Some sad news has hit the music industry and it’s fans as one of the iconic singers of the 1980′s and 90′s passed away today at the age of 48.
Whitney Houston was one of the major voices of the music scene from the time she came into it with her self-titled debut album in 1985. Her sound was a combination of the R&B, soul and Gospel sound which Motown had popularized during it’s hey day during the 60′s and 70′s, but she also injected a major dose of pop to her singing which allowed her to cross genre boundaries to become a mainstream pop star.
Her success with the mainstream scene would cause her some problems with those who were R&B fans first and foremost. This personal struggle to both acknowledge her R&B roots and also maintain her foot within the mainstream would plague Whitney Houston throughout her career.
In the end, one doesn’t need to be in the camp of either side to acknowledge her vocal talent of which it was staggering. She dominated the Billboard during her reign as pop music’s female answer to Michael Jackson during the 80′s and early 90′s. Sadly, a contentious marriage to another pop star in Bobby Brown during the early 90′s would lead to drug use and subsequently a degradation of the very voice which brought her fame and success.
For me, two songs which would forever cement her star in the constellation of greatest singers of any era would be her cover of the song “The Greatest Love of All” and her powerful rendition of the national anthem, “Star-Spangled Banner”, during Super Bowl XXV. These two songs proves that she was a talent that arrived on the music scene once a generation and who would influence uncounted singers following in her footsteps.
The latest “Song of the Day” comes courtesy of the “Man in Black” himself. It’s the main track from his final posthumous-released album, American VI: Ain’t No Grave.
“Ain’t No Grave” gives us Cash in his final days as he continued to make music despite knowing that Death was coming for him and his time was almost up. We can hear the Cash’s voice gravelly as usual but also shows the failing health he was in. Yet, despite that he still gives the Old Testament-like lyrics of “Ain’t No Grave” the gravity and strength of someone who has seen all that life had to offer (both good and bad) and experienced them all.
The minimalist music backing up Cash’s voice as piano, organ and banjo played on the fly gives the song an almost doomsday tone as he sings about death, angels and the Second Coming. Yet, there’s a sense of hope to the lyrics themselves as Cash points out that not even the grave can keep him from reaching the promised land.
It’s final songs like “Ain’t No Grave” which continues to build the legend that is Johnny Cash. He’s gone beyond music superstar and icon to just legendary figure who seems to transcends art and life itself with every gravelly-voiced lyric sung. If there’s anyone who can look the Devil and God in their eye and tell them to stick it then it would be Johnny Cash.
Ain’t No Grave
There ain’t no grave Can hold my body down There ain’t no grave Can hold my body down
When I hear that trumpet sound I’m gonna rise right out of the ground Ain’t no grave Can hold my body down
Well, look way down the river And what do you think I see I see a band of angels And they’re coming after me
Ain’t no grave Can hold my body down There ain’t no grave Can hold my body down
Well, look down yonder, Gabriel Put your feet on the land and sea But Gabriel, don’t you blow your trumpet Until you hear from me
There ain’t no grave Can hold my body down Ain’t no grave Can hold my body down
Well meet me, Jesus, meet me Meet me in the middle of the air And if these wings don’t fail me, I will meet you anywhere
Ain’t no grave Can hold my body down There ain’t no grave Can hold my body down
Well meet me, Mother and Father, Meet me down the river road And Mama, you know that I’ll be there When I check in my load
Ain’t no grave Can hold my body down There ain’t no grave Can hold my body down There ain’t no grave Can hold my body down
We’ve now reached the final day of what has been a week-long horror-themed “Song of the Day” feature for the site. It’s quite appropriate that this final day also lands on Halloween and I’m sure many will approve of this final choice to cap off the week.
A week which has seen Italian film composers and prog-rock bands chosen for creating and contributing some of the best and most memorable themes to horror films which will stand the march of time. We’ve seen an epic song from a Montreal band whose music has the apocalyptic sound to it. There’s also two entries from films created by a master of the horror genre in John Carpenter.
The week began with Goblin’s main title theme for George A. Romero’s original Dawn of the Dead. With Halloween night the premiere of the long-awaited and heavily-hyped tv adaptation of Robert Kirkman’s The Walking Dead comic book series (by none other than Frank Darabont himself) I thought what better way to bookend Goblin’s theme for the Romero zombie epic than by picking Johnny Cash’s song “The Man Comes Around”. One of the last songs penned and sang by The Man In Black himself and properly used by filmmaker Zack Snyder to be the intro music for his remake of Dawn of the Dead.
This song with its gospel-like (though not as hopeful as most) sound and it’s apocalyptic and Biblical lyrics just speaks of the apocalypse like no other song from this past week has done. It comes off almost like a prophecy come down and spoken by one of God’s main dudes. This song when paired with the scenes of the zombie apocalypse crashing down on an unsuspecting world in Snyder’s film instantly made it a favorite with all zombie fans everywhere and introduced The Man In Black to a whole new set of fans.
I would like to think that when the zombie apocalypse does arrive it would be to this song as I and those who share my belief in how to survive such an event ready ourselves for whatever may come.
The Man Comes Around
And I heard as it were the noise of thunder One of the four beasts saying come and see and I saw And behold a white horse
There’s a man going around taking names And he decides who to free and who to blame Everybody won’t be treated all the same There’ll be a golden ladder reaching down When the Man comes around
The hairs on your arm will stand up At the terror in each sip and in each sup Will you partake of that last offered cup? Or disappear into the potter’s ground When the Man comes around
Hear the trumpets, hear the pipers One hundred million angels singing Multitudes are marching to the big kettledrum Voices calling, voices crying Some are born and some are dying It’s Alpha and Omega’s kingdom come
And the whirlwind is in the thorn tree The virgins are all trimming their wicks The whirlwind is in the thorn tree It’s hard for thee to kick against the pricks
Till Armageddon no shalam, no shalom Then the father hen will call his chickens home The wise man will bow down before the throne And at His feet they’ll cast their golden crowns When the Man comes around
Whoever is unjust let him be unjust still Whoever is righteous let him be righteous still Whoever is filthy let him be filthy still Listen to the words long written down When the Man comes around
Hear the trumpets, hear the pipers One hundred million angels singing Multitudes are marching to the big kettledrum Voices calling and voices crying Some are born and some are dying It’s Alpha and Omega’s kingdom come
And the whirlwind is in the thorn tree The virgins are all trimming their wicks The whirlwind is in the thorn tree It’s hard for thee to kick against the pricks
In measured hundredweight and penneypound When the Man comes around.
Close (Spoken part) And I heard a voice in the midst of the four beasts And I looked and behold, a pale horse And his name that sat on him was Death And Hell followed with him.
This song has been a favorite Johnny Cash track of mine. God’s Gonna Cut You Down really brings the Old Testament gospel side of Johnny Cash to light. This song will probably get more mentions and airplay with it’s usage by Ubisoft in the release trailer for their latest Sam Fisher game, Splinter Cell: Conviction. While it’s probably not the way I would want young people to get introduced to Johnny Cash by way of video game at least they will get to hear and learn one of the greatest musical icons in American music history.
The Man in Black takes what really is a very upbeat and hopeful gospel folk song and turns it onto it’s head. Using a rhythmic stomp-clap to accompany his acoustic guitar playing, Cash imbues God’s Gonna Cut You Down with a grimness that shows God in vengeful, Old Testament flame and sword vengeance mode. It is difficult not to get into this song even if one is not religious. The way Cash song-speaks the lyrics just pulls one into the song until it’s completely hooked it’s talons onto one’s mind and won’t let go. I know I get into humming the song almost by instinct whenever I catch a bit of it on the radio and now on tv.
God’s Gonna Cut You Down
You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down
Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ‘em that God’s gonna cut ‘em down
Tell ‘em that God’s gonna cut ‘em down
Well my goodness gracious let me tell you the news
My head’s been wet with the midnight dew
I’ve been down on bended knee talkin’ to the man from Galilee
He spoke to me in the voice so sweet
I thought I heard the shuffle of the angel’s feet
He called my name and my heart stood still
When he said, “John go do My will!”
Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ‘em that God’s gonna cut ‘em down
Tell ‘em that God’s gonna cut ‘em down
You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down
Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s done in the dark will be brought to the light
You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down
Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ‘em that God’s gonna cut you down
Tell ‘em that God’s gonna cut you down
Tell ‘em that God’s gonna cut you down
