Run Lola Run


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Run Lola Run has been on my film bucket list since I had hair.  It was one of those films that you heard about from the cooler people you knew.  It was the movie that the cool girls who babysat you when you were little talked about.  It was pure Gen-X and I always looked up to that generation.  Yes up- I’m not an X-er, but they were damn cool.  Lola embodies that generation.  She’s so self-secure and tough and cool and hip and if you don’t like her- Whatever!

Yes, Gen-X women had a go F-yourself streak that if you didn’t like them, piss off.  I was the beginning of the Millennial/Y generation who I guess got into avocado sandwiches or whatever they say about us.  X was the generation that knew they were getting passed over because there was a bigger generation coming and the boomers did not want to get out of the way, but X embraced the suck of it all.

It is really sucky that Lola is in love with Manni who is a really mediocre criminal.  Manni also loses things; such as, a bag of 100,000 Marks (60,000 USD) that belongs to a gangster. Oopsy!  He is like the Anti-Lola: whiny, dumb, insecure, and unlike Lola -NO screaming telekinesis powers AT ALL! Yes, when she screams, it destroys or moves objects. Honestly, I couldn’t figure out why she liked Manni so much – FFS she has superpowers.

When Manni tells Lola that he lost the gangster’s money and says that he will rob a grocery store if she doesn’t get to him in twenty minutes, Lola literally RUNS into action. Yes, there is A LOT of running in this film.  She runs in hallways, on sidewalks, on streets, away from cops, and accidentally towards cops.  As she runs past people, we get a glimpse of the extras’ lives in THIS timeline and boy are these extras a bunch of cretins.

Timeline?! WHAT?! Yes, this movie is ALL about time travel.  Lola needs to get the day right or she or her boyfriend or David Duchovny will die. I’m assuming Duchovny too because he was a 1990s GOD! She time trips three times to get it, to get it, to get it right child. I was going to reference some 1998 songs, but I looked them up and The Thong Song just sounds sad.

The movie blends light surrealism with action and really believable performances.  You have this guttural feeling that this is a woman on her own, fighting her own fight, and you better get out of her way. Also, she’s the only person in the film who is pure-hearted.  Her dad is a philandering banker asshat, her boyfriend is a milquetoast, and the people she bumps into show glimpses of their sinful lives.  Lola is literally running around evil.  She has great running form too; I ran track in high school and she’s got talent.

I hope she wins and saves her loser boyfriend.

Merry Christmas!!!

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Titans, S2 Ep 2&3, “Rose” “Ghosts” Review by Case Wright


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Halloween is over and now it’s time for all good persons to rally together and watch Titans! This season is following a tried and true method of bringing the gang back together, but they are emotionally apart and will hopefully return together.  This season’s Big Bad is Deathstroke (Esai Morales) and it’s AWESOME!

“Rose” is about well Rose who is in peril.  She’s missing an eye and is getting chased by the police.  Dick intervenes and takes her in for some reason, but it turns out Rose is Deathstroke’s daughter…Dun Dun Dun!!!! She also has a lot of snark, which the show needs more of.  It also has Jason Todd as a budding superhero looking for acceptance by Dick Grayson as he tries to fit into the Titans.  I’m glad that Curran Walters is a series regular, BUT I feel like his talent and his character is being wasted; he should be on his own show and have him evolve into the anti-hero- Red Hood.

Where’s the rest of our heroes? Hank and Dawn are out in Wyoming trying to go straight by running a horse riding camp for addicts.  Apparently, their need to fight crime was feeding Hank’s addiction.  But, is Dawn hanging up the cape and spandex???? NOPE! She’s out beating meth cookers within an inch of their lives! Yes, she’s returned to badassery.  Their utopia crashes down when their car explodes.  Why did the car go boom?  Deathstroke sprung Doctor Light from prison. He can manipulate energy and blow things up.

This episode dovetails perfectly into Ghosts- Episode 3.  The old Titans- Donna, Hank, and Dawn are back at the HQ and learn that Doctor Light is on the loose, Deathstroke is after them, Dick is harboring Deathstroke’s daughter, and the sushi he fed them came from a gas station.  Basically, everything is terrible and Dick is so busy trying to be a Dad that he forgot that he had to also be an angry badass.  Who is Doctor Light?  He’s a Mad Max looking supervillain who according to the comics is a serial sex offender and murderer.

The old gang tries to find Doctor Light and excludes any of the New Titans from the fight. Why? Because Dick’s trying to protect them and do things differently from Batman, but he didn’t bother to tell the New Titans that the last time they tangled with Deathstroke, it was a disaster. They hint at the disaster that they keep teasing at, forcing us to guess how terrible it was.

There is a secondary story of Starfire being pulled back home to be Queen.  Honestly, I hate this subplot.  She brings so much to the show and this subplot feels like a sidelining to me.

While Dick is trying to be a TV Dad, Jason is determined to prove himself.  He and Beast Boy go after Doctor Light and they find him, but IT’S A TRAP!!!! Jason gives a good fight, but is captured by Deathstroke!!!! OH NO!

These episodes fit together well and act as a great vehicle to ramp up the tension and suspense.  The cast is really bringing it again this season and Esai Morales was born to play this role.  He encapsulates the quiet rage and evil brilliantly!

 

 

Creepshow, S1 Ep2,Bad Wolf Down/The Finger, Review by Case Wright, Spoilers, but worth it!


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Happy Halloween Havoc!!!! Is it enough for horror to just be fun and even funny?  YES! American Werewolf in London or anything by John Landis really proves that. Creepshow on Shudder is all about just sitting back and having some gory fun. This show is so wonderfully over the top that the 90s have returned. Let’s all put away our black turtle necks and put on some Hammerpants and watch some great horror.

Bad Wolf Down is a werewolves in World War II story…Really! It was a lot of fun.  Then, when I saw Jeffrey Combs (Re-Animator) playing a Nazi, I realized this show is THE AWESOMENESS! An american platoon gets trapped behind enemy lines and takes refuge in an abandoned police station.  They find a woman in the jail who is a french werewolf. This seems relevant because they really spend a lot of time translating.

The Head Nazi (Jeffrey Combs) finds the american platoon and will wipe them out, but the platoon gets the french werewolf to turn them into werewolves and they go and kill a bunch of Nazis.  That’s it…Really!

The Finger is your lonely guy adopts a self-regenerating-human-eating-Alien story.  I know…I know ..  another one?! Clark Wilson (DJ Qualls) is a twice divorced down and out guy who has nothing going for him- until he finds a finger.  The finger looks alien and when he spills beer on it, it re-generates into a medium-sized alien and becomes his pet.  He calls the alien Bob.  Bob becomes Clark’s best friend and as any best friend would do, Bob eats all of Clark’s enemies.  He also brings back body parts from the kill like my old cat did.  Sidenote: I had a cat who used to bring me squirrel heads.  He’d line them on my porch.  Bob is like that.  The police eventually arrest Clark for the murders, but Bob might break him out.

The finger is told by Clark in real-time narration, which really adds to the comedy. He looks dead into the camera, talking directly to us. Also, it’s especially fun watching DJ Qualls hang out with a bro-alien- Brolien. If you wanna chill, watch this!!!!

Titans S2Ep1, “Trigon”, Review by Case Wright (Dir. Carol Banker)


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Welcome back! This has been a hard year for me in terms of reviewing season two and three shows-

Sabrina 2- garbage

Stranger Things 3- Just so very sad.

And then there was Titans.  I was prepared for a sophomore slump like I had seen all year with my favorite shows and ….. it NEVER happened.  Season 2 Episode 1 was like a new pilot of my most beloved show.  It had family murder, a quasi Lucifer, and an introduction of Death Stroke, Bruce Wayne, a new Titans Headquarters, and a cure for male pattern baldness!

The episode picked up where it left off with Dick turned into an evil minion and the rest of the gang trying to help.  Hawk and Dove go to Jason Todd and they all descend upon the EVIL Farmhouse …. and are invited in or are they?  Trigon (Seamus Dever) is up to his old tricks of temptation, manipulation, and pagination – he’s really into orderly manuscripts; it can’t be all about world destruction.

The Titans fall one by one.  Jason Todd is manipulated to kill his “older brother” Dick, Starfire is tricked into killing Rachel, Hank gets Dawn hooked on smack… yes smack…horse…the dragon…the boy…the beast…H…or dope.  You even see the needle enter her arm and shoot it up.  I’m not sure whether this show or Breaking Bad is darker?  Maybe I need to watch something lighter like Disneyland being hit by a meteor or all the unicorns dying to Adiago For Strings.  But, man oh man it is enthralling!!!  I know that DCU is yet another subscription service, BUT it is worth every single penny to me! *Views expressed do not represent this blog, but are always correct. *

Once everyone is turned and Gar is nearly beaten to death by the now Evil Titans, Raven’s heart breaks allowing Trigon to fulfill his prophecy and start some earth destroying.  He reaches into his daughter’s chest, crushes her beating heart, turns it into a ruby, and puts the stone on her forehead….and I thought my childhood Thanksgivings were awkward…HIYOOO! Then, Trigon goes full-on Lucifer, which almost made this a Horrorthon post.

Gar wakes and breaks Raven free of the curse and she kills/banishes her father. EPIC… JUST EPIC! Anywho, once the dust settles, we get introduced to our new villain Death Stroke (who apparently hates Jason Todd; I don’t know why because he really grows on you) and Bruce Wayne.  This was a really good portrayal of an older aging Bruce- from father to Dick’s peer.  The episode ends with the Titans in San Francisco in their familiar HQ to the fans of the animated series.

This show succeeded in so many ways.  It’s deliciously 99% Cacao Dark.  It has great action, great dialogue, heart wrenching failure and redemption.  The performances, as always, were superb across the board.  I will say that Jason Todd (Curran Walters) should get a spinoff of the Red Hood.  He would be an amazing Anti-Hero and a clever take on a Batman like hero without ANY rules.  Ahem Greg….Ahem!  See you in a week!

“Titans” S1 Ep 9, “Hawk and Dawn”, Dir Akiva Goldsman


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Anger turned inward is suicidal, but anger turned outward is homicidal.  This episode (Dir Akiva Goldsman) was a story of rage and revenge.  Where do you put all of your anger when self-help groups, drinking, and drugs no longer satisfies the grief?  Revenge.  Revenge is as seductive as heroin and it does not have to be directly done to the individual that wronged you.  Revenge is an idea of retribution distilled into a violent id.

Titans once again challenges us to support primitive justice.  In the not too distant past, blood had to be answered with blood.  In Titans, blood still calls and must be answered.  There is no lawyering up to satiate the desperate pang for revenge.  It is pure.  It is violent.  Honestly, maybe it’s healthier?  Civilized society gives us Justice – the impartial review of the facts to determine legal guilt and reasonable punishment. Vengeance is instant punishment by the aggrieved for the likely guilty.  Vengeance is not civilized, but it is satisfying.  This episode answers the question what does it take for a civilized person to close the door on society’s civilized justice and enter the world of primitive vengeance?

The episode begins with Hank and his brother in football pads filming their first adventure as superheroes.  They are about to beat up a pedophile so that he will plead guilty to his crimes.  Why do they opt for this life?  Hank was sexually abused by his football coach in middle school.  Later, he becomes a football star at his college, but he and his brother get kicked out for fighting.  Without anything, they decide to go after pedophiles and mete out justice in their neighborhood.

Then, we meet Dawn. She is a ballet dancer, daughter to a sophisticated Londoner, BUT her mother is married to an abuser and she keeps going back.  Despite her family’s dirty secret, they remain within the boundaries of the law and society.  We see all of the characters meet moments later.  Hank and his brother and Dawn and her mother all run into each other on the street.  Just as we’re about see the guys become superheroes, a car kills the mom and the brother.

This sends both Dawn and Hank down a spiral of depression and drinking.  In this haze, they find each other, but their anger is just under the surface- Waiting. The loss and the drinking doesn’t send Dawn outside of society. It takes something more for to turn away from society- Intimacy.  No, I don’t mean sex.  I mean real intimacy.  Dawn gets Hank to tell her about the sex abuse he suffered.  She is there for him.  He has undressed himself by sharing his trauma, she can relate to his pain because of her abusive father. Through this shared pain and intimacy, Dawn leaves society and decides to mete out her own justice.  She enters the world of vengeance.

Dawn confronts Hank’s football coach and demands that he turn himself in.  He refuses and a very good fight ensues.  This is what makes this show great.  It’s honest in terms of the physics.  Yes, she lands some solid kicks and punches, BUT he is a large grown man and he makes contact and delivers some ass kicking as well.  In Arrow, we would have to believe that a 100 pound 5’0 lady could beat up four men at the same time.  It always took me out of it.  The fights in Titans are brutal and honest.  To get the upper-hand in this fight, she has to stab the coach in the leg.

Just as the Coach is about to win the fight and kill Dawn, Hank arrives and beats the snot of the Coach.  This is the shared intimacy.  Hank offers to let her leave- that she was never there.  There’s a beat. Then, NO. Right then, she has fully crossed over.  She closes the door of the Coach’s home so they can finish beating him possibly to death.  We watch from a distance as she fully closes the door on us.  The reason is that we are on the outside looking in; Dawn has left our society.  We as the viewer in the comfort of our home and safety and permanently separated from her new life.

When they arrive home, they complete the intimacy by removing all of their clothing and consummating their relationship. They are now both changed.  The story ends with her being roused from coma by Rachel inserting herself into Dawn’s dream.

Greg, you love spin-offs – this is a great one.  Ritchson and Kelly have perfect chemistry; you feel their pain.  The characters and their story is wonderfully dark.  It would be a great addition to the DC Universe as its own series!

 

 

Titans, S1 Ep7 & 8, Asylum, Donna Troy Review By Case Wright,


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The asylum episode really didn’t have a lot going on.  Rachel’s mother is in an asylum and they rescue her. Rachel thought her mom was dead. Nope, just held hostage at the Evil Well-funded Psyche unit?  Sidenote: this psyche unit looks better funded than anything we have goin on in Seattle and we have a terrible homelessness problem.

Maybe, The Evil Group could franchise or just run our city for a couple of years?  The Evil Group catches Dick and mind messes with him and he burns his Robin suit.  That’s about it.  Nothing great.   Basically, it was a filler episode.

Donna Troy on the other hand is a fun episode.  Donna Troy was Wonder Woman’s sidekick and we dig deeper into that history.  It’s a lot more fun and goes deep into the inevitable PTSD heroes would have after years of violence.

The show opens back in Toronto…I mean Chicago.  Rachel and her mom have bonded overnight.  Really?! You haven’t seen her in…your whole life AND thought she was dead and you’re besties?! Word?

Dick’s “quit” … well kinda.  He can’t figure out what to do with himself.  So, he and Starfire break up and he heads to…..Vancouver..I guess.  Anywho, Donna Troi AKA Wonder Girl AKA Darkstar AKA My Canadian Girlfriend…I swear! She hasn’t quit, but she is a photographer.  I really didn’t know that was a photographer was a thing anymore.  I figured that it was de-professionalized like journalism by the internet and the iPhone.

Meanwhile, Starfire and the rest of the group are traveling to Rachel’s mom’s farmhouse in the middle of nowhere.  They get on a train and are nearly captured by the feds.

Dick is at Wonder Girl’s photography artshow and everything is normal.  Just kidding, she’s made a Faustian deal to get hard edged photos of warlords for a fee.  As you do.  She goes to meet some evil guys for a photo shoot, but Dick follows her and he sees the evil dudes and beats the crap out of them.  Donna is also quite the linguist and translates the pictures of an ancient language on Dick’s phone that will explain Rachel and her origin.  FUN!!!

She gets through to him that Dick not done with being a hero, but he is done with Robin.  Soon, he’ll be …. Nightwing!!!! Can’t wait!!!  Dick and Troi do some research on the texts and decide to head to the farmhouse.  Somehow they know the address and start heading on down.

Dick and Troi are still enroute and don’t think to give Rachel a ring.  At the farmhouse, Rachel does a mindmeld on Starfire.  BAD IDEA! She uncovers Starfire’s mission and identity to her.  Unfortunately for Rachel, Starfire’s mission is to kill Rachel and stop her from bringing about the gotterdammerung. Starfire wakes and starts choking Rachel!!!  SO EXCITING!!!

 

 

 

 

 

 

Titans, S1 Ep6, Jason Todd, Review By Case Wright, Dir (Carol Banker)


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This episode was a true Detective Comics story.  It had a eerie feel to it and I understand why- Carol Banker (Director) and Jason Hatem (Writer) are veterans of  The X-Files and Supernatural.  These shows are often grisly whodunnits and this episode fit that mold.

The direction and character development and dialogue are so confluent that it has an unsettling realism.  You watch Dick go through a metamorphosis of grief and brutality into something new- something he doesn’t even know yet.  The dialogue is quick and sharp slowly revealing the differences between Jason and Dick, building the tension between Dick’s uncertainty and Jason’s brutality.  The last shot of the detective story pulls back with Dick alone, staring at what Jason has wrought.  There are crippled police everywhere.  The cost of Dick saving his friend is the unleashing of this hurricane of cruelty wearing the costume that he once proudly wore.

This episode picks up right after the last one.  It’s uncertain why Jason Todd was there to help Dick.  It turns out that Dick and Jason are both Lo-Jacked with tracking devices because of Batman.  Batman discovered that someone is hunting down all of the members of the circus that Dick grew up with- essentially his family other than Bruce.  This person is the son of the man who killed Dick’s parents.  We learn that five years ago Dick got the revenge upon his parents’ killer. Although Dick didn’t do the fatal blow,  he purposefully stood back so the killer would die at another’s hands.

This whodunnit also serves as a Mid-Point Crisis and realization for Dick’s story arc.  He doesn’t want to be Robin, but he carries the suit across the country.  Jason Todd is the new Robin, but Jason, unlike Dick, is pure Robin.  Batman had a code of non-killing and certainly forbade beating up people because you could.  Jason Todd does not follow that; in fact, he likes to brutalize people for sport.  Jason Todd is rage and violence distilled to its darkest conclusion.  This is in line with the comics where Jason becomes the Red Hood and straight up murders criminals.  

As they work together in the episode to track down the killer, Dick realizes that he’s not Robin anymore, but he’s not on the sidelines either.  The Melting Man essentially kills Dick Grayson’s Robin persona because by forcing Dick to work along side Jason to stop him, it causes Dick to realize that he’s no one’s sidekick and that he isn’t a pure psychopath either.

Dick sees Jason’s thrill in beating up cops and crippling them.  Dick tries to explain to Jason that this embrace of darkness costs your soul, but Dick realizes soon that you can’t lose something that you never had.  Jason Todd is like the Joker – in Christopher Nolan’s words- The Joker is an absolute.  The Joker and Jason Todd are the Id of humanity- both absolutes; there is no reasoning with them.  They want and do and they do -without feeling.

Dick is likely to evolve into Nightwing, but more importantly we see in this show very careful layering and texture added over time for every character.  It really brings out the goose-flesh to see these people struggle with being heroes.  It’s so human and painful and more clear when you see a Jason Todd who  relishes embracing darkness and violence.

The Robins do save the day, but Dick is left changed permanently.  Like the funeral scene the story opened with, Dick Grayson’s Robin is dead.  Dick is unaware as to what he will become, but we know it will be born among the Titans. Without question, this is the BEST show on television.