The Gothams Honor Nomadland

Posted on January 12, 2021 by Lisa Marie Bowman

The Gotham Awards were handed out last night, honoring the best in independent film. In the past, the Gothams have been awarded at the starts of awards season but this year, they’re happening right in the middle. It’s a weird awards season but apparently, Nomadland either winning or being a serious contender is the one thing that you can depend upon. Admittedly, it’s debatable how much of influence the Gothams really have on the Oscars. Many films that Oscar-eligible are not considered to be Gotham-eligible. For instance, the big-budgeted, studio-backed blockbusters that are often mentioned as possible Oscar nominees are not Gotham eligible. There’s a kind of nice justice to that, I think.

That said, every victory helps. Nomadland has kind of been an obvious Oscar contender for several months now but it never hurts to notch another victory on the wall.

Here’s are the nominees and the winners, with the winners in bold:

Best Feature
The Assistant
First Cow
Never Rarely Sometimes Always
Nomadland
Relic

Best Documentary
76 Days
City Hall
Our Time Machine
A Thousand Cuts (TIE)
Time (TIE)

Best International Feature
Bacurau
Beanpole
Cuties (Mignonnes)
Identifying Features
Martin Eden
Wolfwalkers

Bingham Ray Breakthrough Director Award
Radha Blank – The Forty-Year-Old Version
Channing Godfrey Peoples – Miss Juneteenth
Alex Thompson – Saint Frances
Carlo Mirabella-Davis – Swallow
Andrew Patterson – The Vast of Night

Best Screenplay
Bad Education – Mike Makowsky
First Cow – Jon Raymond, Kelly Reichardt
The Forty-Year-Old Version – Radha Blank (TIE)
Fourteen – Dan Sallitt (TIE)
The Vast of Night – James Montague, Craig Sanger

Best Actor
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Jude Law – The Nest
John Magaro – First Cow
Jesse Plemons – I’m Thinking of Ending Things

Best Actress
Nicole Beharie – Miss Juneteenth
Jessie Buckley – I’m Thinking of Ending Things
Yuh-Jung Youn – Minari
Carrie Coon – The Nest
Frances McDormand – Nomadland

Breakthrough Actor
Jasmine Batchelor – The Surrogate
Kingsley Ben-Adir – One Night in Miami…
Sidney Flanigan – Never Rarely Sometimes Always
Orion Lee – First Cow
Kelly O’Sullivan – Saint Frances

Breakthrough Series – Long Format (over 40 minutes)
The Great
Immigration Nation
P-Valley
Unorthodox
Watchmen

Breakthrough Series – Short Format (under 40 minutes)
Betty
Dave
I May Destroy You
Taste the Nation
Work in Progress

Keeping in mind that I haven’t seen all of the nominees yet, I guess my favorite winner is Andrew Patterson as Breakthrough Director for The Vast of Night. The Vast of Night was one of my favorite films last year and I’m very much looking forward to seeing what Patterson does in the future.

Along with these awards, the Gothams also paid special tribute to: Steve McQueen, Ryan Murphy, actors Viola Davis, Chadwick Boseman and the ensemble cast of The Trial Of The Chicago 7. A tip of the hat to Next Best Picture for that information. I did consider watching the Gothams last night but …. well, The Bachelor was on and then after that, I was really tired. To be honest, I would probably have watched if the awards had been presented by people dressed up like Batman. Y’know, Gothams. Gotham City. All of that. Anyway….

Congrats to the winners!

The San Diego Film Critics Society Honors Promising Young Woman

Posted on January 12, 2021 by Lisa Marie Bowman

The Nashville critics were not the only ones to honor Promising Young Woman and Carey Mulligan yesterday! The San Diego critics did so as well.

Here are all of the winners from San Diego:

Best Picture
BLACK BEAR
FIRST COW
NOMADLAND
ONE NIGHT IN MIAMI
SOUND OF METAL (RUNNER UP)
PROMISING YOUNG WOMAN (WINNER)

Best Director
Darius Marder – SOUND OF METAL
Kelly Reichardt – FIRST COW
Aaron Sorkin – THE TRIAL OF THE CHICAGO 7 (RUNNER UP)
Florian Zeller – THE FATHER
Chloe Zhao – NOMADLAND (WINNER)

Best Actor
Riz Ahmed – SOUND OF METAL (WINNER)
Chadwick Boseman – MA RAINEY’S BLACK BOTTOM
Brian Dennehy – DRIVEWAYS
Anthony Hopkins – THE FATHER (RUNNER UP)
Steven Yeun – MINARI

Best Actress
Viola Davis – MA RAINEY’S BLACK BOTTOM
Vanessa Kirby – PIECES OF A WOMAN
Frances McDormand – NOMADLAND (RUNNER UP)
Carey Mulligan – PROMISING YOUNG WOMAN (WINNER)
Aubrey Plaza – BLACK BEAR

Best Supporting Actor
Sacha Baron Cohen – THE TRIAL OF THE CHICAGO 7
Frank Langella – THE TRIAL OF THE CHICAGO 7
Peter Macdissi – UNCLE FRANK (RUNNER UP)
Bill Murray – ON THE ROCKS
Paul Raci – SOUND OF METAL (WINNER)

Best Supporting Actress
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Ellen Burstyn – PIECES OF A WOMAN
Olivia Cooke – SOUND OF METAL
Amanda Seyfried – MANK (RUNNER UP)
Yuh-jung Youn – MINARI (WINNER)

Best Comedic Performance
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM (RUNNER UP)
Sacha Baron Cohen – BORAT SUBSEQUENT MOVIEFILM
Radha Blank – THE FORTY-YEAR-OLD VERSION (WINNER)
Bill Murray – ON THE ROCKS (RUNNER UP)
Andy Samberg – PALM SPRINGS

Best Original Screenplay
Lee Isaac Chung – MINARI (WINNER)
Sofia Coppola – ON THE ROCKS
Emerald Fennell – PROMISING YOUNG WOMAN (RUNNER UP)
Darius Marder, Abraham Marder & Derek Cianfrance – SOUND OF METAL (RUNNER UP)
Aaron Sorkin – THE TRIAL OF THE CHICAGO 7 (RUNNER UP)

Best Adapted Screenplay
Christopher Hampton & Florian Zeller – THE FATHER (WINNER)
Charlie Kaufman – I’M THINKING OF ENDING THINGS (RUNNER UP)
Kelly Reichardt & Jonathan Raymond – FIRST COW
Ruben Santiago-Hudson – MA RAINEY’S BLACK BOTTOM
Chloé Zhao – NOMADLAND

Best Documentary
ATHLETE A
MY OCTOPUS TEACHER
REWIND
THE SOCIAL DILEMMA (RUNNER UP)
TIME (WINNER)

Best Animated Film
ONWARD
OVER THE MOON (RUNNER UP)
SOUL
TROLLS: WORLD TOUR
WOLFWALKERS (WINNER)

Best International Film
ANOTHER ROUND
THE LIFE AHEAD (WINNER)
MARTIN EDEN
THE PLATFORM (RUNNER UP)
SPUTNIK

Best Editing
Alan Baumgarten – THE TRIAL OF THE CHICAGO 7 (RUNNER UP)
Andy Canny – THE INVISIBLE MAN (WINNER)
Andrew Dickler & Matthew Friedman – PALM SPRINGS
Jennifer Lame – TENET
Matthew L. Weiss – BLACK BEAR

Best Cinematography
Christopher Blauvelt – FIRST COW
Erik Messerschmidt – MANK (RUNNER UP)
Joshua James Richards – NOMADLAND (WINNER)
Hoyte Van Hoytema – TENET
Dariusz Wolski – NEWS OF THE WORLD

Best Production Design
Donald Graham Burt – MANK (WINNER)
Nathan Crowley – TENET
Molly Hughes – I’M THINKING OF ENDING THINGS (RUNNER UP)
Kave Quinn – EMMA.
Shane Valentino – THE TRIAL OF THE CHICAGO 7 (RUNNER UP)

Best Visual Effects
BIRDS OF PREY
GREYHOUND
THE INVISIBLE MAN (RUNNER UP)
THE MIDNIGHT SKY
SPUTNIK
TENET (WINNER)

Best Costumes
Erin Benach – BIRDS OF PREY (RUNNER UP)
Alexandra Byrne – EMMA. (WINNER)
April Napier – FIRST COW
Ann Roth – MA RAINEY’S BLACK BOTTOM
Trish Summerville – MANK

Best Use of Music
DA 5 BLOODS
DAVID BYRNE’S AMERICAN UTOPIA (RUNNER UP)
HAMILTON (WINNER)
MA RAINEY’S BLACK BOTTOM (RUNNER UP)
SOUND OF METAL

Best Ensemble
DA 5 BLOODS
ONE NIGHT IN MIAMI (WINNER)
PALM SPRINGS
THE TRIAL OF THE CHICAGO 7 (RUNNER UP)
UNCLE FRANK

Breakthrough Artist
Riz Ahmed – SOUND OF METAL (RUNNER UP)
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Radha Blank – THE FORTY-YEAR-OLD VERSION (WINNER)
Sidney Flanigan – NEVER RARELY SOMETIMES ALWAYS
Vanessa Kirby – PIECES OF A WOMAN

The Music City Film Critics Honor Promising Young Woman

Posted on January 12, 2021 by Lisa Marie Bowman

Awards season continues!

Yesterday, the Music City Film Critics (that’s Nashville) announced their picks for the best of 2020! They honored Promising Young Woman as Best Picture and Carey Mulligan for Best Actress. Otherwise, the awards pretty much went to the usual suspects. Chloe Zhao for Best Director. Sacha Baron Cohen for Best Supporting Actor and Chadwick Boseman for Best Actor. (I’m not looking forward to having to sit through any Oscar speeches from Sacha Baron Cohen so let’s hope the Academy is more impressed by either Boseman, Paul Raci, or Bill Murray.) Aaron Sorkin picked up an award for his screenplay. Same old, same old. But at least the great Carey Mulligan got some recognition.

Here are the winners!

BEST FILM
Da 5 Bloods
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Mank
Nomadland
Promising Young Woman
Sound of Metal
The Father
The Trial of the Chicago 7

BEST DIRECTOR
Aaron Sorkin – The Trial of the Chicago 7
Chloé Zhao – Nomadland
David Fincher – Mank
Emerald Fennell – Promising Young Woman
Florian Zeller – The Father
Spike Lee – Da 5 Bloods

BEST ACTOR
Anthony Hopkins – The Father
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Gary Oldman – Mank
Riz Ahmed – Sound of Metal

BEST ACTRESS
Carey Mulligan – Promising Young Woman
Elisabeth Moss – The Invisible Man
Frances McDormand – Nomadland
Vanessa Kirby – Pieces of a Woman
Viola Davis – Ma Rainey’s Black Bottom

BEST SUPPORTING ACTOR
Bill Burr – The King of Staten Island
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami…
Paul Raci – Sound of Metal
Sacha Baron Cohen – The Trial of the Chicago 7

BEST SUPPORTING ACTRESS (TIE)
Amanda Seyfried – Mank
Glenn Close – Hillbilly Elegy
Maria Bakalova – Borat Subsequent Moviefilm (TIE)
Olivia Colman – The Father
Yuh-Jung Youn – Minari (TIE)

BEST ACTING ENSEMBLE
Da 5 Bloods
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
One Night in Miami…
The Trial of the Chicago 7

BEST ANIMATED FEATURE
Onward (dir. Dan Scanlon)
Over the Moon (dir. Glen Keane)
Scoob! (dir. Tony Cervone)
Soul (dir. Pete Docter)
Wolfwalkers (dir. Tomm Moore & Ross Stewart)

BEST FOREIGN LANGUAGE FILM
Another Round (dir. Thomas Vinterberg)
Bacurau (dir. Kleber Mendonça Filho & Juliano Dornelles)
Collective (dir. Alexander Nanau)
I’m No Longer Here (dir. Fernando Frías)
The Platform (dir. Galder Gaztelu-Urrutia)

BEST DOCUMENTARY
Collective (dir. Alexander Nanau)
Dick Johnson is Dead (dir. Kirsten Johnson)
The Social Dilemma (dir. Jeff Orlowski)
Time (dir. Garrett Bradley)
You Cannot Kill David Arquette (dir. David Darg & Price James)

BEST SCREENPLAY
I’m Thinking of Ending Things (Charlie Kaufman)
Mank (Jack Fincher)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
The Trial of the Chicago 7 (Aaron Sorkin)

BEST SONG
The Trial of the Chicago 7 – “Hear My Voice”
Eurovision Song Contest – “Husavik (My Hometown)”
Trolls: World Tour – “Just Sing”
Over the Moon – “Rocket to the Moon”
One Night in Miami… – “Speak Now”
Tenet – “The Plan”

BEST SCORE
Minari (Emile Mosseri)
Tenet (Ludwig Göransson)
Da 5 Bloods (Terence Blanchard)
Mank (Trent Reznor & Atticus Ross)
Soul (Trent Reznor & Atticus Ross)

BEST CINEMATOGRAPHY
Da 5 Bloods (Newton Thomas Sigel)
Mank (Erik Messerschmidt)
News of the World (Dariusz Wolski)
Nomadland (Joshua James Richards)
Tenet (Hoyte van Hoytema)

BEST EDITING
Nomadland (Chloé Zhao)
Mank (Kirk Baxter)
Tenet (Jennifer Lame)
The Father (Yorgos Lamprinos)
The Invisible Man (Andy Canny) (TIE)
The Trial of the Chicago 7 (Alan Baumgarten) (TIE)

BEST PRODUCTION DESIGN
Mank (Donald Graham Burt)
Emma. (Kave Quinn)
Ma Rainey’s Black Bottom (Mark Ricker)
Da 5 Bloods (Wynn Thomas)
The Personal History of David Copperfield (Christina Casali)

The Jim Ridley Award
Awarded to Nashville musician William Tyler for his score for First Cow

The Films of 2020: The Social Dilemma (dir by Jeff Orlowski)

Posted on January 11, 2021 by Lisa Marie Bowman

You have to feel a little bit bad for The Social Dilemma, a well-intentioned documentary that makes several good points but which runs into one huge problem. The documentary takes a look at social media and, more specifically, how society’s addiction to social media has led to a world where people are more divided, more angry, more anxious, and more volatile. Featuring interviews with the people worked for the companies and who created the social media sites that currently dominate our culture, The Social Dilemma shows how the algorithms that were initially designed to keep people clicking have now led to a world where everyone is living in their own separate reality. The film makes the case that this is not a good thing and that the heads of Twitter and Facebook are potentially more powerful than any world leader. Considering that the film was released months before the social media-directed riot at the capitol and Big Tech’s subsequent decision to ban President Trump (while, of course, continuing to allow both Chinese propaganda and the Ayatollah’s calls for the destruction of Israel), it’s hard not to feel that The Social Dilemma‘s case has been proven. It’s a prophetic film.

The problem, however, is that most people already know that social media is addictive and that it’s potentially harmful and that Google has way too much data on file about its users. Everyone already knows this. It’s just that most people don’t care. That’s the nature of addiction. Even though you know it’s probably going to kill you, you also know that there’s a good chance that you’re next fix might be the best feeling you’ve ever experienced.

I know that it’s not a coincidence that YouTube is always trying to get me to watch videos about kittens. I also know that it’s not a coincidence that, for several months last year, every internet ad that I saw was for lingerie. And yes, I guess it’s a little bit creepy that both YouTube and Facebook managed to figure out my political leanings, despite the fact that I hardly ever post anything political online. I would be outraged if I wasn’t so busy clicking on stuff. What’s that YouTube? There’s a video of two kittens at a meeting of libertarian Catholics and it ends with a La Perla ad? I’ll be right over. Just let me finish writing this review….

The Social Dilemma is full of interviews with people who once worked for companies and services like Google, Facebook, Twitter, and Instagram. Most of them wear the shell-shocked expressions of people who are still grappling with feelings of “My God, what have I done?” They discuss not only how the algorithms behind social media work but also how those algorithms eventually turned out to be more powerful and more destructive than any of their creators imagined. One former Facebook engineer discusses how “likes’ were originally viewed as being a way to encourage people to be positive but, instead, they quickly turned Facebook into a competition. One particularly sobering segment discusses how the social media boom also brought with it a surge of teenage girls going to the emergency room as a result harming themselves as their self-worth became linked to getting likes, retweets, hearts, shares, and all the rest. It’s a sobering film, though its impact is lessened by the decision to include some dramatizations involving a fictional family. The message of the film come through well enough via interviews without the film including scenes of Vincent Kartheiser literally playing a character named Artificial Intelligence. (That said, it’s always good to see Vincent Kartheiser in a film. He’s an actor who deserves to work more.)

To the film’s benefit, it acknowledges that giving up social media is not a realistic solution for most people. At this point, asking people to totally give up social media is the equivalent of asking someone to voluntarily cut themselves off from the world. (As one interviewee points out, social media manages to be both a utopia and a dystopia at the same time.) The documentary makes the argument that the Big Tech monopoly needs to be better regulated and perhaps broken up. (The film’s right but, considering how many former Silicon Valley executives and Big Tech lobbyists are going to be involved with the Biden administration, none of that’s not going to happen any time soon.) The film ends with a series of suggestions about how to use social media without allowing it to control or destroy your life. Most of them are common sense stuff — seek out opposing view points, don’t click on clickbait, don’t blindly retweet or share, do not give devices to children, turn off notifications, etc., etc. — and I’m happy to say that I do most of them.

That said, social media is addictive. I’ve tried to take breaks from twitter but it’s rare that I can ever go more than a day without checking. Seeing those mentions, seeing those likes, seeing those retweets; even after all these years, it’s still a rush. When I first started watching The Social Dilemma, I hopped on twitter just to let people know that I was watching the movie. When the movie ended, I checked to see if anyone had commented on the fact that I was watching it. That’s the world that we all live in right now.

And, as one interviewee says during The Social Dilemma, it could very well be the end of the world. What’s sad, though, is that most people are too busy looking at their phones and devices to even enjoy the ride.

Here are the 2020 Nominations of the St. Louis Film Critics Association

Posted on January 11, 2021 by Lisa Marie Bowman

The St. Louis Film Critics Association yesterday announced their nominees for the best of 2020. The winners will be announced this Sunday, the 17th.

The great thing about St. Louis is that they give out a lot of awards. They honor the Best Horror Film and the Best Comedy and all the rest. As a result, their awards are always marginally more interesting than what you get from some of the other regional groups.

Here are the nominations!

BEST FILM
First Cow
I’m Thinking of Ending Things
Nomadland
Promising Young Woman
The Trial of the Chicago 7

BEST DIRECTOR
Emerald Fennell – Promising Young Woman
Lee Isaac Chung – Minari
Spike Lee – Da 5 Bloods
Aaron Sorkin – The Trial of the Chicago 7
Chloe Zhao – Nomadland

BEST ACTRESS
Jessie Buckley – I’m Thinking of Ending Things
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces of a Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Ellen Burstyn – Pieces of a Woman
Olivia Colman – The Father
Amanda Seyfried – Mank
Yuh-jung Youn – Minari

BEST ACTOR
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Delroy Lindo – Da 5 Bloods
Anthony Hopkins – The Father
Gary Oldman – Mank

BEST SUPPORTING ACTOR
Bo Burnham – Promising Young Woman
Sacha Baron Cohen – The Trial of the Chicago 7
Bill Murray – On The Rocks
Leslie Odom Jr. – One Night in Miami
Paul Raci – Sound of Metal

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Jack Fincher – Mank
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7

BEST ADAPTED SCREENPLAY
Charlie Kaufman – I’m Thinking of Ending Things
Kemp Powers – One Night in Miami
Jon Raymond & Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloe Zhao – Nomadland

BEST CINEMATOGRAPHY
Benjamin Kracunc – Promising Young Woman
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland
Newton Thomas Sigel – Da 5 Bloods
Dariusz Wolski – News of the World

BEST EDITING
Jonah Moran – Hamilton
Robert Frasen – I’m Thinking of Ending Things
Kirk Baxter – Mank
Chloe Zhao – Nomadland
Alan Baumgarten – The Trial of the Chicago 7

BEST PRODUCTION DESIGN
Kave Quinn – Emma.
Mark Ricker – Ma Rainey’s Black Bottom
Donald Graham Burt – Mank
Cristina Casali – The Personal History of David Copperfield
Michael Perry – Promising Young Woman

BEST SCORE
Ludovico Einaudi – “Nomadland”
Ludwig Goransson – “Tenet”
James Newton Howard – “News of the World”
Trent Reznor, Atticus Ross & Jon Baptiste – “Soul”
Trent Reznor & Atticus Ross – “Mank”

BEST SOUNDTRACK
Birds of Prey
Da 5 Bloods
Hamilton
Lovers Rock
Promising Young Woman

BEST VISUAL EFFECTS
Birds of Prey
The Invisible Man
Mank
The Midnight Sky
Tenet

BEST ANIMATED FILM
Onward
Over The Moon
Soul
The Wolf House
Wolfwalkers

BEST HORROR FILM
Alone
The Invisible Man
La Llorona
Possessor: Uncut
The Vast of Night

BEST COMEDY FILM
Borat Subsequent Moviefilm
Emma.
The King of Staten Island
On The Rocks
Palm Springs

BEST ACTION FILM
Birds of Prey
The Gentlemen
Greyhound
The Old Guard
Tenet

BEST DOCUMENTARY
City Hall
Collective
Dick Johnson Is Dead
My Octopus Teacher
The Social Dilemma

BEST FOREIGN FILM
Another Round
Bacurau
Beanpole
Collective
Vitalina Varela

WORST FILM
Artemis Fowl
The Doorman
Downhill
Hillbilly Elegy
Wonder Woman 1984

BEST SCENE
HR scene in The Assistant
Rudy Guiliani in Borat Subsequent Moviefilm
Dinner with parents in I’m Thinking of Ending Things
Sisters dine in The Invisible Man
Questionnaire in Never Rarely Sometimes Always

25 Best, Worst, and Gems I Saw In 2020

Posted on January 10, 2021 by Valerie Troutman

There’s no good way to open this post, so there’s one of my dogs. That’s Cub. We got him in November of 2019 when he was just under 3 months. He was my first puppy and the first male dog I have ever had. That picture is of him about a year later. I didn’t put him that way. I just looked over at the chair and he was sitting like a person, complete with using the armrest. He didn’t even get up to move when I started taking pictures. He sat there as if he were posing for me.

Anyways, I apologize for the lists being even later this year than last. I don’t even have the high number of movies as an excuse this time around as I fell short of 2019’s number of films, which is 1,266. I only saw 919 of them last year. Things just kept coming up that cut into the time it takes to comb through the movies and compile the lists.

The rules are the same as in previous years with one exception. I am going to start linking to reviews of these movies if I can find any that have been written by one of our contributors here on Through the Shattered Lens.

Here are the normal rules:

There is no particular order to the films in these lists. They either made it, or they didn’t.
These lists do not necessarily have films that came out in 2020. These are films that I saw for the first time in 2020. In fact, none of these films are from 2020.
The gems list are films that don’t make the best list, but I want to put a spotlight on them.
If you disagree with any of my choices. Good! I want people to form their own opinions and think for themselves. But if you care to share those opinions, then be nice about it.

The China Syndrome (1979, dir. James Bridges)

Best:

Dunkirk (2017)
Silence (2016)
The Cassandra Crossing (1976)
Ford v Ferrari (2019)
Shin Godzilla (2016)
Yours, Mine and Ours (1968)
Kuroneko (1968)
After The Storm (2016)
Green Book (2018)
Knives Out (2019)
Mission: Impossible – Ghost Protocol (2011)
The Big Sick (2017)
Too Late For Tears (1949)
First Reformed (2017)
Fences (2016)
The Red House (1947)
Gaslight (1940)
The Poseidon Adventure (1972) – Lisa’s Review and Gary’s Review
Detroit (2017)
A Ghost Story (2017)
American Made (2017)
The China Syndrome (1979)
Underfire: The Untold Story Of Pfc. Tony Vaccaro (2016)
Kedi (2016)
Shazam! (2019)

Worst:

Shelter (2014)
Another Nine & A Half Weeks (1997)
Ghosts Of Girlfriends Past (2009)
The Assignment (2016)
Dracula 3000 (2004)
Scales: A Mermaid Tale (2017)
The Net 2.0 (2006)
Butterfly (1981)
God, Sex & Apple Pie (1998)
Costa Rican Summer (2010)
The Poughkeepsie Tapes (2007)
Beaks: The Movie (1987)
Diary Of A Whimpy Kid: The Long Haul (2017)
Gremlin (2017)
Below Her Mouth (2016)
Grindin’ (2007)
Kickboxing Academy (1997)
Chairman Of The Board (1998)
Ghosts Can’t Do It (1989)
A Firehouse Christmas (2016)
Private Lessons (1981)
Beyond The Poseidon Adventure (1979)
Curse Of Bigfoot (1975)
Hail Caesar (1994)
House Shark (2017)

Hard Ticket To Hawaii (1987, dir. Andy Sidaris)

Gems:

Rage (1995)
Mirrors (1985)
Hercules (1983)
The Adventures Of Hercules (1985)
What Do You Say To A Naked Lady? (1970)
Jane And The Lost City (1987)
Gone In 60 Seconds (1974)
Nemesis (1992)
American Kickboxer 2 (1993)
Blood & Concrete (1991)
Back To Back (1996)
American Ninja 5 (1993)
Model By Day (1994)
Flowers In The Attic (1987)
Killer Workout (1987)
Safe House (1998)
To All A Good Night (1980)
Lisa (1989)
The Chase (1946)
Tarzan In Manhattan (1989)
Hard Ticket To Hawaii (1987)
David And Lisa (1962)
The Student Nurses (1970)
Voyage Of The Rock Aliens (1984)
Backstage (1988)

The National Society of Film Critics Honors Nomadland

Posted on January 9, 2021 by Lisa Marie Bowman

I was kind of hoping that, when they met and voted earlier today, the National Society Of Film Critics would add some new films and performances to the Oscar discussion but instead, they went for the usual suspects. Nomadland took Best Picture, though First Cow was a close runner-up. Chloe Zhao, Frances McDormand, and Maria Bakalova won again. I mean, if we’re going to be honest …. it was all pretty predicable. Remember how, in past years, it sometimes took nearly an entire day for the NSFC to announce all their winners because the voting was so close? That didn’t happen this year. It was all pretty much cut-and-dried. I followed along on twitter because I’m addicted to this stuff but as soon as they announced Frances McDormand was their pick for Best Actress, I knew how the day was going to go.

(And don’t get me wrong! Frances McDormand is great! I haven’t seen Nomadland yet but I greatly admired The Rider, Chloe Zhao’s previous film. Please do not think that I’m saying that any of these awards are undeserved because I most certainly am not. Instead, I’m just saying that — from the perspective of a lifelong Oscar watcher — it’s more fun when things aren’t predictable.)

Oh well, it happens. Sometimes, you have an Oscar race where every precursor is unpredictable and it seem like anyone could win. And then we have years like this one, where the same film keeps winning over and over again. Some people would say that we should probably just be happy that people can all agree on something for once. Hopefully, they won’t say that to me, though. If we’re all going to agree on something, let’s agree to treat one another with respect and not always jump to the worst conclusion about the other side. Agreeing on films, though, is nothing to celebrates. Films are meant to be argued about.

Anyway, here are the winners from the National Society Of Film Critics!

Best Picture
Winner: NOMADLAND (52 points)
Runners-up: FIRST COW (50 points) & NEVER RARELY SOMETIMES ALWAYS (41 points)

Best Director
Winner: Chloé Zhao, NOMADLAND (58 points)
Runners-up: Steve McQueen, SMALL AXE (41 points) & Kelly Reichardt, FIRST COW (30 points)

Best Foreign-Language Film
Winner: COLLECTIVE (38 points)
Runners-up: BACURAU and BEANPOLE (36 points) & VITALINA VARELA (32 points)

Best Actress
Winner: Frances McDormand, NOMADLAND (46 points)
Runners-up: Viola Davis, MA RAINEY’S BLACK BOTTOM (33 points) & Sidney Flanigan, NEVER RARELY SOMETIMES ALWAYS (29 points)

Best Actor
Winner: Delroy Lindo, DA 5 BLOODS (52 points)
Runners-up: Chadwick Boseman, MA RAINEY’S BLACK BOTTOM (47 points) & Riz Ahmed, SOUND OF METAL (32 points)

Best Supporting Actress
Winner: Maria Bakalova, BORAT SUBSEQUENT MOVIEFILM (47 points)
Runners-up: Amanda Seyfried, MANK (40 points) & Youn Yuh-jung, MINARI (33 points)

Best Supporting Actor
Winner: Paul Raci, SOUND OF METAL (53 points)
Runners-up: Glynn Turman, MA RAINEY’S BLACK BOTTOM (36 points) & Chadwick Boseman, DA 5 BLOODS (35 points)

Best Screenplay
Winner: Eliza Hittman, NEVER RARELY SOMETIMES ALWAYS (38 points)
Runners-up: Jon Raymond and Kelly Reichardt, FIRST COW (35 points) Charlie Kaufman, I’M THINKING OF ENDING THINGS (29 points)

Best Cinematography
Winner: Joshua James Richards, NOMADLAND (47 points)
Runners-up: Shabier Kirchner, LOVERS ROCK (41 points) & Leonardo Simões, VITALINA VARELA (34 points)

The Films of 2020: The Midnight Sky (dir by George Clooney)

Posted on January 9, 2021 by Lisa Marie Bowman

For all of his skill as an actor, George Clooney is a remarkably mediocre director.

Yes, I know. Clooney was nominated for an Oscar for directing Good Night, and Good Luck but that film was honored more for what it was about than what it actually was. All of Clooney’s directorial efforts — from the Oscar-nominated to the Razzie-embraced — have suffered from two huge problems.

Number one, George Clooney can occasionally set up an interesting shot but he appears to have no idea how to create or maintain narrative momentum. His films tend to lay flat, with incidents piled on top of each other but you never get the feeling that there’s some sort of internal motor moving the action along. It’s not easy creating and maintaining a narrative flow but it’s something that all good film directors can do. It’s also something that Clooney has never managed to master. Instead, he seems to assume that his own good intentions and broader concerns will provide the film with whatever momentum it needs. Unfortunately, good intentions are not the same as storytelling talent and, as a director, Clooney rarely brings any of the nuance that’s makes him such a good actor. George Clooney could play Michael Clayton but he could never direct the film named for him.

This bring us to Clooney’s other problem as a director, which is that he approaches his films with this sort of dorky earnestness that feels incredibly old-fashioned. On the one hand, dorky earnestness can be a likable trait. On the other hand, when watching his directorial efforts, you do find yourself wondering if George Clooney has seen any films made after 1989. There’s nothing terribly subversive about George Clooney’s artistic vision. He’s not a director who takes you by surprise nor is he a director who is capable of making you look at the world in a different way. While other filmmakers are challenging preconceived notions and attempting to reinvent the cinematic language, Clooney is busy trying to revive live television productions and making the type of stolid films that haven’t been relevant since the end of the studio system. It’s a shame because, as an actor in films like Michael Clayton and Up In The Air, Clooney expertly revealed the insecurity that lurked underneath the seemingly perfectly façade of the seemingly successful alpha male. But as a director, he’s a third-rate Taylor Hackford. And while it’s true that not every director can be Martin Scorsese, is it too much to ask for a director who at least tries to do something unique or different? For someone who has enough money and international clout that he can basically get away with just about anything and who has worked multiple times with the Coen Brothers and Steven Soderbergh, Clooney is an oddly risk-adverse filmmaker.

Unfortunately, all of Clooney’s directorial weaknesses are on display in The Midnight Sky, a rather slow science fiction film that would have made a good episode of The Twilight Zone but which falls flat as a movie. In this one, the world is ending and George Clooney is basically the last man left in the Arctic. Clooney is playing an astronomer who has spent his life searching for habitable planets and who is now dying of a terminal disease. He thinks he’s alone but then he comes across a mysterious girl named Iris. Iris rarely speaks and when she does speak, it’s to ask questions like, “Did you love her?” While Clooney is trying to figure where the little girl came from, he’s also trying to get in contact with a space mission so that he can warn them that the Earth is no longer inhabitable and they should relocate to one of Jupiter’s moon.

The space mission, meanwhile, is made up of Felicity Jones, David Oyelowo, Kyle Chandler, Demian Bircher, and Tiffany Boone. They’re stuck in space and trying to figure out why they can’t communicate with Earth. There’s a scene where their station gets bombarded by asteroids. The special effects are impressive (and this is a film that, despite being released on Netflix, really is meant to be viewed on a big screen) but during the whole scene, I was like, “Hey, it’s Gravity all over again!” Clooney never makes the familiar material his own. Instead, you find yourself thinking about all of the other sci-fi films that you’ve seen about the end of the world. Clooney doesn’t have the eccentricity of Alfonso Cuaron nor does he have the frustrating but intriguing megalomania of Christopher Nolan. Instead, he’s still same the director who thought that Edward R. Murrow was never more compelling than when he was complaining about people wanting to be entertained.

Lest anyone think that I’m going overboard in my criticism, allow me to say that The Midnight Sky isn’t really terrible as much as it’s just incredibly bland and forgettable. As I said before, the special effects are impressive. Clooney manages a few properly desolate shots of the Arctic, though making the Arctic look like the end of the world isn’t exactly the most difficult task in the world. As an actor, Clooney wears a beard in The Midnight Sky. Whenever the beard makes an appearance, you know that Clooney means for us to take him seriously and he gives an okay performance. He delivers his lines convincingly but his character is a bit dull and you can’t help but feel that Clooney the director wasted the talents of Clooney the actor. The film probably would have been improved if he and Kyle Chandler had switched roles.

The Midnight Sky didn’t really work for me. The end of the world should never be this boring.

Here Are The 2020 Nominations of the San Diego Film Critics Society!

Posted on January 8, 2021 by Lisa Marie Bowman

The regional critics have been busy today!

The San Diego Film Critics Society have announced their nominees for the best of 2020! Perhaps the most interesting tidbit here is that they nominated Black Bear for best picture. So far, Black Bear hasn’t really been spoken of as an Oscar contender but, with the extended awards season and all, that could all change. It’ll be interesting to see if the SDFCS nomination is just an outlier or a sign of critics just now discovering the film. If nothing else, it keeps things interesting.

Here are the nominees! The winners will be announced on Monday, January 11th.

Best Picture
BLACK BEAR
FIRST COW
NOMADLAND
ONE NIGHT IN MIAMI
SOUND OF METAL
PROMISING YOUNG WOMAN

Best Director
Darius Marder – SOUND OF METAL
Kelly Reichardt – FIRST COW
Aaron Sorkin – THE TRIAL OF THE CHICAGO 7
Florian Zeller – THE FATHER
Chloe Zhao – NOMADLAND

Best Actor
Riz Ahmed – SOUND OF METAL
Chadwick Boseman – MA RAINEY’S BLACK BOTTOM
Brian Dennehy – DRIVEWAYS
Anthony Hopkins – THE FATHER
Steven Yeun – MINARI

Best Actress
Viola Davis – MA RAINEY’S BLACK BOTTOM
Vanessa Kirby – PIECES OF A WOMAN
Frances McDormand – NOMADLAND
Carey Mulligan – PROMISING YOUNG WOMAN
Aubrey Plaza – BLACK BEAR

Best Supporting Actor
Sacha Baron Cohen – THE TRIAL OF THE CHICAGO 7
Frank Langella – THE TRIAL OF THE CHICAGO 7
Peter Macdissi – UNCLE FRANK
Bill Murray – ON THE ROCKS
Paul Raci – SOUND OF METAL

Best Supporting Actress
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Ellen Burstyn – PIECES OF A WOMAN
Olivia Cooke – SOUND OF METAL
Amanda Seyfried – MANK
Yuh-jung Youn – MINARI

Best Comedic Performance
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Sacha Baron Cohen – BORAT SUBSEQUENT MOVIEFILM
Radha Blank – THE FORTY-YEAR-OLD VERSION
Bill Murray – ON THE ROCKS
Andy Samberg – PALM SPRINGS

Best Original Screenplay
Lee Isaac Chung – MINARI
Sofia Coppola – ON THE ROCKS
Emerald Fennell – PROMISING YOUNG WOMAN
Darius Marder, Abraham Marder & Derek Cianfrance – SOUND OF METAL
Aaron Sorkin – THE TRIAL OF THE CHICAGO 7

Best Adapted Screenplay
Christopher Hampton & Florian Zeller – THE FATHER
Charlie Kaufman – I’M THINKING OF ENDING THINGS
Kelly Reichardt & Jonathan Raymond – FIRST COW
Ruben Santiago-Hudson – MA RAINEY’S BLACK BOTTOM
Chloé Zhao – NOMADLAND

Best Documentary
ATHLETE A
MY OCTOPUS TEACHER
REWIND
THE SOCIAL DILEMMA
TIME

Best Animated Film
ONWARD
OVER THE MOON
SOUL
TROLLS: WORLD TOUR
WOLFWALKERS

Best International Film
ANOTHER ROUND
THE LIFE AHEAD
MARTIN EDEN
THE PLATFORM
SPUTNIK

Best Editing
Alan Baumgarten – THE TRIAL OF THE CHICAGO 7
Andy Canny – THE INVISIBLE MAN
Andrew Dickler & Matthew Friedman – PALM SPRINGS
Jennifer Lame – TENET
Matthew L. Weiss – BLACK BEAR

Best Cinematography
Christopher Blauvelt – FIRST COW
Erik Messerschmidt – MANK
Joshua James Richards – NOMADLAND
Hoyte Van Hoytema – TENET
Dariusz Wolski – NEWS OF THE WORLD

Best Production Design
Donald Graham Burt – MANK
Nathan Crowley – TENET
Molly Hughes – I’M THINKING OF ENDING THINGS
Kave Quinn – EMMA.
Shane Valentino – THE TRIAL OF THE CHICAGO 7

Best Visual Effects
BIRDS OF PREY
GREYHOUND
THE INVISIBLE MAN
THE MIDNIGHT SKY
SPUTNIK
TENET

Best Costumes
Erin Benach – BIRDS OF PREY
Alexandra Byrne – EMMA.
April Napier – FIRST COW
Ann Roth – MA RAINEY’S BLACK BOTTOM
Trish Summerville – MANK

Best Use of Music
DA 5 BLOODS
DAVID BYRNE’S AMERICAN UTOPIA
HAMILTON
MA RAINEY’S BLACK BOTTOM
SOUND OF METAL

Best Ensemble
DA 5 BLOODS
ONE NIGHT IN MIAMI
PALM SPRINGS
THE TRIAL OF THE CHICAGO 7
UNCLE FRANK

Breakthrough Artist
Riz Ahmed – SOUND OF METAL
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Radha Blank – THE FORTY-YEAR-OLD VERSION
Sidney Flanigan – NEVER RARELY SOMETIMES ALWAYS
Vanessa Kirby – PIECES OF A WOMAN

Here Are The 2020 Nominations of the North Dakota Film Society!

Posted on January 8, 2021 by Lisa Marie Bowman

The North Dakota Film Society has announced their nominations for the best of 2020! They’ll announce their winners a week from now, on January 15th.

I have to say that I kind of love the fact that we have so many different regional critics groups. I mean, yes — it can be difficult to keep up with all of them once award seasons kicks into full gear. (It’s been a little bit easier this year, with so many groups deciding to hold off on announcing their picks so that they can suck up to the Academy.) But, seriously, why shouldn’t the film critics of North Dakota make their voice heard? Why should we act like only New York, Los Angles, and the National Board of Review matter? Personally, I like seeing how different regional groups react to different films. For instance, the North Dakota Critics showed some love to Ammonite, a film that’s kind of fallen off the radar as far as the Oscar race is concerned. They also gave a best picture nomination to I’m Thinking of Ending Things, a fascinating film that might be too strange for the Academy but which still deserves some recognition. Regional groups are important because they remind us that Nomadland and Minari weren’t the only good films released in 2020.

My point is that — despite what Film Twitter might tell you — it’s good to have a lot of voices and opinions out there. Anything that challenge group think is a good thing, I believe.

Here are the nominations from North Dakota:

Best Picture
FIRST COW
I’M THINKING OF ENDING THINGS
NEVER RARELY SOMETIMES ALWAYS
NOMADLAND
PROMISING YOUNG WOMAN

Best Director
Emerald Fennell – PROMISING YOUNG WOMAN
David Fincher – MANK
Charlie Kaufman – I’M THINKING OF ENDING THINGS
Kelly Reichardt – FIRST COW
Chloé Zhao – NOMADLAND

Best Actress
Viola Davis – MA RAINEY’S BLACK BOTTOM
Sophia Loren – THE LIFE AHEAD
Frances McDormand – NOMADLAND
Carey Mulligan – PROMISING YOUNG WOMAN
Kate Winslet – AMMONITE

Best Actor
Riz Ahmed – SOUND OF METAL
Chadwick Boseman – MA RAINEY’S BLACK BOTTOM
Delroy Lindo – DA 5 BLOODS
Gary Oldman – MANK
Steven Yeun – MINARI

Best Supporting Actress
Maria Bakalova – BORAT SUBSEQUENT MOVIEFILM
Ellen Burstyn – PIECES OF A WOMAN
Saoirse Ronan – AMMONITE
Amanda Seyfried – MANK
Yuh-Jung Youn – MINARI

Best Supporting Actor
Bo Burnham – PROMISING YOUNG WOMAN
Sacha Baron Cohen – THE TRIAL OF THE CHICAGO 7
Orion Lee – FIRST COW
Paul Raci – SOUND OF METAL
David Strathairn – NOMADLAND

Best Screenplay
I’M THINKING OF ENDING THINGS
MANK
NEVER RARELY SOMETIMES ALWAYS
PROMISING YOUNG WOMAN
SOUND OF METAL

Best Production Design
EMMA.
I’M THINKING OF ENDING THINGS
MANK
NEWS OF THE WORLD
THE PERSONAL HISTORY OF DAVID COPPERFIELD

Best Cinematography
EMMA.
FIRST COW
MANK
NOMADLAND
TENET

Best Film Editing
I’M THINKING OF ENDING THINGS
MANK
NOMADLAND
PROMISING YOUNG WOMAN
TENET

Best Original Score
AMMONITE
THE INVISIBLE MAN
MANK
SOUL
TENET

Best Original Song
BORAT SUBSEQUENT MOVIEFILM – ”Wuhan Flu”
MISS AMERICANA – ”Only the Young”
ON THE ROCKS – ”Identical”
ONE NIGHT IN MIAMI – ”Speak Now”
OVER THE MOON – ”Rocket to the Moon”

Best International Feature
AND THEN WE DANCED
ANOTHER ROUND
BEANPOLE
COLLECTIVE
THE TWENTIETH CENTURY

Best Documentary Feature
ALL IN: THE FIGHT FOR DEMOCRACY
BOYS STATE
COLLECTIVE
DICK JOHNSON IS DEAD
TIME
THE TRUFFLE HUNTERS

Best Animated Feature
THE CROODS: A NEW AGE
ONWARD
OVER THE MOON
SOUL
WOLFWALKERS