives Out Mystery
Eddie Hamilton, Top Gun: Maverick
A. Sreekar Prasad, RRR
Paul Rogers, Everything Everywhere All at Once
Monika Willi, Tár

Best Original Score
Carter Burwell, The Banshees of Inisherin
Son Lux, Everything Everywhere All at Once
Justin Hurwitz, Babylon
Michael Giacchino, The Batman
M.M. Keeravani, RRR

Best International Film
Close
Decision to Leave
EO
Holy Spider
RRR

Best Documentary
All the Beauty and the Bloodshed
Descendant
Fire of Love
Good Night Oppy
Moonage Daydream

Best Animated Film
Apollo 10 1/2: A Space Age Childhood
Guillermo del Toro’s Pinocchio
Mad God
Marcel the Shell with Shoes On
Turning Red

Best Voice Acting/Animated/Digital Performance
Stephen Lang, Avatar: The Way of Water
Ewan McGregor, Guillermo del Toro’s Pinocchio
Zoe Saldana, Avatar: The Way of Water
Jenny Slate, Marcel the Shell with Shoes On
Sigourney Weaver, Avatar: The Way of Water

Best Stunt Coordinator
Timothy Neulich, Everything Everywhere All at Once
Kevin LaRosa Jr. and Casey O’Neill, Top Gun: Maverick
Nick Powell, RRR
Daniel Hernandez, The Woman King
C.C. Smiff & Jón Viðar Arnþórsson, The Northman

Best First Film
Aftersun, Charlotte Wells
Emily the Criminal, John Patton Ford
Marcel the Shell with Shoes On, Dean Fleischer Camp
Turning Red, Domee Shi
Watcher, Chloe Okuno

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award
Austin Butler, Elvis
Frankie Corio, Aftersun
Amber Midthunder, Prey
Stephanie Hsu, Everything Everywhere All at Once
Jenna Ortega, The Fallout, Scream, X, Studio 666

Scene That I Love: “Want to go for a swim?” from Once Upon A Time In America


Since today is Sergio Leone’s birthday, it only seems appropriate to share one of my favorite scenes from Leone’s 1984 gangster epic, Once Upon A Time In America.

For some context, Noodles (Robert De Niro) has just gotten out of prison and has been reunited with Max (James Woods) and all of the other hoodlums that he grew up with.  While Noodles was away, Max has been building up their gang and becoming a force in the underworld.  One of the first post-prison jobs that Noodles is involved with turns out to be a hit on another gangster.  Max, however, did not let Noodles know ahead of time that it was going to be hit.

In this scene, Noodles attempts to learn why.

4 Shots From 4 Films: Special Sergio Leone Edition


Sergio Leone (1929 — 1989)

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

94 years ago today, Sergio Leone was born in Rome, Italy.  The son of actor/screenwriter Vincenzo Leone and silent actress Edvige Valcarenghi, Sergio was born into the Italian film industry.  He began his career in the post-war rebuilding period, working as an assistant to Vittorio De Sica and, as an assistant director, for American films that were shot in Italy.  (Albeit uncredited, he worked on two Oscar-nominated Biblical epics, Quo Vadis and Ben-Hur.)

After making his directorial debut with The Colossus of Rhodes, Leone went on to direct the films that would change the face of international cinema.  Though he was hardly the first director of Spaghetti westerns, he was was the first to achieve far-reaching acclaim.  With the Dollars Trilogy, he made Clint Eastwood a star and Eastwood has often said that the majority of what he knows about directing, he learned from working with Leone and later Don Siegel.  Leone went on to direct the brilliant Once Upon A Time In The West and Once Upon A Time in America, two epic visions of American history that, sadly, were not initially treated well by their distributors.

Though Leone is only credited with directing eight films, his influence cannot be underestimated.  As both a visual artist and a cultural and political commentator, his films continue to influence directors to this day.

For that reason, it’s time for….

4 Shots From 4 Sergio Leone Films

The Good, The Bad, and the Ugly (1966, dir by Sergio Leone, DP: Tonino Delli Colli)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

Duck, You Sucker (1971, dir by Sergio Leone, DP: Giuseppe Ruzzolini)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)