During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.
When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….
Now, enjoy the extended first look of Fast and Furious 6.
Fast Five was a big surprise when in came out in 2011. The franchise finally broke away from the street racing template of the previous entries in the series. The huge success of Fast Five meant it had given the franchise a new template by which to keep it going for the foreseeable future.
Fast and Furious 6 continues the action film rebirth of the Fast and Furious franchise by dumping all the street racing aspect of the series and just going all out action. We have Justin Lin back as director with the cast of Fast Five returning en masse. Joining this group is Luke Evans, Gina Carano and Michelle Rodriguez (thought dead after the fourth film). From the Super Bowl tv spot that just got released it looks like Fast and Furious 6 will be even bigger than the previous film.
M1 main battle tank and C-5 Galaxy transport plane means way bigger than a bank vault.
Fast and Furious 6 is set for a May 24, 2013 release date.
The latest “Song of the Day” is old-school for many. Seems anything that was released and played after the year 2000 people consider old-school now. For me this song is a more recent old-school. It’s only 13 years since it first played the radio waves. My choice is the ballad “Angel of Mine” by R&B singer Monica.
While this song was released in 1998 as one of the singles for Monica’s This Boy Is Mine album it definitely sounds like a much older R&B ballad from the late 80′s and early 90′s which I consider the true old-school. While it does have some of the more technical gloss which R&B albums began to show in the late 90′s and onward (which in my opinion hasn’t been to its benefit) the singing by Monica and the sweet-natured romantic lyrics brings to mind R&B acts like En Vogue from my high school days.
This song also happens to be the bridge for me and probably many others of my generation when young romance began to give way to mature romance as we all entered out late 20′s and with the big 3-0 just around the corner. The lyrics speaks of finding true love but it also didn’t have that juvenile, puppy love feel to it.
“Angel of Mine” marked one of the last few true R&B ballads which focused on love and romance instead of physical love (looking at you Chris Brown and Ne-Yo). They sure don’t make them like this anymore.
Angel of Mine
When I first saw you I already knew There was something inside of you Something I thought that I would never find Angel of mine
I looked at you, lookin’ at me Now I know why they say the best things are free I’m gonna love you boy you are so fine Angel of mine
How you changed my world, you’ll never know I’m different now, you helped me grow You came into my life sent from above When I lost all hope you showed me love I’m checkin’ for you boy you’re right on time Angel of mine
Nothing means more to me than what we share No one in this whole world can ever compare Last night the way you moved is still on my mind Angel of mine
What you mean to me, you’ll never know Deep inside I need to show You came into my life sent from above (Sent from above)
I’ll never knew I could feel each moment As if it were new Every breath that I take, the love that we make I only share it with you (You, you, you, you)
When I first saw you I already knew There was something inside of you Something I thought that I would never find Angel of mine
You came into my life sent from above (Came into my life) When I lost all hope you showed me love (Boy you showed me love) I’m shakin’ for you, boy you’re right on time (But boy your right on time) Angel of mine (Angel of mine, oh mine)
How you changed my world, you’ll never know I’m different now, you helped me grow
I look at you, lookin’ at me Now I know why they say the best things are free I’m checkin’ for you, boy you’re right on time Angel of mine
It would seem that the summer blockbuster film season starts earlier and earlier with each passing year. It used to be that the film which premiered during the Memorial Day weekend was the one which began the season, but now films which come out first weekend of May get to have that honor. Then 2011 decides to change things up and herald the summer blockbuster season not in May but the last weekend of April. The film which gets to do the honor this year looks to be Justin Lin’s fun and very action-packed fourth sequel to the undying street-racing franchise which began with 2001′s The Fast and The Furious. This fifth entry in the franchise was simply titled, Fast Five.
The series had always been about the world of illegal street-racing whether it was set in Los Angeles, Miami or Tokyo. There was always that aspect of the story which tied all four previous films together. It would have skilled, beautiful women who followed the scene and, of course, the fast cars themselves. Things began to change a bit with the fourth film, Fast and Furious, as the street racing became not the main focal point of the story but just an aspect of it. The franchise began to take on an action-thriller role. While it was good to see changes to the franchise that began to get stale that fourth film didn’t pull off the necessary changes as well as it should’ve. It would seem that Justin Lin was just testing the waters and finally got what he wanted with Fast Five.
This latest film in the franchise barely has any street-racing in the film. There’s a short sequence 2/3′s of the way in and Lin also inserts a couple of obligatory slo-mo scenes of street-racers gathering to show-off their rides and women, but Fast Five is more of a caper film than a street-racing one. It actually owes a lot more to the Ocean’s 11 films than anything else. We have returning character in Vin Diesel’s Dominic Torreto and his sister Mia (played by the radiant Jordana Brewster). Paul Walker as his erstwhile ally Brian O’Conner returns as well. It’s these three who anchor the heist team which would include returning characters from the previous four films. There’s the hothead Vince (Matt Schulze) from the first film. Roman Pearce (Tyrese Gibson) and Tej Parker (Chris “Ludacris” Bridges) come in from the second film. Sung Kang’s character Han from the third film appears so does Gisele, Tego and Rico from the fourth film. These returning character make-up what I would only call as Torreto’s Ten.
Fast Five begins just as the previous film ended as O’Conner and Mia break Dom out of the prison bus taking him to prison. From there the film moves to Rio de Janeiro, Brazil where these three fugitives take on a job to earn themselves some money only to realize that they’ve inadvertently gone to work for Reyes, Rio’s most powerful crimelord (Joaquim de Almeida), who now has his sights on Dom’s crew. Not to make Dom’s life any easier is a Federal Task Force sent in to take him back to the U.S. in the form of Hobbs (played by Dwayne Johnson) and his elite team of agents. Dom and his crew will now have to escape not just Reyes and his thugs but Hobbs and his men. It’s the plan to do just both that make up most of the film’s story.
Justin Lin does a great job in not just explaining the details of the heist beforehand, but he does so without getting the film into too much of an expository exercise. He shows just as much as tell the job Torreto’s Ten must pull off if they’re to ever win their freedom. It’s the set-up to the heist and the execution of it which tie-in all the many, well-staged action sequences the film has. While street-racing has been relegated to just obligatory short scenes this film doesn’t lack for exciting carmeggedon and mayhem. From the prison bus escape to begin the film to the daring train robbery which follows it right down to the bank vault heist which takes up the last 10-15 minutes of the film. That sequence alone makes this film worth seeing as we see a 10-ton bank vault being hauled at high-speed through the streets of downtown Rio. Buildings get totaled and cars get tossed and smashed like tinker toys. Yet, as the PG-13 rating would point out we don’t know or see if anyone actually dies.
It’s that rating which keeps this film from ever joining the exploitation and grindhouse pedigree of such car mayhem films as Vanishing Point, Two-Lane Blacktop and Dirty Mary, Crazy Larry. But despite the limitations a PG-13 rating puts on Justin Lin’s Fast Five the film ends up becoming a very fun and exhilirating action-heist film that gives some new life to a franchise that was down to fumes. It helped that we get some good performances from most of the leads (Paul Walker still can’t do anything outside of performing as a surfer from California). It was also the addition of Dwayne Johnson as Federal Super-Agent Luke Hobbs which gives the film some of it’s fun. Johnson was able to match Diesel’s Dominic Torreto for the title of most badass in the film. In fact, the fight between the two was one of the highlights of the film (even though I still think Johnson probably would kick Diesel’s ass 100 out of 100 times).
Fast Five doesn’t disappoint and more than earns the honor of starting up 2011′s summer blockbuster season. Justin Lin has delivered a film in this franchise which stands out from the rest and more than likely reboots the series from a street-racing one and into just a plain old action series. His work in this film and how he handled the action also adds some credence and justification in him being given the next film in the Terminator franchise. He may just be the one to bring back some life into that dying franchise. So, strap on the seat belt and grab onto to something because Fast Five may just be one of the few films this summer that delivered on everything it promises in terms of action and fun.
OK, this latest trailer for Michael Bay’s third entry in the Transformers film franchise looks to try and ask forgiveness from it’s fans about what had transpired with Transformers: Revenge of the Fallen (cough, cough…Twins). This latest trailer looks to mine the current alien invasion trend happening in Hollywood for the last year or two.
I’m not going to say that Transformers: Dark of the Moon will be in the running for Best Picture, Best Screenplay or even Best Acting awards come awards season, but I do get a feeling from this trailer that this third entry will be darker and infinitely more fun and watchable than the second film. I actually think that Dark of the Moon is the true first sequel to the first film and that Revenge of the Fallen never occurred.
The look of Shockwave (one red-eye) is pretty awesome as are the look of the invading Decepticons (or are they another faction). I remember talk of Unicron (the giant planet transformer) was to appear in this film but I’m not sure if Unicron will appear as a planet or that giant snake-like transformer that was giving that Chicago high-rise a major case of the hugs.
Transformers: Dark of the Moon is set for a July 1, 2011 release date.
I think most everyone will admit that Transformers: Revenge of the Fallen wasn’t very good and to some people it was just one piece of turd. Even Michael Bay himself has admitted that the first sequel just tried to do too much without any sort of plan on how to pull it off.
Now, we have the third film and what looks like, at least from the trailer, may be a tad better. There seems to be more focus on the transformers themselves and the two sides fighting it out with lots of human collateral damage.
I sure hope this third film is not going to be like the second and more like the first but this time with invasion to make it more epic. The film comes out on July 1, 2011.
I know that the Fast and Furious franchise has been milked for as long as decent, but this latest tv spot for the fifth film in the series has made me rethink about not seeing it when it first comes out.
It looks to be concentrating more now on the action and less on how cool the cars are though from the looks of it they’re still driving around i some cool ass cars. Plus, this fifth one has the Rock back. I don’t mean Dwayne Johnson, but the Rock. Ever since he dropped the Rock moniker he had relagated himself to family-friendly films. He was truly cool on-screen when he was just the Rock.
Like the Pirates of the Caribbean franchise this Vin Diesel racing franchise has been milked liked it has never been milked before. While it hasn’t reached the level of the Saw series this action-racing film series is definitely getting up there.
What started as Hollywood’s look and attempt to show underground street racing has become a joke amongst those who actually race for real. There’s a term for people who began to trick out their rides with elaborate color schemes, flames shooting out of exhaust pipes, body kits that changed the looks of the car right down to computerized control panels. Those people were going “fast and furious” and that wasn’t a compliment.
Real racers try to lighten a car and add horsepower instead of adding so much crap the way the people in the films do. They got the right cars to use whether it’s the so called “ricers” like Nissan Skyline to Subara Imprezas to Honda Civics or American classic muscle cars like the Dodge Charger R/T to Plymouth GTO’s. Everything else in terms of racing in this series are laughable, but entertaining and to Hollywood that is all that matters.
The last film in the series, Fast and Furious, has begun to move the franchise away from underground racing and into the realm of an action-thriller except with people racing cars. I’m fine with that and this latest entry in the franchise looks to move it even further from it’s roots. Plus, it has Dwayne “The Rock” Johnson playing another role to move him away from his Disney-fied roles of the past five years.
From the look of the trailer I think I will enjoy this flick. It’s not trying to reinvent anything plus it has Gal Gadot in it and that to me spells win.
Well, what is there to say about the Transformers franchise other than it is what it is. A special-effects heavy flick about a Hasbro toyline from the 80′s that has become a sensation (a good first film with a sub-par follow-up) that’s made millions worldwide. The fact that Michael Bay (who I tend to believe as only a step above Uwe Boll in his talent as a filmmaker) is the filmmaker in charge of the franchise almost guarantees that each film will be a hit no matter what critics say.
Now we have the third film in the series with the very Pink Floyd-ish title which I am sure Pink Floyd fans are none to happy about. The film is deep into its film schedule and the fact that there’s now a teaser trailer with still 7 months to go before its July 1, 2011 release tells me that pre-production on this project began either as soon as the second film premiered or while it was finishing post.
Gone in this third and, as Michael Bay announced earlier, final film in the series is Megan Fox thus Shia LeBouf’s character Sam Witwicky will have a new love interest in English model Rosie Huntington-Whiteley. Most of the cast from both previous films will return and so do most of the primary Transformers on both sides. With the Fallen having fallen in the second film this third entry will bring in one of the more popular Decepticons in Shockwave to act as the main villain. How they’ll work this part of the script into having Shockwave being the main heavy despite Megatron still appearing in the film will be interesting to see.
In the end, the film will have great special-effects courtesy of ILM with chaos and destruction as seen through the mad-eyes of Bay. The wild card is whether Bay has learned how to work the 3-D cameras used to film the project from beginning to end. Because no matter what people may think of James Cameron he seems to be the only one who has figured out how to properly create an immersive 3-D film and not lose out on the action end.
Will Bay’s hyper-kinetic and MTV-style editing be able to work well with 3-D or will this third film just end up making its entire audience nauseous and I don’t mean from the film’s plot. We’ll soon find out this coming July.
Scott Stewart’s film about the Biblical Apocalypse was one film that I was very hyped to see in the first weeks of 2010. I had heard some very good buzz about it when a red band sizzle reel was shown in at 2009 San Diego Comic-Con. This was Stewart’s first major work (he had made a smaller film in 2000 called What We Talk About When We Talk About Love) and with his background in the special effects industry I thought that this film of his would at least be a feast for the eyes. I knew going in what to expect from something about God, Angels, the Apocalypse and uneding amounts of guns and ammo. So, it was with a profound disappointment when I finally saw Legion and, despite my low expectations, was roundly disappointed with everything about it.
Legion is about God deciding that he’s had enough of humanity’s bullshit and shenanigans (a term I would put on this film) and turned his angelic hosts loose upon the world to start things new. This was God’s version of shaking the Etch-a-Sketch that is the world. He has his two favorite Archangels in Michael and Gabriel leading the vanguard of this Apocalypse with Michael tasked with making sure a baby doesn’t get born before the divine enema has been completed. Well, Michael being the introspective sone decides that he still has faith in humanity and refuses to do God’s bidding. We see Michael go through removing his wings (which also unlocks the very BDSM God collar all the angels wear) then find a huge cache of weapons inside a toy company warehouse. Seems removing the wings makes him human and minus all the cool angelic powers. He says something about the Apocalypse having started then makes off towards Bethle…I mean the diner out in the Nevada desert to protect the prophesized baby who will save humanity.
Yeah, the premise for Legion sounds awesome on paper. Militant angels led by badass Archangels like Gabriel about to go “Terminator” on mankind. The story itself was like a mish-mash of some of the best cult fantasy/horror of the past. There’s some of the cool Christopher Walken film Prophecy in the plot and, of course, one cannot but see some parallels with Cameron’s Terminator. Plus, we have a humanized Archangel Michael with guns and guns and guns to battle his former brethren with his coterie of human sidekicks to help out. The trailer for this was very cool and full of action. A trailer which pretty much had all the cool parts in this film. One can watch the trailer and actually enjoy Legion more than when they watch the film itself.
For a filmmaker with a special effects background the film looked pretty lifeless with action sequences that lacked any sort of memorable action. The dialogue wasn’t awful, but everyone’s performance made it sound worse than it really was. Even Bettany in the lead role of Michael looked tired and bored with his role (a sign the film was going downhill and downhill fast). The possessed humans who made up the bulk of the opposing force against the good guys were uninteresting with the exception of Doug Jones’ “Ice Cream Man” character shown in the trailer. A scene the trailer pretty much showed almost in its entirety. That character was on the screen for less than two minutes then gone.
I actually think that people should just watch the trailer for Legion then pop into their dvd player Prophecy and Terminator. Doing that will pretty much give them the whole story of Legion and have a kick-ass time doing so. This was a film that looked good to great on paper, but once they actually started writing the script and started filming went down the septic tank. It’s films like these that makes one shout “shenanigans” at all those involved in its making. I think Kyle Broflowski would agree with me.