Triple Frontier, Review By Case Wright


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The heist movie or treasure hunt movie is always the same and always pretty fun.  It’s not supposed to be Shakespeare; it’s supposed to pull you in and be a thrill ride.  This iteration is all about the down and out Iraq and Afghanistan Veterans who decide to seek their fortune the old fashioned way: ripping off a drug kingpin!  In true heist genre fashion, everything works out great!

The characters came across as real Veterans to me.  After some research, the writer- Mark Boal was embedded with a platoon in Iraq and he also wrote The Hurt Locker.  The characters in Triple Frontier were like the men I knew: strong, divorced, and liked to joke.  Ben Affleck’s character Tom struck me as especially realistic.  He loved his daughter, but there was a distance because he was just not suited for civilian life.  She wanted him home, but he always wanted to be away.  You could see on her face that she knew the moment his buddies came calling that he was already gone.

Oscar Isaac plays Pope who has a gig doing private security/law enforcement in South America.  He is in pursuit of Lorea, a drug boss, who is causing all kinds of problems. Yada Yada Yada.  Pope finds the location of Lorea’s hideout which has hundreds of millions of dollars stashed inside, but he needs a team to kill Lorea, Lorea’s men, get the cash, and get out of the country.  He turns to his former squad to pull off the heist.  They need a little cajoling, but they come around. There isn’t a lot of dialogue after they agree to the heist, which makes sense.  They committed and now transitioned to soldier-mode.  The heist starts off with success in sight, but it’s not long before everything goes wrong and they are in a fight for their lives.

The film is shot really beautifully and has some high-priced songs for a Netflix program. Everything seemed very real.  Even the way the characters carried themselves and flowed through Lorea’s hideout was seamless.   They moved the way we are trained to move through rooms.  I am always looking for that in action films.  Are they not having muzzle-awareness (pointing there weapon accidentally at a friendly)?  Are they holding the rifle close to their face? Are they aiming right?  The answers to those questions were yes.   J.C. Chandor should be really proud of himself for the realism.

What kept pulling me into the story wasn’t the action (which was excellent BTW); it was that these men were like the ones I knew.  The team itself was representative of who does our killing for us: salt of the earth…men.   I like seeing women in action films and I am already excited about Black Widow, but the infantry in real life is male.  They are regular guys who are asked to do terrible terrible things.  When those terrible things are done, we cast the men aside.  The story concludes a lot like the war itself did with a lot of loss and not a lot to show for it.  This film has a political statement between the explosions and it’s worth listening to it. 

* I included Mary Pop Poppins by the True Loves in my review.  The song embodies the heist genre like no other.  Also, they are Seattleites!!!!

St. Patrick’s Day Treat: POT O’GOLD (Complete 1941 Movie)


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POT O’GOLD Is a fun little comedy-musical starring Jimmy Stewart, who goes to work for his music hating uncle after his music store closes, and gets involved in a feud with a clan of Irish musicians. Jimmy falls in love with the pretty daughter Molly – and since she’s played by Paulette Goddard, who can blame him! Directed by comedy vet George Marshall and featuring Charles Winninger and Horace Heidt’s Orchestra, enjoy POT O’GOLD!:

Happy St. Patrick’s Day from Cracked Rear Viewer!

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Happy Noir Year!: THE BIG COMBO (United Artists 1955)


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(ATTENTION: There’s a surprise waiting for you at the end of this post, so read on…)

Joseph H. Lewis started his directing career with low-budget Westerns starring singing cowboy Bob Baker and East Side Kids programmers, and ended it back on the range doing epsiodes of THE RIFLEMAN, GUNSMOKE, and THE BIG VALLEY. In between, he created some of the finest films noir the genre has to offer: MY NAME IS JULIA ROSS , SO DARK THE NIGHT, THE UNDERCOVER MAN, and especially GUN CRAZY . His last big screen noir outing is the culmination of his work in the genre, 1955’s THE BIG COMBO.

The plot is fairly simple: Police Lt. Leonard Diamond is out to crack gangster Mr. Brown’s “combination”, which controls crime in the city. But Philip Yordan’s screenplay takes that plot and adds exciting twists and turns, indelible characters, and a level of violence audiences weren’t…

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Halloween Havoc! Extra: Boris Karloff in THE SNAKE PEOPLE (Columbia/Azteca 1971) Complete Horror Movie!


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Boris Karloff frightened the nation in 1931’s FRANKENSTEIN , and continued to terrify audiences for over three decades. In 1968, at the age of 81 and suffering from emphysema and crippling arthritis, Boris signed on to do four low-budget horror films for a Mexican production company. Unable to travel, Karloff’s scenes were shot in Hollywood by Jack Hill (SPIDER BABY, THE BIG DOLL HOUSE, SWITCHBLADE SISTERS). These films had a limited release here in the U.S. in 1971, two years after Karloff’s death, then went straight to late night TV.

THE SNAKE PEOPLE is probably the best of the quartet (which admittedly isn’t saying much!), featuring some bizarre imagery, flesh-eating zombies, voodoo rituals, human sacrifice, and other cool stuff! Karloff looks ill (and he was), but still manages to command every scene he’s in. Enjoy a last visit with the King of Horror, Boris Karloff, in THE SNAKE PEOPLE!:

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Halloween Havoc! Extra: Bela Lugosi in THE DEVIL BAT (PRC 1940) Complete Horror Movie


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Today, we celebrate the birth of a true horror legend, the great Bela Lugosi! 

Bela Lugosi helped usher in the horror era in 1931’s DRACULA , but nine years later, the Hungarian actor was taking whatever roles he could get. I’ve told you before how much I love THE DEVIL BAT (just click on this link to find out!), an entertaining little fright flick despite its rock-bottom production values and some really bad writing. Only Bela Lugosi could make a film like this work, and he does so brilliantly! Grab some popcorn, put your feet up, and enjoy horror’s first icon Bela Lugosi in THE DEVIL BAT!:

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Strawberry Spring – The Youtube Video!!!, Review By Case Wright


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Sometimes films are done poorly.  Sometimes films stay true to the source material. Sometimes they are just kinda fun.

This adaptation of Stephen King’s- “Strawberry Spring” is just kinda neat.  I was looking for Strawberry Spring images online for my post and here this was.  It’s a High School student film of Strawberry Spring.  It’s just straight up fun. All of his friends are obviously in the film and the director did a pretty good job.

The story of Strawberry Spring is that a serial killer slasher is on the loose at a New England liberal arts school in the 60s.  The narrator is more than unreliable; he is a possible suspect.  The Strawberry Spring refers to a false spring that occurs in New England similar to a blackberry winter where warm weather occurs and then a severe nor’easter hits.  The book makes a point that a mist appears before the murders and that the mist itself is likely sapient who infects the narrator, causing him to kill.  The campus is terrorized by a series of murders and then when the Strawberry Spring ceases, so do the murders.

This student film tries to dramatize the story and although there a bit of overused fog machine sequences, it deserves a lot of credit.  There was obviously a lot of effort put in and I give a tip of the hat to these young artists.

You can watch it here and if you have 15 minutes to definitely check it out!!!

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we are halfway through October and, traditionally, that’s when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts, the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!