Here Are The 2012 Critics’ Choice Movie Award Nominees


Earlier today, the Broadcast Film Critics Association announced their nominations for the 17th Annual Critics’ Choice Awards.  The BFCA is the largest of the so-called “major” critics’ groups (and, interestingly enough, it’s also the newest and the least prestigious) and it has a fairly good track record of predicting the actual Oscar nominations.  The awards themselves will be handed out on January 12th, 2012 in a self-important, kinda seedy ceremony that will be broadcast on VH-1.   

BEST PICTURE
The Artist
The Descendants
Drive
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

BEST ACTOR
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Jean Dujardin – The Artist
Michael Fassbender – Shame
Ryan Gosling – Drive
Brad Pitt – Moneyball

BEST ACTRESS
Viola Davis – The Help
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Streep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Charlize Theron – Young Adult
Michelle Williams – My Week With Marilyn

BEST SUPPORTING ACTOR
Kenneth Branagh – My Week With Marilyn
Albert Brooks – Drive
Nick Nolte – Warrior
Patton Oswalt – Young Adult
Christopher Plummer – Beginners
Sir Andrew Serkis – Rise of the Planet of the Apes

BEST SUPPORTING ACTRESS
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Carey Mulligan – Shame
Octavia Spencer – The Help
Shailene Woodley – The Descendants

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Hugo
Elle Fanning – Super 8
Thomas Horn – Extremely Loud & Incredibly Close
Ezra Miller – We Need to Talk About Kevin
Saoirse Ronan – Hanna
Shailene Woodley – The Descendants

BEST ACTING ENSEMBLE
The Artist
Bridesmaids
The Descendants
The Help
The Ides of March

BEST DIRECTOR
Stephen Daldry – Extreme Loud & Incredibly Close
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Nicolas Winding Refn – Drive
Martin Scorsese – Hugo
Steven Spielberg – War Horse

BEST ORIGINAL SCREENPLAY
The Artist – Michel Hazanavicius
50/50 – Will Reiser
Midnight in Paris – Woody Allen
Win Win – Screenplay by Tom McCarthy, Story by Tom McCarthy & Joe Tiboni
Young Adult – Diablo Cody

BEST ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash
Extremely Loud & Incredibly Close – Eric Roth
The Help – Tate Taylor
Hugo – John Logan
Moneyball – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
The Artist – Guillaume Schiffman
Drive – Newton Thomas Sigel
Hugo – Robert Richardson
Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski

BEST ART DIRECTION
The Artist – Production Designer: Laurence Bennett, Art Director: Gregory S. Hooper
Harry Potter and the Deathly Hallows Part 2 – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan
Hugo – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
The Tree of Life – Production Designer: Jack Fisk, Art Director: David Crank
War Horse – Production Designer: Rick Carter, Set Decorator: Lee Sandales

BEST EDITING
The Artist – Michel Hazanavicius and Anne-Sophie Bion
Drive – Matthew Newman
The Girl With the Dragon Tattoo – Kirk Baxter and Angus Wall
Hugo – Thelma Schoonmaker
War Horse – Michael Kahn

BEST COSTUME DESIGN
The Artist – Mark Bridges
The Help – Sharen Davis
Hugo – Sandy Powell
Jane Eyre – Michael O’Connor
My Week With Marilyn – Jill Taylor

BEST MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady
J. Edgar
My Week With Marilyn

BEST VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Rise of the Planet of the Apes
Super 8
The Tree of Life

BEST SOUND
Harry Potter and the Deathly Hallows Part 2
Hugo
Super 8
The Tree of Life
War Horse

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Kung Fu Panda 2
Puss in Boots
Rango

BEST ACTION MOVIE
Drive
Fast Five
Hanna
Rise of the Planet of the Apes
Super 8

BEST COMEDY
Bridesmaids
Crazy, Stupid, Love
Horrible Bosses
Midnight in Paris
The Muppets

BEST FOREIGN LANGUAGE FILM
In Darkness
Le Havre
A Separation
The Skin I Live In
Where Do We Go Now

BEST DOCUMENTARY FEATURE
Buck
Cave of Forgotten Dreams
George Harrison: Living in the Material World
Page One: Inside the New York Times
Project Nim
Undefeated

BEST SONG
“Hello Hello” – performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin – Gnomeo & Juliet
“Life’s a Happy Song” – performed by Jason Segel, Amy Adams and Walter/written by Bret McKenzie – The Muppets
“The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – The Help
“Man or Muppet” – performed by Jason Segel and Walter/written by Bret McKenzie – The Muppets
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – The Muppets

BEST SCORE
The Artist – Ludovic Bource
Drive – Cliff Martinez
The Girl With the Dragon Tattoo – Trent Reznor & Atticus Ross
Hugo – Howard Shore
War Horse – John Williams

The BFCA has obviously made a lot of nominations and some of them are interesting but I have to be honest: the BFCA as an organization annoys me with how they’re always bragging about how big they are and how they’re so good at celebrating the conventional establishment wisdom.  So, I’ll just say that its nice to see Hanna getting at least some sort of recognition (even if that recognition is kinda minor.)

Here Are The 18 Films Eligible For Best Animated Feature Film


Hi, everyone!  Well, I am in a much better mood than I was when I wrote my last post and that’s because I just remembered that November is the start of Oscar season!  Yay! 

Now, I know that a lot of people make a big deal about how little they care about the Oscars and they always sit around and bitch about how such-and-such movie didn’t win and how the Academy always honors mediocrity and the Academy is biased towards the mainstream and blah blah blah blah blah.  As I explained many times last year, I am aware of all of this and I don’t care.  On an annual basis, the Oscars prove themselves to be a big, tacky, spectacular train wreck and I love them! 

Anyway, as Oscar season slowly creeps to life (it won’t really be here until the various critic groups start handing out their equally silly awards in December), the Academy has released the list of the 18 films that have qualified to compete for the title of Best Animated Film.  Since there are 18 contenders, that means that we’ll actually have five nominees this year as opposed to just three and I for one say, “Yay!” to that.  Whenever I see only three films listed in a category, I have flashbacks to trying to understand the concept of the Holy Trinity.

Anyway, here are the contenders:

The Adventures of TinTin

“Alois Nebel”

“Alvin and the Chipmunks: Chipwrecked”
“Arthur Christmas”
“Cars 2″
“A Cat in Paris”
“Chico & Rita”
“Gnomeo & Juliet”
“Happy Feet Two”
“Hoodwinked Too! Hood vs. Evil”
“Kung Fu Panda 2″
“Mars Needs Moms”
“Puss in Boots”
“Rango”
“Rio”
“The Smurfs”
“Winnie the Pooh”
“Wrinkles”

I have to admit that this has been kind of a strange year for animated films, largely because, as my fellow contributor Leonard Wilson once pointed out on twitter, this is the first year in which it appears that Pixar might not have a contender.  I recently saw Cars 2 and did not shed a tear and quite frankly, going to a Pixar film and not crying  is a bit like going to New Orleans, flashing your boobs, and not getting any beads.  It just makes you question everything.  Winnie the Pooh made me cry.  So did Rango and Kung Fu Panda 2 for that matter.  I haven’t seen Puss In Boots yet but I expect I’ll love it because it’s about a cat and I love cats.  However, I have a feeling that the award will be given to Adventures of TinTin just to keep Steven Spielberg from throwing a hissy fit after War Horse fails to live up to expectations.

What Lisa Watched Last Night: Terra Nova Episode 1.1 — “Genesis”


Last night, I actually put off watching Dancing With The Kinda Stars so that I could catch the first episode of Fox’s much-hyped sci-fi series, Terra Nova.  This show was produced by Mr. Mainstream himself, Steven Spielberg.

Why Was I Watching It?

I was beaten into submission by the nonstop commercials.  Now, I have to admit that the commercials seemed to represent everything that I traditionally dislike in my entertainment: political subtext, “inspiring” speeches, and Stephen Lang.  However, it also had dinosaurs and seriously, who doesn’t love dinosaurs?

What’s It About?

Okay, we’re several years into the future and the Earth looks a lot like Blade Runner.  Why?  It turns out that Al Gore was right and ManBearPig has basically messed up the entire planet.  However, there is hope!  There’s some sort of tear in the whole space-time continuum and stepping through it allows a few lucky citizens to go back to the Island from Lost.  However, since this is the FAR future, nobody remembers Lost so they think they’ve actually gone back to the prehistoric past.  In the prehistoric past, time travellers are living in a small community that is overseen by a vaguely menacing guy who we suspect might secretly be evil because he’s named Nathaniel and he’s played by Stephen Lang.

Anyway, there’s this family that has issues in the future and since Jeremy Kyle is long dead (we can only hope), they can’t go on TV to work it out.  So, they go through the time portal.  The father — who is a fugitive from future law — quickly becomes a part of Nathaniel’s security force.  Meanwhile, the teenage children get all rebellious and there’s these guerillas who live outside the compound and they’re led by a woman who might as well have been played by Michelle Rodriguez but wasn’t.

Oh!  And there are dinosaurs!  Yay!

What Worked?

The show is filmed in Australia and, as a result, it’s really pretty to look at. 

I make fun of Stephen Lang a lot because I honestly believe that he gave one of the worst performances in cinematic history in Avatar.  (Fortunately, he was acting opposite Sam Worthington, who can make anyone look like an Olivier by comparison.)  But, I have to admit, Lang is well-cast here and comes the closest to anyone in this episode to actually being memorable.

The dinosaurs are impressive and fun to watch.  Unfortunately, the fake dinosaurs often displayed more personality than the living actors but still, who doesn’t love dinosaurs?  Hopefully, in a future episode, the annoying and way too English talk show host Jeremy Kyle will come through the portal and get devoured (in slow-motion) by one of the dinosaurs.  I may start a letter-writing campaign.

What Doesn’t Work?

A lot.

My biggest complaint with the show was that this episode really put the sloth into the giant sloth.  Seriously.  Lost took its time as well but the show itself was never boring.  Terra Nova, at least in this episode, seems to feel that elaborate special effects are a proper substitute for interesting characters, witty dialogue, and anything else that might organically create narrative momentum.  I actually ended up falling asleep during the final 30 minutes of the show and had to watch the finale off of the DVR.

The dinosaurs were impressive but the rest of the show’s special effects were rather predictable and a little on the bleh side.  The time portal looked like every other time portal in the history of science fiction and the dystopian future looked a lot like Blade Runner but without any of the small details to make it feel like anything other than CGI. 

I am officially bored with shows that use global warming as a plot point.  Seriously, they’re always so smug about it. 

This show is being compared, by many people, to Lost.  Like Lost, the scenery is beautiful and the plot has the potential for a lot of secrets and mysteries to be uncovered.  However, Lost also had a lot of quirky, interesting characters and that’s something that Terra Nova, on the basis of this episode, is lacking.  The first episode of Terra Nova felt a lot like Lost if Lost had only focused on Jack Shepherd and Michael Dawson.  Terra Nova needs its own Sawyers, Hurleys, and John Lockes. 

Now, I want to make clear — my comments here are strictly based on seeing Genesis and a lot of my criticisms could be due to the fact that it’s just the first episode.  Hopefully, as a series, Terra Nova will — much like Lost and Fringe and other comparable shows — evolve beyond the strengths and flaws of the first episode.

“OMG!  Just like me!” Moments

Much like Nathaniel’s rebellious daughter, I would also go a little stir crazy if I was stuck in that highly regimented, socialistic commune.  Seriously, the commune looked like a really bleh place to live.

Lessons Learned

Dinosaurs are neat and global warming is tedious.

Scenes I Love: Saving Private Ryan


I happened across one of my favorite films while channel surfing. The film in question is Steven Spielberg’s Saving Private Ryan. This is the film which won him his second Best Director Oscar (I still think the film should’ve won Best Picture over Shakespeare In Love) and the film which helped redefine not just how war films were shot from 1998 on, but also de-glorify World War II on film.

My favorite scene from this film will always be the opening D-Day Landing on Omaha Beach in Normandy. It’s a scene that’s over 22-minutes in length and shows the utter chaos and destruction heaped on American troops as they attempted to land on the beach to take their objectives. While there have been war film before Saving Private Ryan that depicted war as the hell it truly is they were mostly about the Vietnam War. Rarely did we ever get a World War II-based war film which showed war in realistic fashion. Spielberg broke that taboo by making the battle scenes in his film — especially this extended opening sequence — done as realistic as possible without actually having people killed for real on-screen.

When this film first came out in the summer of 1998 no one knew what to make of it. This opening sequence became the talk of everyone who went to see the film. To say that they were shocked by what they saw was an understatement. Even now with over a decade since the film was released and people having seen this scene over and over again it still retain it’s impact. It’s not even the grand scale of the production required to film this action sequence which made this scene so memorable. It was little things. Like a mortally wounded American GI crying out to his mother while trying to keep his blown out insides from spilling out. Then there’s the scene of another young soldier praying furiously with his rosary beads as men around him die by the score.

This scene also showed what most World War II films of the past failed to do. It showed both sides behaving barbarically. In the past, only the Germans were shown in a bad light. In Saving Private Ryan we see that American soldiers were also prone for shooting surrendering troops and/or not mercy-killing enemy soldiers being burned alive (actions that have been well-documented by historians). This scene also showed just how courageous the young men of this generation which Tom Brokaw has called “The Greatest Generation”. Men who went off to war not for material gains, but for an idea that they had to stop evil (Nazi and Hitler) from taking all of Europe and, maybe, the world itself.

There’s a reason why Saving Private Ryan is in my list for greatest films of all-time and why this scene remains one of my all-time favorites.

Review: Super 8 (dir. by J.J. Abrams)


The 1980′s was a special time in my life. It was another phase in my development in loving film. That decade saw many films starring kids and teens in coming-of-age tales both comedic, thrilling, dramatic and poignant. While there were many filmmakers who delved into this genre it was Steve Spielberg who mined it to great effect culminating in his classic boy-meets-alien film, E.T.: The Extra-Terrestrial. It’s been almost 30 years since the release of that film and now comes a filmmaker who seem to have grown up idolizing and loving Spielberg films of that era. The year is now 2011 and J.J. Abrams is that filmmaker who dared to pay homage to those very same coming-of-age Spielberg films of the 80′s with his very own simply titled Super 8.

From the very moment the film begins there’s a sense of wonderment as we, the audience, meet young kids who become the central characters of Super 8. The film takes place in the early days of 1979 in the town of Lillian, Ohio as Joe Lamb (Joel Courtney) tries to cope with the death of his mother. His friends keep him busy and dwelling on this tragedy through the Super 8 film they’re making in their spare time after school. These early scenes we begin to see the dynamics of the group as Joe acts as the calming influence on the group’s filmmaker, Charles (Riley Griffiths), the neurotic actor in Martin (Gabriel Basso) and the group’s stuntman/special effects tech in Carey (Ryan Lee). They all meet up at an old train depot where they plan to shoot scenes for their Super 8 zombie film. Into this eclectic group of kids comes in Alice (Elle Fanning) to play the wife to Martin’s detective character in their film.

It’s the scenes between the kids which lifts Super 8 from just being a nostalgic film to one that’s charming and magical. These scenes captures the creativity and youthful energy kids have always had no matter the era and place. These kids don’t act like stereotypes of what Hollywood thinks kids in films should act. There’s still little of the cynical teen dialogue that films nowadays give kids to say to make them seem more mature and worldly. There’s a sense of innocence in how these kids interact with each other. Some have called these scenes as being too on-the-nose nostalgic of Spielberg films of the 80′s. What some might call nostalgic I prefer to call as timeless. I still remember myself behaving with my childhood friends the way these kids did in this film

If Super 8 had just been about these group of kids trying to finish their Super 8 zombie film I conjunction with the dysfunction in the two main leads in Joe and Alice’s home life then Abrams film would’ve been the instant classic some have dubbed it. There’s only one problem with this and that’s the last half hour of the film and the scenes leading up to that involving the train derailment and the arrival of the U.S. Air Force to clean things up. The film begins to take on a split personality as these new elements get introduce to what has been a great coming-of-age story.

It’s these new elements and the final half hour which shows Abrams trying to combine a sweet story of kids and their lives growing up in small-town with an otherworldy and conspiracy tale that seem to come out of left field. By the time the final act of Super 8 arrives it becomes a different film altogether and the transition doesn’t work as well as the filmmakers might have hoped it would. Sure, this final reel has the thrills, explosions and danger, but the tonal shift in the story became so jarring that I had wished that Abrams just made two films instead of one. One film being the coming-of-age story and the other a thrilling sci-fi film.

Despite this I still enjoyed the film and I definitely loved the first two-thirds. The performances by Joel Courtney and Elle Fanning as Joe and Alice became the focal point for the story’s emotional foundation. Elle Fanning’s performance as Alice was one of the best things about Super 8. She nails every scene where she has to show extreme ranges of emotions but at the same time not try to oversell them. There’s a scene in the middle of the film where she begins to recount a personal detail as Joe sits behind her listening. Emotions begin to overwhelm her, but as kids moving towards teenhood are wont to do she tries to hold back the tears just waiting to flow freely and the sobs wanting to escapes. I wouldn’t be surprised if this scene alone had more than a couple people in the audience remembering similar events in their lives and just sobbing along with Alice.

Super 8 has been advertised as this mysterious film that may or may not have aliens but does pay homage to Spielberg and kid films of the 80′s. Abrams’ film definitely delivers on the thrills in the end, but it could’ve been so much more if it just stayed on course with just being about the kids and their magical time together making an amateur Super 8 zombie film in 1979. That would’ve been a film that deserved labels of instant classic.

All in all, Super 8 comes across as one of the more entertaining and magical films of the summer of 2011 if not the entire year. Make sure to stick around as the end credits roll to see the fruits of the kids labor titled simply as “The Case”.

Trailer: Transformers: Dark of the Moon (Official Theatrical)


OK, this latest trailer for Michael Bay’s third entry in the Transformers film franchise looks to try and ask forgiveness from it’s fans about what had transpired with Transformers: Revenge of the Fallen (cough, cough…Twins). This latest trailer looks to mine the current alien invasion trend happening in Hollywood for the last year or two.

I’m not going to say that Transformers: Dark of the Moon will be in the running for Best Picture, Best Screenplay or even Best Acting awards come awards season, but I do get a feeling from this trailer that this third entry will be darker and infinitely more fun and watchable than the second film. I actually think that Dark of the Moon is the true first sequel to the first film and that Revenge of the Fallen never occurred.

The look of Shockwave (one red-eye) is pretty awesome as are the look of the invading Decepticons (or are they another faction). I remember talk of Unicron (the giant planet transformer) was to appear in this film but I’m not sure if Unicron will appear as a planet or that giant snake-like transformer that was giving that Chicago high-rise a major case of the hugs.

Transformers: Dark of the Moon is set for a July 1, 2011 release date.

Super 8 (Super Bowl TV Spot)


I’ve always looked at all J.J. Abrams productions with some guarded optimism since so many people seem to hype his stuff. I liked his reboot of Star Trek, but was very so-so on his Mission Impossible 3. I will admit that he does have a good batting average when it comes to tv and now film. His latest film is Super 8.

This Super Bowl tv spot shows more than the teaser trailer with the train wreck and the steel door being pounded at. The film looks to be set sometime around the 1950′s if the set is to be believed. Some have reacted to info leaked about this film as Abrams’ homage on a certain family-friendly Spielberg alien film from the early 80′s.

Super 8 looks like the one film this summer that the less I know about it the better I’ll enjoy it when it finally comes out on June 10, 2011.

Falling Skies (Official Trailer)


It looks like while vampires and zombies may be battling it out as the “monster of the moment” the past couple of years there’s an oldie quietly sneaking up behind them to try and take up the general public’s attention.

The first shot was a little film from South Africa called District 9. I think more than a few people saw that little film. Then last year we had a film from two special-effects brothers called Skyline. That particular shot wasn’t as good as the previous title mentioned. In fact, it was godawful though not without it’s perverse entertainment value one gets from watching a very awful film that still manages to entertain (though probably not in the way it’s creators intended to).

In less than a couple of months a film called Battle: Los Angeles will hit the bigscreen and will hopefully be a tad better than the similar plotted Skyline. This one has another South African directing it so that may be a good thing.

Coming this June is a tv series that also follows a similar theme of “alien invasion” with the DreamWorks Television series Falling Skies from producer Steven Spielberg and screeenwriter Robert Rodat. The show will premiere on TNT and stars Noah Wylie, Moon Bloodgood, Will Patton and Dale Dye. From what brief snippets of information that has been released about it the show looks to be similar in tone to Spielberg’s own War of the Worlds where it’s about the human armed resistance trying to retake their cities and the planet back from the alien invaders.

It definitely seems to be a very ambitious show and one that hopefully has a much leaner and efficient take on the alien invasion story than the current remake of V: The Series on ABC. That one had many hoping for a sci-fi to make a great return to network tv and instead we got aliens meets True Blood.

Here’s to hoping Falling Skies doesn’t have aliens wanting to have sex with humans and instead aliens just wanting to kill and/or eat humans instead. I think that would make for a much better show.

 

 

Transformers: Dark of the Moon (Teaser Trailer)


Well, what is there to say about the Transformers franchise other than it is what it is. A special-effects heavy flick about a Hasbro toyline from the 80′s that has become a sensation (a good first film with a sub-par follow-up) that’s made millions worldwide. The fact that Michael Bay (who I tend to believe as only a step above Uwe Boll in his talent as a filmmaker) is the filmmaker in charge of the franchise almost guarantees that each film will be a hit no matter what critics say.

Now we have the third film in the series with the very Pink Floyd-ish title which I am sure Pink Floyd fans are none to happy about. The film is deep into its film schedule and the fact that there’s now a teaser trailer with still 7 months to go before its July 1, 2011 release tells me that pre-production on this project began either as soon as the second film premiered or while it was finishing post.

Gone in this third and, as Michael Bay announced earlier, final film in the series is Megan Fox thus Shia LeBouf’s character Sam Witwicky will have a new love interest in English model Rosie Huntington-Whiteley. Most of the cast from both previous films will return and so do most of the primary Transformers on both sides. With the Fallen having fallen in the second film this third entry will bring in one of the more popular Decepticons in Shockwave to act as the main villain. How they’ll work this part of the script into having Shockwave being the main heavy despite Megatron still appearing in the film will be interesting to see.

In the end, the film will have great special-effects courtesy of ILM with chaos and destruction as seen through the mad-eyes of Bay. The wild card is whether Bay has learned how to work the 3-D cameras used to film the project from beginning to end. Because no matter what people may think of James Cameron he seems to be the only one who has figured out how to properly create an immersive 3-D film and not lose out on the action end.

Will Bay’s hyper-kinetic and MTV-style editing be able to work well with 3-D or will this third film just end up making its entire audience nauseous and I don’t mean from the film’s plot. We’ll soon find out this coming July.

Cowboys & Aliens Teaser Trailer


Who would’ve thought that a comic book named Cowboys & Aliens will end up being one of the most anticipated tentpole films for the Summer of 2011. It’s a fun little book from Platinum Studios created by Scott Mitchell Rosenberg and written by Fred Van Lente and Andrew Foley with the artwork done by one Luciano Lima. The premise of the comic book is literally about cowboys and aliens. With the latter attempting to enslave humanity during the 1870′s and starting with the Wild West. In their plans for world conquest are a band of cowboys and Indians who band together despite their many conflicts and issues to combat a shared and greater threat.

The film was announced prior to the release of Favreau’s Iron Man 2 and was a surprising one. Many insiders thought he was a shoo-in to helm the planned Avengers film for Marvel, but instead he chose this project instead.

To say that Cowboys & Aliens steamrolled into production with so many heavyweights behind it would be an understatement. Favreau was already in the director’s chair and producing the project behind the scenes were giants of the industry like Steven Spielberg, Brian Grazer and Ron Howard. The cast roped in for the film was also quite impressive with Daniel Craig taking on the lead role with Olivia Wilde, Harrison Ford, Clancy Brown, Keith Carridine, Walton Goggins and Paul Dano supporting Craig.

The very first teaser trailer has been released and could be seen above. While the trailer only shows only a little bit it does confirm that it will have cowboys and, from the brief glancing images, aliens. Cowboys & Aliens has a tentative release date of July 29, 2011 and joins other comic book-based films for that summer like Thor, Captain America and Green Lantern.

It will be interesting to see if Favreau keeps the bulk of the books storyline in the film or will he just loosely base the story on the books. One thing for sure, he and his crew have a tall order to try and tell this story and do it well enough that it stands out amongst the many comic book blockbusters and sequels set to appear in the same season. This film could be a real fun, action-adventure or it could easily turn into the second coming of Wild, Wild West. Here’s to hoping it’s the former and not the latter.