Scenes That I Love: Jack Sings True Love’s Flame From David Lynch’s What Did Jack Do?


It’s David Lynch’s birthday.  Celebrate accordingly.

In honor of this day, here’s a scene that I love from 2017’s What Did Jack Do?  As Lynch listens, Jack sings about True Love’s Flame.

Live Tweet Alert: Join #FridayNightFlix for Escape From New York!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting the third #FridayNightFlix of 2022!  The movie? 1981’s Escape From New York!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Escape From New York is available on Prime and Tubi!  See you there!

Music Video of the Day: Into My Body by UPSAHL (2022, dir by Anastasia Delmark)


As always with UPSAHL, I feel like she’s singing exactly what I’m feeling.

Enjoy!

Lyrics:

I don’t recognize the girl that I see on the screen looking mean uh
I don’t wanna call my friends so I’m home staying lonely instead uh

What if I can’t be loved
What if I’m not enough
Kicking myself
When I get down
What if I can’t get up

What if I’m always stuck
And who can I ever trust
Spiral again out of my head
I…

I wanna get into my body
And let my skin do the talking
I wanna feel like I’m myself again

I wanna get into my body
I don’t need anyone on me
Just serotonin rushing to my head (I wanna get)

I don’t
Wanna open up to anyone, cause if I do, they might run
And I won’t
Waste another night, and tell a lie, and say “thanks that was fun”
I I I

I wanna get into my body
And let my skin do the talking
I wanna feel like I’m myself again

I wanna get into my body
I don’t need anyone on me
Just serotonin rushing to my head (x2)

I wanna get…
Into my body body body
Into my body body body
I wanna get…

CHORUS

Get into my body and out of my head
Can’t stop a train wreck, I’ll get off instead

I wanna get into my body
And let my skin do the talking
I wanna feel like I’m myself again

Retro Television Reviews: City Guys 3.15 “Funny Business” and 3.16 “Get Your Vote On”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Hello Manny High!  When last we checked in with the City Guys, they were starring on a reality show.  Let’s see what happens this week….

Episode 3.15 “Funny Business”

(Dir by Frank Bonner, originally aired on November 6th, 1999)

Oh hey, I guess the whole reality show thing is over.  In this episode, there’s no mention of Reality House or the Loft.  There’s no cameramen chasing Jamal and Chris.  In fact, no one mentions anything about ever having appeared on reality television.  I guess this is one of those things, like the video yearbook, where they’ll explain what actually happened two seasons from now.

In this episode, Rebecca (Lisa Pepper), a Manny High graduate, returns to her former school so that she can offer three internships at her architectural firm.  Of course, Dawn volunteers.  And then Ms. Nobel randomly draws two names out of a bag for the other two spots and, of course, she draws Chris and Jamal!  I have a feeling that every piece of paper in that bag had either Chris or Jamal’s name written on it.

Chris really enjoys the internship until Rebecca orders him to be her love slave.  After Chris says that’s not appropriate workplace behavior, Rebecca threatens to flunk him unless he become her boy toy.  Chris, Jamal, and Dawn secretly record Rebecca threatening Chris and Rebecca gets fired.

Every show produced by Peter Engel did at least one episode dealing with sexual harassment but I think City Guys was the only one to feature a guy being harassed by a woman.  The episode is a bit heavy-handed and, over the past two and a half seasons, Chris has basically tried to get in the pants of every woman that he’s met so it seems like a little out-of-character that he would turn down the first woman who has actually shown any interest in him.  I mean, if we’re going to be honest, Chris is a serial harasser who apparently can’t handle having the tables turned on him.  This episode says more about Chris than it does Rebecca.

Episode 3.16 “Get Your Vote On”

(Dir by Frank Bonner, originally aired on November 13th, 1999)

Chris has two tickets to the Taxi, Taxi, “the hottest Broadway show.”  Both Cassidy and Dawn volunteer to be his date.

“Two girls, one ticket,” Al says, “you in trouble!”

Well, Al, let’s think about it.  First off, Chris has been trying to date Cassidy since this season began and now, she’s begging to go on a date with him.  Plus, Al — YOU’RE DATING DAWN!  Remember that!?  I’m going to guess this episode was actually filmed before the episode in which Al and Dawn got together and NBC, as they often did, showed the episodes out of order.  As I’ve said before and will probably say again …. NBC just didn’t care.

The Broadway thing is only the B-plot.  The A-plot features L-Train running for reelection as Student Council president.  Jamal decides to run against him because he feels that L-Train hasn’t done enough for the radio station.

While Jamal campaigns for the presidency, Dawn and Cassidy beg Chris to pick one of them to take to the Broadway show.  “You in a player’s paradise!” Al tells Chris before reminding him that Chris has all the power over Dawn and Cassidy.  Al …. DAWN IS YOUR GIRLFRIEND, YOU WEIRDO!

As for the election, Jamal makes a lot of promises that he can’t keep and is elected over L-Train.  After Ms. Nobel informs him that the student council has no money and he’ll have to hold a fund raiser to keep all of his promises, Jamal decides to have a carnival on the roof of the school.  I have to admit that I’m kind of amazed at how strong that roof is.  I mean, they do everything on that roof!

For some reason, Jamal decides to bring a pig to the carnival.  L-Train, looking for revenge, plots to set the pig on the loose but, after Jamal offers to make him vice president, L-Train abandons his evil plan.  Unfortunately, the pig is already on the loose.  (There’s something I never thought I’d write.)  The carnival is a disaster.

“Jamal must go!” the students chant, until L-Train explains that he’s responsible for the pig getting loose.

While this is going on, Cassidy and Dawn get revenge on Al and Chris by having Cassidy’s uncle pretend to be a cop in the anti-scalping division.  After Chris tries to sell the tickets, the fake cop arrests Chris and Al and orders them to hand the tickets over to Cassidy and Dawn.  Ha!  Take that, Chris and Al!

Jamal and L-Train make up and then Jamal resigns so L-Train can become president again.  So, everything’s back to normal.  Yay! 

This episode wasn’t that bad, if you can overlook the plot.  Steven Daniel had some good moments as L-Train.  And the pig getting loose on the roof was a genuinely well-done moment.  Plus, Dawn and Cassidy got to see Taxi Taxi!

Next week …. well, who knows?  I’m sure it’ll be crazy whatever it is.

Scenes That I Love: The Viola Lee Blues Montage from Richard Lester’s Petulia


Who, you may be asking yourself, could have brought George C. Scott, Julie Christie, and the Grateful Dead all together in one movie?

The answer to that question is Richard Lester, who today celebrates his 91st birthday!  Though Lester is best-known for his work with the Beatles and with the Superman films, I think his best film was undoubtedly 1968’s Petulia.  A sharp social satire, Petulia took a look at what happened when the counter culture and the establishment collided in San Francisco.  And there’s perhaps no better symbol of that collision than George C. Scott, wearing a turtleneck and smoking cigarette while attending a Grateful Dead show.

While the band plays Viola Lee Blues, Scott wanders through 1960s San Francisco.

Scenes That I Love: The Opening of John Boorman’s Zardoz


Zardoz (1974, dir by John Boorman, DP: Geoffrey Unsworth)

Today, the Shattered Lens wishes a happy 90th birthday to the great British filmmaker, John Boorman!  Here is a scene that we love, the opening of Boorman’s 1974 film, Zardoz!  Fresh from directing and receiving an Oscar nomination for Deliverance, Boorman turned down a chance to direct the original Exorcist so he could bring Zardoz to cinematic life.

(Of course, Boorman would direct the first sequel to The Exorcist.)

Directed by John Boorman and featuring Sean Connery, here is the opening of Zardoz!

Retro Television Review: Love Boat 1.21 “Taking Sides/Going By The Book/A Friendly Little Game”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time to once again experience the magic of The Love Boat!

Episode 1.21 “Taking Sides/Going By The Book/A Friendly Little Game”

(Dir by Richard Kinon, originally aired on February 18th, 1978)

This week’s episode begins with the extremely nerdy Howard Wilson (Harvey Jason) preparing to board the ship.  Before he does so, he’s approached by his best friend, Bernie (Paul Sylvan).  Bernie gives Howard a book on how to talk to women.  Apparently, this is something that Howard’s not good at but Bernie swears that the book will change his life.  There’s a Roy Lichtenstein-style picture of a man and a woman kissing on the cover of the book so Howard decides that Bernie knows what he’s talking about.

On the boat, Howard immediately notices Sheila Lawrence (Georgia Engel).  However, Sheila’s overprotective father (Herb Voland) has specifically asked Captain Stubing to make sure that no one seduces his daughter.  The captain assigns Doc Bricker (Bernie Kopell) to keep an eye on her, which makes absolutely no sense.  Over the course of the last twenty episodes, Doc has yet to meet a woman who he has not hit on.  Doc is a walking HR nightmare and quite frankly, I would be kind of uncomfortable going to him for a medical examination.  He seems like he would be a little bit handsy, if you get my drift.

Anyway, Doc turns out to be pretty bad at his job because Howard still manages to hit on Sheila.  Of course, Howard’s just doing what the book tells him to do.  Eventually, though, he realizes that he doesn’t need the book and Shelia realizes that she needs to spend more time on her own happiness and stop worry about what her father wants.  Yay!  It’s another Love Boat success story,

Meanwhile, Scott (Robert Urich) and Ellen (Diana Canova) are newlyweds who seem to be totally in love until they make the mistake of having dinner with an old married couple, Max (Robert Mandan) and Gladys (Audrey Meadows).  Listening to Max and Gladys bicker soon leads to Scott and Ellen bickering and it looks like their marriage might be over.  But again, the magic of The Love Boat leads to everyone realizing that bickering is a part of marriage and that you can still love someone even if you disagree with them.  Yay!  Robert Urich and Diana Canova were such a cute couple.  They just looked like they belonged together.

Finally, poor old Wendell Snead (Harry Morgan) is taking his wife on a cruise that he can’t really afford.  In fact, he secretly took out a mortgage on their house in order to buy the tickets.  Wendell has plan, though!  He has a set of marked playing cards and he beats Gopher at several games of gin rummy.  When the crew discovers that he’s been cheating, their initial reaction is to cheat back.  But when they learn why he’s been cheating, they give him all the money from the ship’s emergency fund.  Awwwwww!

This was a sweet episode.  Yes, the stuff with the book and the overprotective father was pretty stupid but the other two stories were entertaining.  Harry Morgan’s melancholy performance was the episode’s stand-out.  The fact that the crew gave him money instead of calling the cops brought tears to my mismatched eyes.  Nicely done, Love Boat.

What will happen next week?  We’ll find out in seven days!

Everything Wins In Seattle


The Seattle Film Critics Society has announced its picks for the best of 2022!  You can see all the nominees by clicking here and you can check out the winners below!

Best Picture
Everything Everywhere All At Once (A24)

Best Director
Daniel Kwan, Daniel Scheinert – Everything Everywhere All At Once

Best Actor in a Leading Role
Colin Farrell – The Banshees of Inisherin

Best Actress in a Leading Role
Cate Blanchett – TÁR

Best Actor in a Supporting Role
Ke Huy Quan – Everything Everywhere All At Once

Best Actress in a Supporting Role
Kerry Condon – The Banshees of Inisherin

Best Ensemble Cast
Glass Onion: A Knives Out Mystery – Bret Howe, Mary Vernieu, casting directors

Best Action Choreography
RRR

Best Screenplay
The Banshees of Inisherin – Martin McDonagh

Best Animated Feature
Marcel the Shell With Shoes On – Dean Fleischer-Camp, director

Best Documentary Feature
Fire of Love – Sara Dosa, director

Best Film Not in the English Language
Decision to Leave – Park Chan-wook, director

Best Cinematography
Top Gun: Maverick – Claudio Miranda

Best Costume Design
Elvis – Catherine Martin

Best Film Editing
Everything Everywhere All At Once – Paul Rogers

Best Original Score
Babylon – Justin Hurwitz

Best Production Design
Babylon – Florencia Martin (Production Design); Anthony Carlino (Set Decoration)

Best Visual Effects
Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett

Best Youth Performance (18 years of age or younger upon start of filming)
Frankie Corio – Aftersun

Villain of the Year
Lydia Tár – TÁR – portrayed by Cate Blanchett

2022 Achievement in Pacific Northwest Filmmaking
Sweetheart Deal, Elisa Levine, Gabriel Miller