Song of the Day: Seasons In The Abyss (by Slayer – R.I.P. Jeff Hanneman)


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Today marks a sad day for the metal world as Jeff Hanneman, guitarist and founding member of the metal band Slayer, passed away at the age of 49.

He now joins other metal gods (Burton, Dimebag, Bonham and Dio just to name a few) who were taken too soon up in Valhalla where, I sincerely hope, they’re starting up a jam session to create the metal supergroup of supergroups.

To commemorate and memorialize Hanneman’s impact on the metal scene these past 30 or so years I’d like to share my favorite Slayer song: “Seasons In The Abyss”.

R.I.P. Jeff Hanneman…

“Lo there do I see my father, Lo there do I see my mother, my Sisters and my brothers , Lo there do I see the line of my people, back to the beginning. Lo, they do call me, they bid me take my place among them, in the halls of Valhalla, where the brave may live forever.”

Seasons In The Abyss

Razors edge
Outlines the dead
Incisions in my head
Anticipation the stimulation
To kill the exhilaration

(chorus:)
[part 1]
Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

[part 2]
Close your eyes
And forget your name
Step outside yourself
And let your thoughts drain
As you go insane… [go] insane

Innate seed
To watch you bleed
A demanding physical need
Desecrated, eviscerated
Time perpetuated

Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

Close your eyes… and forget your name
Step outside yourself… and let your thoughts drain
As you go insane… [go] insane

Inert flesh
A bloody tomb
A decorative splatter brightens the room
An execution a sadist ritual
Mad intervals of mind residuals

Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

Close your eyes… and forget your name
Step outside yourself… and let your thoughts drain
As you go insane… [go] insane

Song of the Day: Midnight Rider (by The Allman Brothers Band)


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What else to follow up a guilty pleasure than with a classic southern rock song that I still consider one of the best examples of what made 70′s American Rock an equal of the huge British invasion that was currently happening in the US with mega bands like Black Sabbath, Led Zeppelin and The Who. It’s this song from one of the preeminent Southern Rock groups of the 70′s, The Allman Brothers Band, that arrives as the latest “Song of the Day”.

“Midnight Rider” is a great Southern rock tune which successful melds not just blues guitar playing but country and gospel songwriting and vocalizing. It’s well-known for Greg Allman’s powerful vocals and Dicket Betts lead guitar work. Yet, I consider this song as reaching “one of the greatest” status because of the rhythm guitar (with an acoustic guitar no less) work by one of the greatest (call it hyperbole but I truly believe him to be one of the best ever) guitarists who ever picked up the instrument whether one’s genre of music was jazz, flamenco, rock, blues, metal, rock and everything in-between. Duane Allman’s acoustic guitar work makes this song what it is. It’s a rhythm that he sets which everyone else in the band orbits around with their own talent rising to meet it on equal footing.

For some people this song was first experienced as the opening track to Rob Zombie’s underappreciated “grindhouse road flick” The Devil’s Rejects. Others of more recent time probably heard it as part of the GEICO insurance company’s 2013 ad-campaign. It doesn’t matter where one has heard it. The more people who hears it and experiences just why this song continues to be a staple of what made 70′s American rock scene such a great one the better people will be for having heard it.

Long live, Duane Allman.

Midnight Rider

Well, I’ve got to run to keep from hidin’,
And I’m bound to keep on ridin’.
And I’ve got one more silver dollar,
But I’m not gonna let ‘em catch me, no,
Not gonna let ‘em catch the Midnight Rider.

And I don’t own the clothes I’m wearing,
And the road goes on forever,
And I’ve got one more silver dollar,
But I’m not gonna let ‘em catch me, no
Not gonna let ‘em catch the Midnight Rider.

And I’ve gone by the point of caring,
Some old bed I’ll soon be sharing,
And I’ve got one more silver dollar,

But I’m not gonna let ‘em catch me, no
Not gonna let ‘em catch the Midnight Rider.

No, I’m not gonna let ‘em catch me, no
Not gonna let ‘em catch the Midnight Rider.

No, I’m not gonna let ‘em catch me, no
Not gonna let ‘em catch the Midnight Rider.

Song of the Day: Mirror, Mirror (by Blind Guardian)


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The latest “Song of the Day” comes courtesy of one of my favorite bands. Anyone who has been following this site and this recurring feature pretty much knows I speak of the awesome epicness of the German power metal band Blind Guardian. The song from their expansive discography I’ve chosen this time around is the song “Mirror, Mirror”.

This song combines two every epic things together: Power Metal + J.R.R. Tolkien’s Silmarillion = epic awesomeness.

The song itself and it’s lyrics tell of Turgon, King of the Noldor and second son of Fingolfin, brother to Fingon, Aredhel and Argon who builds the famed city of Gondolin during the First Age of Middle-Earth. The city was to be a safe haven for Turgon’s people who were in the midst of an age long war against the fallen Valar, Morgoth. It’s a song that tells of Turgon’s decision to build the city with assistance from the Valar and Lord of Water, Ulmo.

It speaks of the long road and desperation of Turgon to try and save the Noldor from the armies of Morgoth. It’s a tragic tale that hints at the ultimate fate of Turgon and Gondolin. A dream that ultimately will end in the ultimate betrayal from within.

I know that there are people who still thinks that metal is all about fast, loud, discordant guitar playing backed up by screaming and guttural sounds that pass off as singing, but Blind Guardian should dismiss such notion. There’s definitely nothing guttural about this song.

Mirror, Mirror

Far, far beyond the island
We dwelt in shades of twilight
Through dread and weary days
Through grief and endless pain

It lies unknown
The land of mine
A hidden gate
To save us from the shadow fall
The lord of water spoke
In the silence
Words of wisdom
I’ve seen the end of all
Be aware the storm gets closer

Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That the winds will change
Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That tomorrows bears insanity

Gone’s the wisdom
Of a thousand years
A world in fire and chains and fear
Leads me to a place so far
Deep down it lies my secret vision
I better keep it safe

Shall I leave my friends alone
Hidden in my twilight hall
(I) know the world is lost in fire
Sure there is no way to turn it
Back to the old days
Of bliss and cheerful laughter
We’re lost in barren lands
Caught in the running flames
Alone
How shall we leave the lost road
Time’s getting short so follow me
A leader’s task so clearly
To find a path out of the dark

Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That the winds will change
Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That the winds will change

Even though
The storm calmed down
The bitter end
Is just a matter of time

Shall we dare the dragon
Merciless he’s poisoning our hearts
Our hearts

How shall we leave the lost road
Time’s getting short so follow me
A leader’s task so clearly
To find a path out of the dark

Song of the Day: Master of Puppets (by Metallica)


MasterofPuppets

Latest “Song of the Day” comes courtesy of one of the Big 4 of thrash metal. I think anyone who is remotely a fan of metal music has heard of this song and whether it’s a favorite of theirs or consider it one of the best thrash metal songs out there there’s no denying that this song has more than earned all the praise heaped upon it.

This song has consistently been mentioned by metal aficionados everywhere to be one of the genres torchbearers. It has set a standard for the genre that many try to match and surpass and usually fail to do so. It’s a song that drives itself into ones brain and only gives the listener a brief respite in the song’s middle section which also happens to be an eargasm-inducing guitar solo.

What song do I speak of?

Well, if you’ve clicked on this post you already know since it’s in the title. But just in case you’re still confused as to the song. It’s Metallica’s greatest song: “Master of Puppets”.

Considered by the legendary Cliff Burton (may his great bass soul rest in peace in Valhalla) as his favorite song from the band’s third full-length album, “Master of Puppets” has become a staple of Metallica live performances worldwide. Even in their lost years under the guidance of Bob Rock this song was the light at the end of the tunnel that still brought out the band’s legion of fans.

The song also featured in one of the funniest scenes in one of my favorite comedy films of all-time: Old School.

But enough rambling…just sit back, grab yourself a glass of Jack and enjoy some epic thrash.

Master of Puppets

End of passion play, crumbling away
I’m your source of self-destruction
Veins that pump with fear, sucking darkest clear
Leading on your deaths’ construction

Taste me you will see
More is all you need
You’re dedicated to
How I’m killing you

Come crawling faster
Obey your master
Your life burns faster
Obey your master
Master

Master of puppets I’m pulling your strings
Twisting your mind and smashing your dreams
Blinded by me, you can’t see a thing
Just call my name, ’cause I’ll hear you scream
Master
Master
Just call my name, ’cause I’ll hear you scream
Master
Master

Needlework the way, never you betray
Life of death becoming clearer
Pain monopoly, ritual misery
Chop your breakfast on a mirror

Taste me you will see
More is all you need
You’re dedicated to
How I’m killing you

Come crawling faster
Obey your master
Your life burns faster
Obey your master
Master

Master of puppets I’m pulling your strings
Twisting your mind and smashing your dreams
Blinded by me, you can’t see a thing
Just call my name, ’cause I’ll hear you scream
Master
Master
Just call my name, ’cause I’ll hear you scream
Master
Master

Master, master, where’s the dreams that I’ve been after?
Master, master, you promised only lies
Laughter, laughter, all I hear or see is laughter
Laughter, laughter, laughing at my cries

Hell is worth all that, natural habitat
Just a rhyme without a reason
Never-ending maze, drift on numbered days
Now your life is out of season

I will occupy
I will help you die
I will run through you
Now I rule you too

Come crawling faster
Obey your master
Your life burns faster
Obey your master
Master

Master of puppets I’m pulling your strings
Twisting your mind and smashing your dreams
Blinded by me, you can’t see a thing
Just call my name, ’cause I’ll hear you scream
Master
Master
Just call my name, ’cause I’ll hear you scream
Master
Master

Song of the Day: Hotel California (by The Eagles)


Time for the latest “Song of the Day” and this one has grown on me with each passing year: “Hotel California” by The Eagles.

I must admit that the group was never a favorite of mine growing up. I rarely listened to them and when they came on the radio I used to change the station. But as the years passed I began to give them more of a chance. I think part of it comes from the fact that this band is one of my Dad’s favorites. So, I gave them a chance in my advancing years. I guess with age does come wisdom since I began to really dig the band that I’ve dismissed as typical “adult contemporary” music in my youth. This just goes to show that the adage that sometimes “youth is wasted on the young” has some truth to it.

“Hotel California” is my favorite of all the songs The Eagles have ever made. It’s not just catchy but the song also plays out like some sort of tale being sung by bards of old. Well, bards of old until we get to the dueling guitar solos by Don Felder and Joe Walsh which forms the climactic finish to the song. Guitar solos that I must say earns its place in rock pantheon as one of the best. That’s fact and not hyperbole.

FACT.

Another reason why this song of The Eagles is a favorite of mine is just the sense of the ominous just below the surface of the song. The lyrics does play out like a story, but a story tinged with a sense of malice and just a hint of the supernatural. It’s no wonder some of the more religious-minded fans of the song consider “Hotel California” as a song that details a time spent inside the Annton LeVay purchased San Francisco hotel called Hotel California which was converted into what would become the Church of Satan.

Lastly, I just plain love this song for the fact it paints my home state of California as something more than just a place to live and work in, but a place half in and out of reality.

Hotel California

On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
‘this could be heaven or this could be hell’
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say…

Welcome to the hotel california
Such a lovely place
Such a lovely face
Plenty of room at the hotel california
Any time of year, you can find it here

Her mind is tiffany-twisted, she got the mercedes bends
She got a lot of pretty, pretty boys, that she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the captain,
‘please bring me my wine’
He said, ‘we haven’t had that spirit here since nineteen sixty nine’
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the hotel california
Such a lovely place
Such a lovely face
They livin’ it up at the hotel california
What a nice surprise, bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said ‘we are all just prisoners here, of our own device’
And in the master’s chambers,
They gathered for the feast
The stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
‘relax,’ said the night man,
We are programmed to receive.
You can checkout any time you like,
But you can never leave!

Song of the Day: Summer Wind (by Frank Sinatra)


SummerWind

Summer is still months away. Hell, Spring still won’t arrive for another five or so days, but I’m on a Frank Sinatra kick tonight and what better choice for the latest “Song of the Day” than one of Ol’ Blue Eyes’ seasonal songs.

“Summer Wind” remains one of the classic Sinatra tunes and also one of my favorite songs of his. I think most of his songs are favorites of mine which just goes to show just how much of an icon he has become. Growing up with a father who was a Sinatra fan through and through it didn’t surprise many that I would also end up becoming a fan of the Chairman of the Board.

This particular song wasn’t even originally sung by Sinatra. Wayne Newton had made the song a No. 1 hit single a full year before Sinatra, but it’s once Sinatra had gotten a hold of the song and made it his own that people will forever remember “Summer Wind” as Sinatra and Sinatra-only. The Newton version is not bad and very good as well.

Now, time to pour me a glass of absinthe and mellow out to the coming of the summer wind even if it’s still three months away…

Summer Wind

The summer wind came blowin’ in
From across the sea
It lingered there to touch your hair
And walk with me

All summer long
we sang a song
And then we strolled that golden sand
Two sweethearts and the summer wind

Like painted kites, those days and nights
They went flying by
The world was new beneath the blue
Umbrella sky

Then softer than a piper man
One day, it called to you
I lost you I lost you to
The summer wind

The autumn wind
And the winter winds
They have come and gone
And still those days
Those lonely days
They go on and on
And guess who’s sighs
His lullabies through nights that never end
My fickled friend,
The summer wind
The summer wind warm summer wind
Mmm the summer wind

Song of the Day: Lead Me Home (by Jamie N. Commons)


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Whoever has been in charge of choosing the songs that make up the soundtrack for AMC’s The Walking Dead I must salute you. With Bear McCreary’s Southern gothic-influenced score this show has been flush with some excellent songs to end particularly strong episodes. Last week’s strong episode of The Walking Dead saw a favorite character from season 1 make an emotional and heartbreaking return. It also helped refocus the show’s main lead to forging past his own psychological and emotional problems to take on the looming war about to begin.

The song which ended this episode is my choice for “Song of the Day” and it’s from British songwriter-musician Jamie N. Commons.

“Lead Me Home” doesn’t just end the episode but also helps put a spotlight on this show’s third season and it’s many themes concerning not just the zombie apocalypse the survivors must exist and survive in, but how they go about this task. The song’s lyrics takes on the show’s very Southern gothic roots as Rick, Michonne and Carl drive away from Rick’s hometown passing by wrecked vehicles, bodies both freshly killed and decaying.

The song really hit home when they pass by the mauled remains of the backpacker they ignored and passed by earlier in the episode whow as begging to be picked up and saved. It’s this scene which brings to light how much cynicism and distrust as entered these survivors. Faith in the goodness of people has been abandoned for the sake of survival and the roadside remains of their inaction to save this backpacker when he most needed it was shown in gory detail. It’s not the Lord that’s inside them now, but darkness and it will be a long way back before Rick and his people can lead themselves back “home”.

Lead Me Home

Oh lord live inside me, lead me on my way
Oh lord live inside me, lead me on my way
Lead me home
Lead me home

Oh lord in the darkness, lead me on my way
Oh lord in the darkness, lead me on my way
Lead me home
Lead me home

Hmmmmm
Hmmmmm

Oh lord heaven’s waiting, open up your door
Oh lord heaven’s waiting, open up your door
Lead me home
Lead me home

Lead me home
Lead me home

Lead me home
Lead me home

Song of the Day: Hold On (by Tom Waits)


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Whether one loves, likes, hates or is indifferent when it comes to AMC’s The Walking Dead tv series I haven’t heard much complaint from most about the producers on the show’s taste in music. This show has done a great job in picking an eclectic selection of tunes that fit the mood of the show as a whole or a particular episode. This past weekend’s new episode hasn’t broken that streak of quality choices and it’s the producers’ choice for this past episode that makes our latest “Song of the Day”.

“Hold On” by Tom Waits would’ve made this list even if The Walking Dead didn’t use it to end their latest episode. I mean it’s Tom Waits. He’s the only reason why. Again, he’s Tom Waits, enough said. So, “Hold On” is the latest song in this long-running feature and it didn’t just fit in with The Walking Dead episode, but it’s also by Tom Waits.

Once again, it’s Tom Waits.

“Hold On”

They hung a sign up in out town
“if you live it up, you won’t
live it down”
So, she left Monte Rio, son
Just like a bullet leaves a gun
With charcoal eyes and Monroe hips
She went and took that California trip
Well, the moon was gold, her
Hair like wind
She said don’t look back just
Come on Jim

Oh you got to
Hold on, Hold on
You got to hold on
Take my hand, I’m standing right here
You gotta hold on

Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone is looking for someone to blame
But you share my bed, you share my name
Well, go ahead and call the cops
You don’t meet nice girls in coffee shops
She said baby, I still love you
Sometimes there’s nothin left to do

Oh you got to
Hold on, hold on
You got to hold on
Take my hand, I’m standing right here, you got to
Just hold on.

Well, God bless your crooked little heart St. Louis got the best of me
I miss your broken-china voice
How I wish you were still here with me

Well, you build it up, you wreck it down
You burn your mansion to the ground
When there’s nothing left to keep you here, when
You’re falling behind in this
Big blue world

Oh you go to
Hold on, hold on
You got to hold on
Take my hand, I’m standing right here
You got to hold on

Down by the Riverside motel,
It’s 10 below and falling
By a 99 cent store she closed her eyes
And started swaying
But it’s so hard to dance that way
When it’s cold and there’s no music
Well your old hometown is so far away
But, inside your head there’s a record
That’s playing, a song called

Hold on, hold on
You really got to hold on
Take my hand, I’m standing right here
And just hold on.

Song of the Day: Nothing Else Matters (by Metallica)


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For only the rare times when we get more than one “Song of the Day” posted in the same day. This time it’s for that special day we call Valentine’s Day. Resident editor of all things art and photography Dazzlin’ Erin posted earlier tonight a song that tells one and all to love the one we’re with. It’s a celebratory song.

To help close out 2013′s Valentine’s Day I’ve chosen a much more intimate ballad that speaks of the love that survives the trials and tribulations of distance and being far apart. The song is Metallica’s power ballad from their Black Album and has become one of their signature songs. “Nothing Else Matters” remains one of the more popular power ballads and, coming from the band’s pre-rock era which most younger listeners know them more nowadays, quite a lovely song from the kings of thrash.

I’ve chosen the live and symphony-backed version of the song conducted by the late Michael Kamen. Part of the set-list for their metal and symphony show, S&M, the song takes well to the addition of a 100-piece symphony orchestra that doesn’t just repeat the same notes, but adds so much more nuances to the song. This could be heard quite clearly when the song reaches the guitar-solo part. This time around we get the string section, especially the violins, giving voice to the emotional aspect of the song. It’s my favorite part of the song and can listen to it over and over.

Happy Valentine’s Day…til next year.

Nothing Else Matters

So close, no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
and nothing else matters

Never opened myself this way
Life is ours, we live it our way
All these words I don’t just say
and nothing else matters

Trust I seek and I find in you
Every day for us something new
Open mind for a different view
and nothing else matters

never cared for what they do
never cared for what they know
but I know

So close, no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
and nothing else matters

never cared for what they do
never cared for what they know
but I know

Never opened myself this way
Life is ours, we live it our way
All these words I don’t just say

Trust I seek and I find in you
Every day for us, something new
Open mind for a different view
and nothing else matters

never cared for what they say
never cared for games they play
never cared for what they do
never cared for what they know
and I know

So close, no matter how far
Couldn’t be much more from the heart
Forever trusting who we are
No, nothing else matters