James Bond Review: For Your Eyes Only (dir. by John Glen)


For Your Eyes Only marks a few changes in the way EON Productions wanted to go with James Bond.  With Moonraker being so over the top, the producers decided to go a little more low key and practical. After working on the 2nd unit for Moonraker and a few other Bond Films, John Glen would step up to the plate as the director for this and every 007 film leading up to Goldeneye. Instead of John Barry working on the music, Bill Conti would take over here, which ended up being a very different kind of sound for the film, one fitting of the early 80s.

For Your Eyes Only opens with an interesting start, having Bond visit the grave of his wife, Tracy, who was killed during the events in Her Majesty’s Secret Service. Bond is informed that his helicopter is ready, but when he climbs inside, he finds that it’s under the control of someone with a serious grudge, and though we can’t see his face, we’re to assume he could be Ernst Starvo Blofeld. Supposedly, the scene, which ends with Bond reclaiming control of the helicopter and dropping the would be Blofeld into a chimney pipe, was a jab at writer Kevin McClory. Over the years, the Thunderball lawsuit caused some rifts between McClory and EON Productions. The statement made with For Your Eyes Only was that EON could come up with plenty of great stories without having to use a signature villain like Blofeld. They’d been successful with two movies back to back using Richard Kiel as the henchman Jaws, and probably felt they were doing pretty well. In reponse, McClory would give the Thunderball another try in the bond film Never Say Never Again (which isn’t part of the EON produced Bond films, and won’t be found in any of their Bond Blu-Ray / DVD compilations.

Similar to Tomorrow Never Dies, the story starts with a boat being attacked and sunk. Bond is asked to retrieve a targeting system from the ship and return it to Britain before the Russians do the same. One of the great things about the time period is that since it was pretty much the Cold War, everything was a black ops -sneak in, sneak out – scenario to avoid World War III and nukes being fired by both sides.

The Bond Girl for this film is Melina Havelock (Carole Bouquet), who I really liked here. After her parents are gunned down on their boat, she picks up a bow and arrow to take revenge. As a result, she manages to run into Bond on a number of occasions and had a real sense of calm to her (or as calm as one could be when facing a giant fellow in a scuba suit). The villain of the story, Kristatos was played by Julian Glover, who I enjoyed in Indiana Jones and the Last Crusade and currently on Game of Thrones. I didn’t care much for him in Harry Potter and the Chamber of Secrets as Hagrid’s pet spider, Aragog. One thing to note about Glover is that at one point, he was approached to actually play Bond after Connery left. An interesting casting choice if you notice him is Charles Dance as one of the henchmen and Fiddler On the Roof’s Topol, who played a former business partner of Kristatos’. I found that kind of fun, that you could see these actors here in 1981 that people are familiar with to some degree. The year this came out, Liam Neeson was in Excalibur, for example.

The story features a number of good moments, particularly a great snow skiing chase, a mountain climb as well as a fight between Bond and some hockey players. There’s even a well filmed underwater sequence. Of the Roger Moore Bond films, I always thought of this one and The Spy Who Loved Me as two of his best. With the mission being as small as it is, there wasn’t a lot of room for anything as wild as Moonraker. It’s a pretty tight, practical film that doesn’t rely too much on the gadgetry of the other films. It should also be pointed out that like The Spy Who Loved Me, the signature car for Moore’s Bond is still a Lotus, as I don’t believe the Aston Martins made an appearance until The Living Daylights. That was a little of a letdown for me, but otherwise, the film is beautiful.

Tomorrow, The Shattered Lens takes on Octopussy, a film that showcases just how deadly the circus can be when James Bond is involved. We’ll leave you with the theme song to For Your Eyes Only, sung by Sheena Easton.

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One response to “James Bond Review: For Your Eyes Only (dir. by John Glen)

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