October Music Series: Векша – Царство снега


The short-lived, Yaroslavl-based band Векша (Veksha) offer a look at that strange world of ultra-nationalistic, rabidly pagan Slavic metal that began to emerge shortly after the fall of the Soviet Union. I love the awkward juxtaposition (by 1998 standards) of black metal and this anonymous woman’s clean, almost childish singing in the environment of absolutely rock-bottom recording quality. The aesthetic consequence is spooky–a sort of half-formed ghost of a demo tape that dares you to shut off your speakers and see if it continues to play.

But the appeal that keeps me listening to На пороге ночи (Na Poroge Nochi) might not have been the band’s intent. Believe it or not they actually had a website, on which they greet all Aryan brothers with pastel flowers and rotating heart gifs.

umm…

But creepy by accident is always more effective than creepy by intent, right? The bizarrely pervasive fixation on race throughout a lot of early Slavic pagan metal bands probably has an interesting historical explanation that is well beyond the scope of my knowledge, and the explicitly sinister intent of a few prominent bad apples in that bunch might cast the rest a little out of context, but at any rate it’s another off-kilter factor in rendering Veksha’s lone release just a wee bit disturbing for reasons the band probably never intended. They’ve definitely earned a spot in my Halloween playlist.

True Slavonic Romantic Pagan Metal ?

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