Michael Wadleigh’s Wolfen (1981) remains one of my favorite stories with wolves, though there are no actual werewolves in the movie. It’s a great and underrated film, though I’m not quite sure if it really can be considered Horror. There’s bloodshed, yes, but not a lot when compared to the more superior The Howling, which came out in the same year.
The film in a nutshell is that you have the Bronx. Back in the late 70’s and early 80’s, the Bronx was a warzone, and there were a number of films showcasing the decay of the area (Nighthawks and Fort Apache: The Bronx are two good ones). When a real estate mogul who’s developing buildings in the area and his wife are brutally murdered, Detective Dewey Wilson (Albert Finney) is partnered with a terrorism expert (Diane Venora) to solve the crime.
Through the film, Dewey discovers that the murders are being done not by people, but the spirits of ancient indians in the form of Wolves – or better to say that they were hunters from an older time. The Wolfen, as they’re called, are scavengers of the city’s decay, feeding off of those who won’t be missed – derelicts and the like.
While Finney and Venora carry the film, Gregory Hines has some fun lines as the local NYPD mortician and Tom Noonan’s Wolf Expert was interesting, though a little strange. The best person in the supporting cast (who doesn’t have as much time to work with) is Edward James Olmos, in a surprising turn as Eddie, who is believed to have something to do with the murders, but later helps put Dewey in the right direction.
Supposedly, the movie was a little heavy handed with all of the anti-terror angle they tried to use. From what I’ve read, it wasn’t a major part of Whitley Streiber’s novel of the same name and it tends to steer the audience away from the actual problem. I mean, the audience is seeing wolves do this (or at least are seeing something animalistic do it), so to bring in the notion that there’s a terrorist plot involved kind of went over my head. The movie would have been tighter without it, I believe anyway.
One of the cooler elements of the movie is that you are able to see things through the eyes of the Wolfen themselves in an infrared vision style. While this was done with movies after it like Predator, and films before it like Westworld, Wolfen was my first experience with the effect. That, coupled with James Horner’s score (a mixture of themes you’d later find in Star Trek II: The Wrath of Khan and Aliens), lend to some of the style. Unfortunately, Wolfen is a somewhat difficult film to find in terms of obtaining the DVD for it, but the film has been on Netflix. If you have a chance to catch it, it’s an interesting watch.